What Sparks Poetry is a serialized feature in which we invite writers to explore experiences and ideas that spark new poems and other writing. In Delineated: Prose Writers on Poetry, prominent writers of fiction and non-fiction reflect on how poetry illuminates their creative lives, whether as inspiration, a daily practice, or a thread of hope through difficult times.
Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking. When the rooms were warm, he’d call, and slowly I would rise and dress, fearing the chronic angers of that house,
Speaking indifferently to him, who had driven out the cold and polished my good shoes as well. What did I know, what did I know of love’s austere and lonely offices?
"I often think about the precision in Hayden's language. The words that take on the work of casting several meanings. 'What did I know, what did I know/of love’s austere and lonely offices?' I know all the words he used, but in this formation, with the repetition, the odd use of the word 'offices' and its proximity to the words 'austere' and 'lonely,' the words seem alien and strange in the best way."
Nick Ripatrazone discusses four newly published collections, including work by Isabel Duarte-Gray, Donika Kelly, Christopher Merrill, and Eiléan Ní Chuilleanáin. Of the last he writes, "Her Collected Poems is a worthy testament to a notable life in poetry, beginning with the 1972 collection Acts and Monuments, and reaching to recent works."
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