What Sparks Poetry is a series of original essays that explores experiences and ideas that spark the writing of new poems. In Reading Prose, poets write about poetic language as patterned language—how words as sound, voice, sentence, and song become elements of form. Each Monday's delivery brings you a poem and an excerpt from the essay.
                                         —We Belong Together

                                        an ANGELLO FABRICATION

 

Fold with time into multiples of mind melt leaving a sorrow as wide as love. Could we uncouple "the past" from its fold with the "present"? Like worms made one into two with a slice, how does a meteor cause crashing waves? Instead, let us pass echoes to each other—the world is no further than this: our shared space turned fig upon the palm, our we-wing wasp wending inside, feeding off such lush gardens unpeeled to human eyes, so many skyless dreams ravenous beneath our childhoods.

from the book TARTA AMERICANA /  Penguin Random House
READ ABOUT TODAY'S POEM
Share Share
Tweet Tweet
Forward Forward
Cover of Tarta Americana
What Sparks Poetry:
J. Michael Martinez on Reading Prose


"I wanted to understand its syntactic logic of worlding, and, so, I mirrored Angello's process: in my work, I chose to meditate, word by word, on the chorus of Ritchie Valens' "We Belong Together." The prose poem sequence that emerged became a structuring force for the book as a whole; the sequence's prose ruminations on temporality, the body, and love, spread out across the book, acted as scaffolds to Tarta Americana's overarching themes."
READ THIS WEEK'S ISSUE
Illustration of flowers
You Make Poetry Daily

Poetry Daily is reader supported. Your donation this season will allow Poetry Daily to thrive for years to come. Thank you for all you do for poetry.
SUPPORT POETRY DAILY TODAY
Headshot of Toby Altman
An Interview with Toby Altman

"For one thing, the poetics that emerge in Discipline Park are more occasional. The poems are often linked to specific places and times. They're also more environmental—they're responding to specific environments. But the poems are also more personal, almost confessional. The lyric 'I' enters the work in a way it hadn't before. Finally, the reference points are more modernist. For example, I was actively thinking about Gertrude Stein while working on Discipline Park as a poetic instance of the kind of modularity and repetition one finds in brutalist architecture."

via FULL STOP
READ ALL TODAY'S HEADLINES
donate
View in browser

You have received this email because you submitted your email address at www.poems.com
If you would like to unsubscribe please click here.

© 2024 Poetry Daily, Poetry Daily, MS 3E4, 4400 University Dr., Fairfax, VA 22030

Design by the Binding Agency