What Sparks Poetry: David Gorin on Life in Public "The surface of the moon in winter is a figure for isolation. It could be a happy isolation, the kind that writers and artists often seek to do their work, which we often dignify with the name 'solitude.' Its 'winter' could imply what Wallace Stevens had in mind in 'The Snow Man,' a state in which one sees 'nothing that is not there'—that is, without projection or illusion. But that isolation might also be the kind that isn’t happy. It could be the kind that comes with being close to people in the wrong way, or the one to which you flee when you have experienced wrong closeness, where intimacy is a vector for harm." |
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An Interview with Daisy Fried "I went to Poland this summer, in part because I generally like Polish poets. I was there for 11 days, and I decided I was just going to take one poet, Zbigniew Herbert. I read a bunch of his work. He’s very interesting. He’s dealing with sort of the post-war 20th-century atrocities, living under communist rule, all that kind of stuff. There’s a lot to learn from him. He uses very little punctuation, so I started trying that out: What are the possibilities of creating narratives without punctuation, and how do you control them?" viaZÓCALO |
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