What Sparks Poetry is a serialized feature in which we invite writers to explore experiences and ideas that spark new poems and other writing. In Delineated: Prose Writers on Poetry, prominent writers of fiction and non-fiction reflect on how poetry illuminates their creative lives, whether as inspiration, a daily practice, or a thread of hope through difficult times.
1

In a shoe box stuffed in an old nylon stocking
Sleeps the baby mouse I found in the meadow,
Where he trembled and shook beneath a stick
Till I caught him up by the tail and brought him in,
Cradled in my hand,
A little quaker, the whole body of him trembling,
His absurd whiskers sticking out like a cartoon-mouse,
His feet like small leaves,
Little lizard-feet,
Whitish and spread wide when he tried to struggle away,
Wriggling like a minuscule puppy.

Now he's eaten his three kinds of cheese and drunk from his
bottle-cap watering-trough—
So much he just lies in one corner,
His tail curled under him, his belly big
As his head; his bat-like ears
Twitching, tilting toward the least sound.

Do I imagine he no longer trembles
When I come close to him?
He seems no longer to tremble.

2

But this morning the shoe-box house on the back porch is empty.
Where has he gone, my meadow mouse,
My thumb of a child that nuzzled in my palm? —
To run under the hawk's wing,
Under the eye of the great owl watching from the elm-tree,
To live by courtesy of the shrike, the snake, the tom-cat.

I think of the nestling fallen into the deep grass,
The turtle gasping in the dusty rubble of the highway,
The paralytic stunned in the tub, and the water rising,—
All things innocent, hapless, forsaken.
from the book THE COLLECTED POEMS OF THEODORE ROETHKE/ Doubleday
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Cover of Theodore Roethke's Collected Poems
What Sparks Poetry:
Charles Baxter on Theodore Roethke's "The Meadow Mouse"

"When a poem begins to pile up the similes, comparing an object to multiple other objects, there’s going to be trouble. Multiple similes signify instability. An emotional shift is likely to take place, a disappearance or a metamorphosis. What we get in the second part of 'The Meadow Mouse' is a disappearance."
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Color headshot of a contemplative Ayodele Nzinga
Ayodele Nzinga, Oakland’s First Poet Laureate

“An actor, playwright, poet and producer, her work is deeply personal and political, but not in an individualistic sense. Her productions spotlight marginalized peoples, telling stories about threatened communities, often written by artists who themselves are pushed to the edges of American theater." 

via EAST BAY EXPRESS
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