What Sparks Poetry is a serialized feature in which we invite poets to explore experiences and ideas that spark new poems. In Books We’ve Loved, our editorial board members reflect on a book that has been particularly meaningful to them in the last year. Each Monday's delivery brings you a poem from the book and an excerpt from the essay. 
Young buck tapping
its velvet against the
bathroom window in
the morning. The land
leaning in the pines,
the well, cattails,
muscadines, hot metal,
in the shed, chicory on
the stove at twilight. In
the orange morning I
rose w/ my grandfather,
w/ the larger animals
of our imagination, and
warmed the truck to go
to the water. On the
way I laid down in the
truck bed and caught a
rabbit barely in the
grasp of a hawk. What
did I know about being
hunted? I knew
everything. The meek
don't inherit shit—I
stuffed my mouth with
pine needles and spit, bled
and spit, at the
root, and look where it's
got me—landless. If
the water was a myth, then
I went in looking
for my dog only to find
my grandmother's
armchair. I rode it as I
would any wet story—
to deeper blue. Listen:
by lamplight my
grandfather would lead
me to the edge of the
woods—this is yours—
then he would kill the
light. If I told you he
flew back to his house,
what are you supposed
to believe; it was just
me and my green hope
pressing through the
black. How else am I
supposed to enter the
world if I'd already left
once: as myth: not set
apart: but as a small
shelled thing: low:
toiling in the dirt: lifting
every bit of black to
breathe
from the book INHERITANCE / Alice James Books 
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Cover of Taylor Johnson's book, Inheritance
What Sparks Poetry:
Brian Teare on Taylor Johnson's Inheritance

"Restless, improvisatory, Johnson favors no single subject matter or mode. They are a poet of theory and memory, of essay and anecdote, of ode and aubade, of self-portraiture and landscape, of deconstruction and sex. Their poems are rangy in form–prose, erasure, projective, epistolary, ekphrastic, even a pantoum and a sonnet–and equally rangy in scene and setting."
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Black-and-white close-up headshot of Karen Solie
"A Conversation with Karen Solie"

"Perhaps comfort comes by way of other people, but solace is experienced alone. The way wonder can be a lonely place. Keeping these questions alive in a poem or in a book—not to settle on things—and to feel that my idea of who I am is somewhat provisional, or at least changeable, feels important to me."

via LOS ANGELES REVIEW OF BOOKS
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