If, as Carter Ratcliff writes in this weekend’s issue, we seek out works of art to “encounter the pow
| If, as Carter Ratcliff writes in this weekend’s issue, we seek out works of art to “encounter the power, the authority, of a profoundly creative self,” we are also drawn to them for the community of values and shared vision they represent. They are our portals into a past and a future that feel as alive as the current moment.A participatory culture is a healthy culture, which is one of the many reasons why Hyperallergic brings you a free flow of information and ideas about the arts each day. If you value our work, please consider becoming a member of Hyperallergic and help to keep our news and reviews accessible to everyone.— Thomas Micchelli, Co-Editor, Hyperallergic Weekend | |
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| | Joan Mitchell, More Like a Poet Curators and scholars have increasingly highlighted the importance of poetry to Mitchell’s art, though usually with so much circumspection that the link still remains obscure. Tim Keane |
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| Every Dealer’s Nightmare: The Inevitability of Fakes The media almost always overlook what is truly interesting about fakes: not who made them, who sold them, or who was in on the scam and who was not, but what they tell us about art and those who produce it. Carter Ratcliff |
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| Required Reading This week, Mister Rogers’s cardigans, the myth of Noblesse Oblige, inequity at a LA museum, digital media’s issues, and more. Hrag Vartanian |
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