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WeekendAugust 28, 2021 • View in browserThis weekend, Carl Little highlights pioneering African American artist and curator David Driskell, whose current retrospective “goes a long way toward making up for lost time.” Meanwhile, Carter Ratcliff turns his attention to the exuberance and activism that defined the Pattern and Decoration movement in art. The issue rounds out with Mark Scroggins on Ellen Dillon’s Mallarmé-inspired poetry, Eileen G’Sell’s ambivalence about Annette, and Robert Archambeau’s look at near-communication in the art of Caroline Kent. Update your preferences to subscribe to our Daily and Weekly newsletters. David Driskell’s Wheel of ActionA retrospective pays homage to the pioneering artist and curator, who passed away last year. | Carl Little Revisiting the Joy of Pattern and DecorationThe Pattern and Decoration movement was a hard-charging assault on traditions both ancient and oppressive. It was also an explosion of joyously liberated impulses. | Carter Ratcliff Support HyperallergicOur membership program makes it possible for us to dive deeper into important issues and topics. Want to be part of the future of independent arts journalism? Become a Hyperallergic MemberThe Art of Not CommunicatingCaroline Kent’s installation practically vibrates with the energy of near-connection and near-signification. | Robert Archambeau Making Poetry From Mallarmé’s MistakesEllen Dillon’s verdict on Mallarmé’s pedagogical text? Pretty shaky. | Mark Scroggins Brilliant? Hatable? Annette Is Both (and Neither)It remains to be seen whether future critics will see the film as contrarian triumph or empty provocation. | Eileen G’Sell Required ReadingThis week, the world's biggest Pokémon card collector, how a photojournalist was killed in Afghanistan, Dan Hancox and Kasia Tomasiewicz, writing for Coda, discuss how children's toys may be normalizing surveillance, coopting "woke," and much more. | Hrag Vartanian IN OUR STORE Japanese Prints Glass Coaster SetThese elegant coasters feature details from four ukiyo-e prints in the Metropolitan Museum of Art's collection. Torii Kiyonaga, Yashima Gakutei, and Katsushika Hokusai are the artists behind these 19th-century artworks.
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