| | | | | | | | Le trader
© TOUMS (Thomas Gosset) | | | | | | Primitive Acids | | | | 20 October – 12 November, 2017 | | | | Opening: Friday, 20 October, 7-11pm | | | | | | | | | | | | | | | | Le baiser radioactif
© TOUMS (Thomas Gosset) | | | | | | Urban Spree Gallery is proud to present "Primitive Acids", the first German solo gallery show of the French experimental analog photographer Thomas Gosset a.k.a. Toums.
Wandering between his native Bordeaux and Berlin, Toums redefines the medium of analog artistic photography by attacking his negatives with acids, ink, paint and other physical alterations and combining his skillsets with a dark contemporary mythology.
Working in darkroom and strictly excluding all forms of modern technique, his practice lurks in the footsteps of the late 19th century pioneers and early 20th century surrealist avant-gardes.
Portraits are his preferred genre. Toums destructures them until they achieve the transmutated vision that the artist has assigned to them. Like a deus ex machina, the photographer creates the portrait with his camera and subsequently creates the final image through his manipulations ex-post.
Utterly disrespectful of the medium, desacralizing it in order to provide a new meaning, Toums is a rare breed of an iconoclast photographer, with filiation looking towards Joel-Peter Witkin, Pierre Molinier, and Roger Ballen.
His direct and deadly intervention on the film, the materia prima of his work, procures a highly unstable result. Soon to be destroyed by acids, slowly corroding the matter, the films are revealed in the darkroom process and printed on silver gelatin. As the film returns to dust, the portraits become fugitives, trying to escape their own fate, living in a printed dimension and refusing mortality. It is no accident that most Toums compositions are building a new mythology with some elements borrowed from the Greek corpus of myths.
"I destroy my own films with the intention of entering in the very heart of the photosensitive material, which allows me to have a direct control over the frozen reality that I destructure at will. The goal being to understand this matter as painting with the intention of pushing back the normal process of photography to expand my own field of investigation and thus regain an imaginative and narrative freedom. For years I wanted to freeze absurd moments in reality." | | | | | | | | | L'usine humaine
© TOUMS (Thomas Gosset) | | | | | | Thomas Gosset is a 34 years old self-taught artist born in Bordeaux. Initially inspired by "Les Récréations photographiques" of end of the 19th century and the Avant-gardes of the 20th century, he reinterpreted them a century later in oder to offer a contemporary surrealist and subversive photography. He discovers the fragility of his practice after the theft and the destruction of all his negatives, draws and notebooks in Paris in 2013. He decides then, to free himself completely from his previous work by focusing his research on the deep meaning of the image and its genesis, which will lead him to the very heart of the photosensitive matter. The result is a pictorial, chaotic photography with a tragic beauty in which tattered bodies rub with faceless souls. Those figures bear the irreversible scars he inflicts on his negatives, by mutilating or recomposing them.
More information: www.toums.fr | | | | | | | | | Le shaman
© TOUMS (Thomas Gosset) | | | | | | unsubscribe here
Newsletter was sent to [email protected]
© 6 Oct 2017 photography-now.com
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected]
T +49.30.24 34 27 80 | | |
| |
|
|
