"A Review-in-Dialogue of Joan Naviyuk Kane’s Dark Traffic” "I’m struck by the beauty of the language and also the strangeness and unfamiliarity of some of the vocabulary itself (e.g., cincture, maculation, apoidea, oxlip), along with the askew collisions of these words into seemingly common and conventional syntax. What I appreciate is Kane’s resistance to facile explanation, as if refusing to give the reader the satisfaction of easy epiphanies or conclusions." via LOS ANGELES REVIEW OF BOOKS |
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What Sparks Poetry: David Herd on Emily Dickinson's [I Dwell in Possibility —] "The poem’s possibilities are many. You feel them at every turn; in every space held open by her signature dash. The windows are numerous in this house because the poem’s meanings shift, each word opened to the range of its definitions. When she occupies in the final stanza–when she states her 'occupation'– we see her in her self-appointed role as maker of poems." |
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