Waking,
Jane Griffiths
the book you were reading called Night still
fly-leaved to your fingers, the bedside
light casting shadows like bison running at full
stretch for centuries now, you know of course
you have been dreaming of the cave's wide
mouth and a small boat negotiating
the underground stream to its receding source:
you have the word bark on your tongue,
the root of it twisted and solid in the shifty room
as the thick of the current, the needlepoint
eye of the creature in the eye of the hunt, or the storm.
from the book LITTLE SILVER / Bloodaxe Books
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17th century painting "The Merry Student" by artist Gerard van Honthorst
Top Ballads of the 17th Century

"While ballad lyrics have been studied previously, Marsh wanted to put the music center stage. To achieve this, he enlisted members of the Carnival Band—known for playing an eclectic mix of instruments in styles encompassing folk, classical, baroque, medieval, and Arabic music—alongside other musicians. Using 17th-century instruments, the musicians recorded the most popular ballads of early modern England, some of which contain up to 98 verses. These recordings are now available on the 100 Ballads website."

via ATLAS OBSCURA
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Cover of Dior J. Stephens's Cruel/Curel
What Sparks Poetry: Dior J. Stephens on "UYP 7"

“The plum and the plum tree, then, became a philosophical center for me. Or, if not center, a lily pad of poetic thought, leading me to reflect on what exactly it meant for such fruition, such overabundance, to result in death, rot, and souring. And how, in a number of ways, these stages of growth remarked upon the trends of capitalism, (over)production and exploitation in Western society. I couldn’t help but wonder, day after day, if this cycle—that of bud to bloom to death and decay—was inevitable in all arenas of life.”

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