I can see my mother, apron over her nightgown,
setting the table for breakfast, a stack of lavash
steaming at the center, honey and milk skin,
feta with fruit, chickpea-and-chicken mash
dusted with cinnamon. I can see my father,
already in his coveralls and cap,
filling a cup to the brim with hot tapwater
and emptying it into another cup

and emptying that cup into another
until all three are warmed for tea. I can hear
the kettle whistling and pull the covers tight
around my head, against the coming light,
for any moment now they will open the door
and lift the covers and find that I'm not there.
from the journalSMARTISH PACE
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Collage of the covers of three of the ten books reviewed in the article
Electric Lavender for Automatic Honey

David Orr highlights his best poetry books of the year. In particular, he selects those that have not yet attracted the attention they deserve.  Devin Johnson's collection, he notes, "is quiet, emotionally reserved and a marvel of technical prowess. These three qualities are currently almost as scarce in the American poetry world as Peloton bikes."

via THE NEW YORK TIMES
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Cover of Jillian Weise's book, The Amputee's Guide to Sex
What Sparks Poetry:
Dustin Pearson on Jillian Weise's "Beautiful Freak Show"


Up until encountering Jillian’s poetry, I’d more or less repressed or compartmentalized the emotions I felt as a result of my marginalization and always ultimately unsuccessful assimilation, both for fear of how dangerous I thought it was to indulge those emotions and out of societally formed habit. I found a way to misplace, overlook, or normalize horrible things, even if I always survived them."
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