Ed Skoog
My son likes to stay in hotels
because they have great pools,
but what I like is ironing a shirt
with the iron the hotel supplies
on the board that folds into the wall,
with the TV low, and whatever
weather is going on outside
in its most intense and local phase,
and what I feel in those moments
is both anonymous and myself,
not father, not son. My mother
was full of warnings about hotels.
One warning was never leave a glass
beside your bed, or you may fling
out your hand and slice your wrist.
And so I don’t. But then my son,
back from the swimming pool, says
if you die wearing glasses
your ghost will wear glasses.
I like to take off my glasses entering,
then go to the window and look out.
from the book TRAVELERS LEAVING FOR THE CITY / Copper Canyon Press
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"'The Iron' is the last poem in 'Travelers Leaving for the City,' setting compressed pleasure alongside magnified worry. I never iron at home, but do things differently away. The book’s first poem speaks of a terrified vision in a hotel room that unsettles me to this day, and the book’s central event is the murder of my grandfather in a hotel. Hotel rooms are metaphors; metaphors are adjacent rooms."

Ed Skoog on "The Iron"
A unity march near Cumming, Georgia—the Forsyth County seat—in 1987
"Do You Think You’re Not Involved?” 

"Trethewey challenged her friend to write about his whiteness, as she had written about her Blackness, and it prompted him to spend years investigating the lynching of a man named Robert Edwards, in 1912, and all the violence that followed: church burnings, house bombings, and night raids that forced out the nearly eleven hundred African-Americans who lived in Forsyth County at the time."
 
via THE NEW YORKER
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Cover of Elizabeth Bishop's Poems
What Sparks Poetry:
Michael Collier on Elizabeth Bishop's "The Fish"


"Early in my encounter with poetry 'The Fish' taught me that description has the ability to consecrate and even transubstantiate what’s being looked at, especially if it’s an object or thing, like a fish. In Bishop’s poem, the moment of consecration takes place as the speaker considers his eyes and notices among other things how 'They shifted a little, but not/ to return my stare.'"
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