The Inventors
Arielle Hebert
What will we think of next? Even paradise
was invented, perfect garden
surrounded by high walls, rusty nails
upholding the big gate’s
NO TRESPASSING sign.
The cookie-cut homes, ageless neighbors,
flowers that will never know the dirt of graves.
But everything has its opposite—
we invented that, too. The other side
of the fence, in the cold, where
we cover ourselves in skins of dead
animals, sharpen our daggers, and want.
History will say it was the engine of envy
that drove us off the cliffs of discontent.
Not the ache in a mother’s breast
as she buries another child, bells of
laughter no longer cresting from the crib.
No. They’ll look at our knees and think,
How filthy. From their towers, they’ll joke
how small we seem. Like ants.
Even our language separates us.
We both have a word for water,
but paradise does not know the word drown.
They heard us singing and did not notice
the silhouette on the pyre.
They eyed us dancing under June’s full moon
and said, They must be happy.
Who can blame them for believing
what they saw? Bodies
holding each other in the night,
against the darkness.
I have no excuse.
I was there, and I was also dancing.
from the journal SOUTHERN HUMANITIES REVIEW
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This poem is an attempt to resist elitism and embrace humanity. I drafted this in a Sunday writing group where we would each share some words from whatever we were reading, then we would mute ourselves and write a poem mining the list. One of the words that Sunday was “paradise.” I thought about how the existence of paradise meant the existence of non-paradise, how that parallels our real power structures, and on which side of the fence I want to be.

Arielle Hebert on "The Inventors"
Cover image of the issue of the Asheville Poetry Review in which "With the Help of Birds" appeared
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