Today's Headline: Eduardo Martínez-Leyva on His Debut, “Cowboy Park” I lost touch with my best friend from high school, like many relationships do, post-graduation. Years later at a fourth of July barbeque, I ran into him. He was an empty shell of himself. He’d spent 5 years in Iraq as a sniper and laughed about the lives he’d taken. This poem blossomed from a desire to go back in time. A time when he and I (and so many others) were innocent young men, navigating the world. Luke Johnson on "The Boys of Cass and Pacific" |
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Eduardo Martínez-Leyva on His Debut, Cowboy Park "I was trying to explain how the poems depict a family or community that has endured different types of oppression. I would like folks to see these figures that have been impacted in some way by societal structures. But nevertheless, there’s still heart, there’s beauty, and there’s strength there, despite those flaws. And I think that’s also my way of giving myself permission to depict the flaws in order to also show a little bit of their resilience." via LOS ANGELES REVIEW OF BOOKS |
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What Sparks Poetry: Carol Moldaw on Drafts "In many ways, this draft marks the end of my blind groping and the beginning of the poem proper. Nothing I’d written up to that point had caught my poetic interest linguistically; my thoughts, preoccupations, and perceptions had been floating around without substance or anchor. In this draft though, images began to coalesce, and the lines develop a distinctive voice—the poem’s voice." |
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