Suzanne Underwood Rhodes
The fly couldn't hold
but buzzed and flailed
on my kitchen floor,
its wires throwing lost signals
the way a phone rings
unanswered in a room.
Its sensilla retained the dust of a grape
as you must surely feel the last sweet air
before reaching the point
where the brain unplugs its love
and looks sideways.
from the book FLYING YELLOW / Paraclete Press
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When I write a poem, I look to the mystical power of metaphor to represent my experience, as when my sister Robyn was dying of breast cancer at age 38. I found a correspondence with this unthinkable—a fly tottering in a death dance on my kitchen floor seemed to signify Robyn’s own growing detachment from the world as she neared her end, painfully demonstrated when I called her hospital room and the phone rang and rang and rang. 

Suzanne Underwood Rhodes on "My Sister in a Coma"
Color medium-shot photograph of K-Ming Chang
"An Interview with K-Ming Chang"

"I’m interested in inherited stories and the collective memories of communities and families, as well as how those memories are metabolized in the body, and how they affect a character’s desires and agency. Myth-making is so playful and permission-giving because it’s a collective form of storytelling that doesn’t belong to just one person and refuses to be property."

via PEN AMERICA
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Cover of Gregory Orr's book, Concerning the Book That Is the Body of the Beloved
What Sparks Poetry:
Eric James Cruz on Gregory Orr's Concerning the Book That Is the Body of the Beloved


"There is a word that stands out to me now: dimensionality. It lives as hope in these poems, a much-needed balm in the face of our current social climate. Most breathtaking is the invitation Orr leaves for the reader: to keep seeking in the face of loss. These poems affirm to me that I exist in both sorrow and joy. I live in the tension of being both unmoored and tethered to the world."
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