Rationale
Chloe Martinez
Because she still won't sleep alone, you sleep deeply
with her small warm body wrapped in your arms.
Because it won't always be so, you let it be like this.

In the night you wake and read Ferrante again, your device
giving just enough light in the dark. Because you were waiting
for something, something came to you, despite recent despair,

despite your intermittent rages. Because you were in need.
Because the world seems to be ending more than usual.
Because your child in one of her fits flailed an arm,

broke a glass all over the supermarket floor, stood alone
by a case of cured meats, weeping, refusing comfort,
watched by worried passersby. Because you were in need,

the dawn came: those colors, why even try to describe
all the colors? And the sea rising darkly to meet them—
from the journal SOUTHERN HUMANITIES REVIEW
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Headshot of Afrizal Malna
In Conversation With Afrizal Malna

"I live only in Indonesian, a language stemming from a national policy to unify the hundreds of local languages in Indonesia. This reality has accustomed me to living within various languages I don’t understand. I’m accustomed to being part of the majority in certain situations, and part of the minority in others, because of the language I use. When I encounter my works translated into a foreign language, I am once again thrown into a foreign atmosphere. It is no longer my work, having moved into a different world, so I never know the results of the translation."

via ASYMPTOTE
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Cover of Mal Journal, issue 3, PlantSex
What Sparks Poetry:
Hua Xi on Language as Form


"Each stanza introduces a new scene and in doing so, a new plane of thought. Sipping tea, the necessity of money. caves, arteries….appear in turn. Each of these subjects raise new questions, but in continuation with each other, like the formation of some secret pattern. There is something in the poem which 'touches itself everywhere at once,' as Kapil writes, a preponderance of edges but not jagged or sharp ones."
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