Otherworldly
Mai Der Vang
                                When seen in profile, the saola's horns merge into one, and
                                the animal becomes single-horned—a unicorn by perspective.
                                Like that other one-horned beast, it stands close to being
                                the apotheosis of the ineffable, the embodiment of magic in
                                nature. Unlike the unicorn, however, the saola is corporeal.
                                It lives, and it can die.


                                                                               — William deBuys, The Last Unicorn


Sacred traveler            in the middle of               transcendence

not a unicorn      but a saola         not apparition     but actual.

I wander           uncertainty               in my steps          to picture

you      as you are                a beast timeless as                folklore

made to share in       this humanity.                      I count you as

epiphany      having landed      from your spark            among

the cosmos.            You flee              you defend            you heal.

You almost    fly                compassed                    by your horns.

You roam               solitary             in your stead              released

to be on             your own          so as to                                  surface

on     the inside with            manners of a saint.                  I take

no part of you       for granted                take little             hope in

the figment        you've       become.                             Mythical as

I romance                    you to be            you are              everything

corporeal           along the timeline of                this                  age

a bovid                                   alchemical                         as moonrise.
from the book PRIMORDIAL/ Graywolf Press
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Saola is a highly rare and critically endangered animal endemic to the Annamite Mountains between Laos and Vietnam. Its last known sighting was in 2013, and conservationists estimate there could be fewer than one hundred remaining although it’s unknown if Saola might already be extinct. I wrote this poem to examine the unstable feeling of romanticizing an animal into myth while it is also a living and breathing (albeit endangered) creature. Saola embodies this unique dichotomy, a tenuous existence on the verge of disappearance, and one can’t help but feel connected to its otherworldly essence.

Mai Der Vang on "Otherworldly"
cover for Theophanies by Sarah Ghazal Ali
"94th Annual California Book Awards Winners"

"The Commonwealth Club World Affairs of California’s California Book Awards has selected this year’s winners for its 2025 awards. One of the oldest and most distinguished literary award programs in the nation has chosen eleven winners out of twenty-eight outstanding finalists in six categories, out of hundreds of titles submitted." Theophanies by Sarah Ghazal Ali (Alice James Books) won Gold in Poetry, and Ward Toward by Cindy Juyoung Ok (Yale University Press) won Silver.

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cover of Fire Eater: A Translator's Theology by Chloe Garcia Roberts
What Sparks Poetry:
Chloe Garcia Roberts on Language as Form


"I’ve always enjoyed the thought of writing as a force that could effect the inversion of that arrow, the timeline, with its incessant forward hurl. For this piece though, I wanted to attempt to use my subjective experience as a basis for objective conclusions. I dreamt about writing poems that were lightly disguised as a proofs. 'Temporal Saturation' is the first poem in Fire Eater: A Translator’s Theology, and it is the template that I used for writing the rest of the book. The first part of the poem is analytic and the second lyric but neither section can exist without each other, they are one."
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