Myth
Joseph J. Capista

Cross a thin ribbon of sky which is, of course, the river. A child pits a bowl of olives with the bone-handled paring knife. Its blade is whetted too thin; it holds everyone's reflection but her own. She is eight. Off with your finger she says to no one, then lops off a tip, pinches its skin, and extracts with her teeth the olive pit, which she spits into another bowl. Three bowls, in all: one for what is hard, one for what is soft, one for what remains untouched. From the hook she has lifted, draped along her neck, and tied at the small hollow of her back the night. Clock, upon clock, upon clock. Still, who is prepared for this moment? If you want to hear better, close your eyes, she says. If you want to hear better, cover your ears. Each olive in the yellow bowl is black. Lining the river bridge are houses identical to this house; windows on one side hold the world, but windows on the other side hold the world. She counts sparrows on ratlines. When you stop dreaming of ghosts, she explains, then you have become a ghost. When she dreams, the olives in her dreams are green.

from the journal SOUTH DAKOTA REVIEW
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Art makes problems by solving problems, I tell students, and solves problems by making problems. After stepping away from the writing desk for some time―COVID chaos, teaching obligations, family preoccupations―I returned to it disenchanted with problems of received forms and accentual-syllabic verse. Where better to turn than the prose poem? Russell Edson defined the prose poem as “a burst of language following a collision with a large piece for furniture.” No injuries occurred during the making of this poem.
 
Hettie Jones
"Hettie Jones, Poet and Author Who Nurtured the Beats, Dies at 90"

"Ms. Jones was the author of 20 books, many of them works for children and young adults that focused on Black and Native American themes. Among them was Big Star Fallin’ Mama: Five Women in Black Music (1974), which included the biographies of Ma Rainey, Mahalia Jackson and Billie Holiday. Her first book of poetry, Drive, was published in 1997, and she went on to publish two more collections."

via THE NEW YORK TIMES
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What Sparks Poetry:
Ian U Lockaby on Edward Salem's "Fullness"


"In Edward Salem’s poem “Fullness,” thought is derailed, not from the first instant but nearly, and in each subsequent instant the poem expands and contracts simultaneously in a dissent against time and space, as it leads us to a divine, non-existent anal inner mountain, where there is nothing (and everything) to be seen (at once). Operating intertextually with a Godhead in its poetics of negation, the poem manages, paradoxically, to build possibility through its persistent negations. Each time a line of argument becomes discernable, it’s quickly and forcefully wrought back around its own tail, creating coils of energy in refusal."
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