Sunlight softens     helicopters hover
Skies above Brooklyn     Presidential
Visit, murder investigation, matters little.
Noise in the skies, noise on the ground.

You should prune the morning glories
I tell my elderly neighbor.
She refuses. She likes the way the vine has
Curled around her fence with a ferocity
That cannot be so easily cut back. I get that.

Wildness is rare on a Brooklyn city block,
Old roses return late May as if to say, ha! you
Think we do not know the season? Squirrels
Roam the bricks of buildings, while the gleaners
Fight with raccoons for the spoils of left-out trash.

Huge green leaves for plants with names
Unknown to me sparkle on mornings bright
And dead tree leaves demand constant sweeping away.

The tabby is big, old, and tired—too many kittens
Not enough food—these are ungenerous cat lovers.

Neighbors greet each other and shake their heads
At the young men and women, mostly, but not
All Whitefolk running running—or their faces
Drowning in a pool of handheld devices.

You almost wish they smoked or cursed
Had personality—but they run and run and run
Thus, the joy of this vibrant morning-glory vine
Rooted in her garden's disarray—happily dominating.

Oh, morning glory—purple, green
Leaves plump as Italian cookies, blossom
Your hearty display for all to see, hold your
Vine's haven on Macon Street. Only

Winter, harsh winter will take your vines
Back to the ground     your wildness calmed.
from the book THE BELOVED COMMUNITY / Copper Canyon Press
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Cover of Maggie Millner's "Couplets"
"Only This Or That: On Maggie Millner's Couplets

"Faced with the most frightening question, 'What do I want?,' infatuation and discovery are blown to the side and dust settles. Here you are: vulnerable, starving, exhilarated. Love, Millner says, has been the engine of self-discovery in her life, the propulsive machine pushing towards a move, a change, an epithet you never thought you’d need."

via CLEVELAND REVIEW OF BOOKS
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Cover of Removal Acts
What Sparks Poetry:
Erin Marie Lynch on Reading Prose


"My family's archive was haunting me. Or the archive beneath the archive, the archive against the archive. The archive that could be for us. I was trying to trace the movements of my ancestors backwards, from Oregon to Standing Rock to the Dakota homelands in Minnesota. I needed to find out whether my great-great-grandmother, Elizabeth, had been involved in the forced march following the U.S.-Dakota War of 1862 and the following atrocities. And I needed poetry to understand the varied and various rippings and sutures of our people and our land."
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