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Mack Gregg
 

as a verb, (facing) refers to the
physical action of moving products to the
edge of the shelf to ensure shelves always
appear full, even if they are not

—darren gilbert, “an expert’s
guide to product facing”

deep and compulsive I reach
into the dark place
between the kidney and the black
beans, to pull what’s hidden to the front,
to maintain the feel of a well-stocked shelf, a horn
of plenty. my hand
fetches the last can, draws it out, the fecund delusion
of the steady stream
of men who’d load their arms
with lightly damaged things, and lay them at my feet

strawberries, bulk snacks, wool socks
in winter, of the always open-closing door
produce guy, meat guy, night crew sauntering in, 9 or so,
whenever I closed, who’d wink and ask,
will you check me out, by which they meant, let me
steal something

I used to dream of making out in the dairy case
with each and every one
whenever I was alone in the breakroom, licking day-old yogurt
from my plastic spoon
between stanzas of the metamorphoses, beat-up copy we’d read
in fifteen-minute segments. I line up
cans, satisfying form.
a can for the stocker let go
for singing in the aisles. a can
for the hidden hand appearing
from the other side of the milks, encouraging
the bottle forward as I reach in
from the journal ITERANT
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In writing "Janus Faces the Canned Goods Aisle," I was wondering how my former life as a grocery store employee may have influenced my poetic practice: how the pressures of that job nourished my want for precision, for aesthetic control, for artifice. This is a poem about low-wage work, about the dreams and the desires for transformation that emerge under such conditions. 

Mack Gregg on "Janus Faces the Canned Goods Aisle"
Headshot of poet Emily Lee Luan
Emily Lu Gao Interviews Poet Emily Lee Luan

“My linguistic project in the collection is to make people look at the Chinese character on the page, rather than reading past it, or allowing the silence of non-recognition to shadow its appearance....My poems usually offer a pathway toward gleaning meaning from  Chinese character, through repetition, context, negation, form, etc.”

via NIGHTBOAT BOOKS
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Cover image of "Poetics for the More-Than-Human World," in which Lesley Battler's poem, "redundant," appears
What Sparks Poetry:
Lesley Battler on "redundant"


"I chose to feature 'redundant' as this is one of my first poems written as the pandemic started to unfold. It marks a shift in my work, from a focus on resource industry capitalism to a more interior world, mapping the psychological dissonance caused by the virus along with the greater issue of climate change. In this poem, and in all my post-COVID writing, I have continued working with found texts and I think this poem’s language and boxed-in structure reflect a sense of diminishment and claustrophobia."
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Write with Poetry Daily
 
This April, to celebrate National Poetry Month, we'll share popular writing prompts from our "What Sparks Poetry" essay series each morning. Write along with us!

Find a mirror and take a look at yourself. Really look. Make some notes—and then think about yourself in a different way—beyond how you look, what do you feel? Now think about what a self-portrait is. Tarfia Faizullah, in her poem, "Self-Portrait as a Mango," furthers the idea that it is a drawing or portrait done by yourself — it’s more than a selfie—it’s a way of discovering the self. The theme of a self-portrait in poetry is common—there is a strong sense of voice, and clear imagery. How would you portray yourself in writing? How do you describe yourself? Are you an object, or something more abstract? Write a self-portrait poem in which you render and create yourself.
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