Khaty Xiong
Summer oaks warring on the hills     A doe partaking of  a resurrecting tulip
    Breakfast stray as my watery mind

How late the cloud of my body born here     A year spent looking for the way
     love claimed you     The moon lording from the overhang & into open fire

In days past nymphs came with their songs     The house embalmed in secrets
     Sagging shadows chilled in starlight      My life taken by the same weapon
Each night before me corralling my limbs
                                                   How often did I meet your eyes slit & thin?

Scouring these hills Fresno hangs blue as ever   Full of  your roaming corpse
    Luang Prabang heavy in silver (heart made of rain)     Mother amid
dill & mustard flowers    Early winter in the garden we each learned to lose

        What a sight to cherish in my brain!

The doe as fleeting carrion     My hunger to protect these lungs

I can’t stay for long so I’ll do this slowly

     The sun a sweet ember sleeved in the grove that shades you     My arm
        a bridge between one & me     A pledge so small I drop far & into the heat
from the journal POETRY
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 I wrote this grief poem for my late brother in the early years of his death. He died from cancer in 2014. I was living in Ohio when he passed away in California, where my family is located. Since his passing, and the following deaths of others in my family, I have been grieving in isolation, searching for a way to live with the wideness of loss.

Khaty Xiongon  "In Which I Search for My Brother's Missing Body in Ohio" 
Color head-and-shoulders image of Elizabeth Barrett Browning
Two-Way Mirror: A Life of Elizabeth Barrett Browning

"It is this publicly engaged Elizabeth that Fiona Sampson sets before us in this fine biography, the first since Margaret Forster’s more than 30 years ago. For her frame and point of reference Sampson uses Aurora Leigh, the verse novel that Barrett Browning wrote in 1856, which tells the story of a young female writer’s career, specifically an artist’s development."
 
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Cover of the anthology, Wretched Strangers, in which today's poem was published
What Sparks Poetry:
Vivek Narayanan on "Ayodhya"


"Every translation is a collaboration among many, including all those who have come to this terrain before you.  I am indebted even to those translations whose approach I reject because they gave me the benefit of having something to reject.
 
If nothing is to be lost, something must first be gained."
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