I imagine Michelangelo's The David
in the dark, the air conditioner filtering out

the dust and microscopic particles of skin
and hair, the minuscule pieces

of his body. He is near death
or far from it, depending on how one feels

about centuries. He is perfect.
Even his overlarge hands have a purpose.

I imagine The David gone.
I imagine every version of him gone—

and then to see him without knowing
of him. To see not myself

in the mirror, to instead
see the mirror. Yet look

how the face persists!
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Informal photograph of Joy Harjo
"Landmark Poems of the Last Century "

Scots poet John Burnside chooses five poems to sing the twentieth century.  "For too long, poetry has had a reputation for being overly difficult, elitist and obscure. Yet it seems to me that nothing could be further from the truth. The poets of the last 100 years have been motivated by an urgent desire to communicate new ideas, and to recover ancient wisdom lost in the hubbub of modernity. As old orthodoxies faded, they found ways to make sense of the noise of time, transforming it into a new and unexpected music."

via THE GUARDIAN
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"'Gravity' from Sister Urn addresses how Rexilius navigated the knowledge of her sister’s passing on social media, the kinds of questions received there. In conversation, Rexilius has told me 'Gravity' was the first poem she wrote after her sister’s passing. She writes, 'This is the line of outcome.' Cause and effect, the consequence of action, the poem announces that it will attempt narrative in order to account for the unaccountable."
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