Gravity and Grace is one of several poems in "Proceed to Check Out" written in a kind of prose-like paragraph, not in lines. For me, the prose demands that I put more pressure on the individual sentences to make up for the absence of a line, so that the movement within and between the sentences vocalizes, so to speak, the speaker's emotional devastation, his inability to relieve his father's suffering or turn away from it. Alan Shapiro on "Gravity and Grace" |
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"Robert Lowell's 'Memoirs': Mental Illness, Creative Friends and a Takedown of Dad" "Poetry saved Lowell's personality from disintegration. His appreciations of other writers were mostly composed upon their deaths; he called them 'undertaker's pieces.' These are hit-or-miss. He knew Robert Frost well enough, during Frost's barnstorming years, to catch his mocking remark, Hell is 'a half-filled auditorium.' He's insightful, too, about the poems, and about how Frost's '15 years or so of farming were as valuable to him as Melville's whaling or Faulkner's Mississippi.'" via THE NEW YORK TIMES |
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What Sparks Poetry: Elisa Díaz Castelo on Dolores Dorantes' Copy "These fragmented definitions, along with other phrases, iterate over and over in her poems. Are, indeed, copied. In its use of permutation, these poems seem to be written in the tradition of the pantoum or the villanelle. The obsessive repetition distinctive to those forms haunts Dorantes' work, but also the same mysterious and almost imperceptible progress, the piecemeal transformation of meaning." |
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