Erick Zambrano’s Sculptural Composition of Gendered Visceral and Cerebral Abstraction
Stalina Emmanuelle Villarreal
Tejida, Tejido, Tejide
all genders woven. The -e

                            in Tejide includes nonbinary
                            folks, while Tejida refers

to a mujer, whereas Tejido means
un hombre. Together they are

                            woven without gendered
                            assumptions as to who

weaves repeatedly
with Tyvek, for sealing homes,

                            intricate pieces entre dos
                            duct-taped palos, at diagonals,

with the base held down
by loose concrete, Tyvek ends

                            nailed to wood, with the middle
                            net woven: yellow, red,

and multicolored plastic, wire, copper.
Behind, “CAUTION” tape also

                            woven, red and white strips
                            woven tight. In the meshes,

tagua nuts or vegetable ivory
from a homeland, a rite

                            of manual labor, the migrant
                            Latinx experience, laborious

cuts, the striping of business,
repetitious weaving. Materials

                            found in parking lots, Tyvek
                            and nuts. Collected cariño,

embraced genders. Luscious
textures, meditated y amades.
from the book WATCHA / Deep Vellum
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The poem “Erick Zambrano’s Sculptural Composition of Gendered Visceral and Cerebral Abstraction” birthed from an exhibit during Latino Art Now! 2019. Most of Zambrano’s small sculptures were entitled with the same gender, but there was a large sculpture called Tejida, Tejido, Tejide. The shift in scale seemed representative of gender inclusivity, hence why this poem makes effort to focus on the subject.

Stalina Emmanuelle Villarreal on "Erick Zambrano’s Sculptural Composition of Gendered Visceral and Cerebral Abstraction"
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