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Dan Beachy-Quick

—for Mai Wagner

Memory's green inch—
sunlight's white snow
bright on August pine

needle. Memory's green
inch—half-moon
in morning sky, the pine

tree on the near hill,
its tip taller than the tip
of the distant mountain—

by a green inch. Memory's
sky blue through branches
of the pine, the ocean

smells of resin when wind
blows the ocean
through the pines. Or no,

I'm wrong, it is not
snow, it is the morning
dew in afternoon light, so bright

of the August sun—memory's
green wish. The man writing poems
points the way with a poem.

The man who asked the way
has disappeared. The deer bounding
away stops to see what

scared it. Some sound. Spare
no arrows, sparrows—
sing. I want a wound.

All my life written down
with a pine needle—
memory's green inch:

I've never been closer
to that sound than across
a river.
from the journal COPPER NICKEL
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My family and I try to make it every year to the Grand Tetons to camp, and even though odds seemed against it the first pandemic summer, we managed to get there mid-August. I'd brought a collection of Haiku with me, trying to find some way to get closer to the aesthetic in them, the ethic in them. This poem came of that effort—thinking of the pine needle's inch in relation to the mountains behind it, the absurdities of scale in which a tree can look larger than a peak, and how that same vertiginous quality can occur when the pine needle is used as measure of other things. One's life, the span of day…
 
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