Today's Headline: Sylvia Plath's "Legacy of Grief, Haunting Poetry and Surprising Resilience" "Blue" reminisces with the past but also reconciles the reality of living in Oxford, Mississippi, in the middle of the pandemic. I envisioned home with the lens that is getting used to a new landscape. In those days, I relied upon prayers I've known all my life, I relied on music I loved, but during the isolation, I discovered many more songs in languages I wish I could pray in. Hussain Ahmed on "Blue" |
|
|
What Sparks Poetry: Farid Matuk on Language as Form "I wanted this work to be accountable, to not settle for easy truisms about ambiguity or a lack of closure being liberatory or even interesting. I wanted, more than I had before, to risk being right or wrong or foolish or earnest or stylized. I don't know who to face, but in wanting to be accountable the poems call—a bit desperately, really—to readers I can't yet see. My ambition was to create across each poem and again across the book a complex of feelings, sometimes contradictory feelings, that would get at what's irreconcilable about the real." |
|
|
|
|
|
|
͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏