Noah Arhm Choi
Because puberty can be confusing,
god made acne to give you one thing
to be sure to hate, to hide, to blame for the dim lights
and sticky shirts and showers mid-day. They warned me
testosterone could do this. Diabetes. Heart problems.
Anger like a rock inside a clump of snow.
The only time my grandmother touched my mother
was praying over her womb, saying boy boy boy when really
she meant history history history. The only time
she brought her food was the red ginseng, the bitter melon
as if a full mouth always gives you what you want.
Everytime my mother tells my birth story it changes.
A crucifix showing up in a dream, a dream of her boy running
through the field, an altar of ocean rock, mugwort,
one blue shoe. When I arrived and the doctor yelled yeoja,
not a boy, my grandmother walked out of the room.
To arrive then is to let your name be plucked
from a stem while the other leaves die. Grandmother
died without forgiving my mother for never
bearing sons, two years before I look up adult acne
and grindr dates with lights off
and what insurance lets you arrive changed
instead of changing while everyone can see and ask
you stupid questions forgetting they too
have access to google. God was slow to birth
language that could be a mirror
or a car to drive home in, so I arrive late and out
of breath, driving only a little over the speed limit
towards a skyline that could be everything
I’ve ever wanted, everything my mother was afraid to name.
from the journal THE ADROIT JOURNAL
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Formal black-and-white photographic portrait of Seamus Heaney
"New Seamus Heaney Poetry Prize"

"The estate of Seamus Heaney has announced the annual prize for a single volume of poetry by one author published in the UK or Ireland....The prize of £5,000 (€5,853) will be awarded to a poet of outstanding literary merit that engages with the impact of cultural or political events on human conditions or relationships and is being run in conjunction with Irish Pen/Pen na hÉireann and English PEN."

via RTÉ
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Cover image of Jody Gladding's book, the spiders my arms
What Sparks Poetry:
Jody Gladding on [she is one who looks]


"Released from the bubble of voice, narrative, and image, words animate space differently—the degraded 'open space,' the space of the poem. They inhabit it, root, and evolve there. Perhaps they have always done so, they just needed to be freed from lineation and author/ity to make that clear. These are not my own words. They refuse ownership. You can read them any way you like."
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