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Jana Prikryl
But having braked all the way to the floor of the valley
it dawned on us the slope we'd have to climb
and it was night, you on the back of my bike
we'd passed the place that burned down—the people
rich enough to continue to produce some kind
of banquet, placing candles and dishes, in the ashes
beyond roof—so you said let's go home, but look
the hill we came down is as steep as the hill ahead of us
from the journal THE PARIS REVIEW
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This poem is taken from my third collection, "Midwood," which grew out of poems like this one—short lyrics with long lines that I drafted early every morning, most days, in the first year of the pandemic.  

Jana Prikryl on "A Banquet"
Collage image of the headshots for Derrick Austin and Shangyang Fang
"Derrick Austin and Shangyang Fang Discuss their New Collections" 

"But out of my neuroses, the counterchallenge emerges in my life and art: learning how to loosen up, to leave space for awkwardness and sloppiness, to expect failure and gracefully move past it. Maybe my ultimate goal is to feel confident enough to not have to prove anything to anyone. To always seek after surprise and possibility."

via LOS ANGELES REVIEW OF BOOKS
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Cover of Rita Wong's book, undercurrent
What Sparks Poetry:
Rita Wong (Vancouver, BC, unceded Coast Salish territories) on Ecopoetry Now


"In the context of a colonized society that reduces freedom into superficial consumer choices or bluntly eliminates that freedom through systemic violence, writing can question unjust hierarchies and unthinking habits that need to be reconsidered. It can make space for the imagination to move swiftly as dragonflies at dusk, or as easily as otters floating affectionately together. It makes room for a world where every creature has a place, every life form matters."
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