| | | |  | | | | Mona Lisa, 2017 © Thomas Mailaender, courtesy Michael Hoppen Gallery | | | | | | | 17 April – 26 May 2018 | | |  | | | | | | | | | | The Michael Hoppen Gallery is delighted to announce its first solo show with multimedia artist Thomas Mailaender.
Thomas Mailaender (born 1979) is a French artist living and working between Paris and Marseille known for his use of a wide range of media and his experimentation with printing processes, fixing strange and humorous found imagery onto the surface of ceramics, photography and sculpture. The resulting objects teem with curiosity and a sense of the bizarre, pairing traditional, historical techniques with today’s prolific digital visual culture. | | | | | |  | | | | Tutti Frutti, 2016 © Thomas Mailaender, courtesy Michael Hoppen Gallery | | | | | | | The source of images used in Mailaender’s work is the artist’s ‘Fun Archive,’ a collection of absurd, amateur photographs he started amassing from the internet since 2000. Once applied to their intended surface or material, and removed from context, the resulting objects are transformed into monuments to contemporary culture. Using humour as a provocation, Mailaender’s work raises questions not only about the role of the artist, but also about the absurdity of the everyday and the pretensions of the art world. | | | | | |  | | | | Lava LOL Sunset © Thomas Mailaender, courtesy Michael Hoppen Gallery | | | | | | | For his show at the Michael Hoppen Gallery, Mailaender will be exhibiting a cross-section of works. From imagery printed on found ceramics and Italian lava stone, using an extremely durable process created for photographs to be printed on gravestones, to his series ‘Skin Memories’ in which he has developed techniques for printing on leather during a residency at LVMH Métiers d’Art, the exhibition will be extensive and take place over multiple floors of the space in Chelsea. Also on show for the first time will be a selection from the artist’s personal collection of objets trouvés “The Fun Archeology”. Continuing in the theme of his work, the “Fun Archeology” is a celebration of the bizarre, full of strange and wonderful objects, such as Algerian propaganda movies or minuscule souvenirs and an extensive photo book collection. | | | | | |  | | | | Monnai de singe © Thomas Mailaender, courtesy Michael Hoppen Gallery | | | | | | | Thomas Mailaender’s work is held in public collections worldwide such as the Musée National de l’histoire de l’Immigration, Paris, FNAC (Fond National d’Art Contemporain), Paris and MONA museum, Tasmania. He has exhibited widely in exhibitions such as ‘Do Disturb’ (Palais de Tokyo in Paris, 2017), "Iconoclasts: Art Out of the Mainstream" (Saatchi gallery, London, 2017), Performing for the Camera (Tate Modern, 2016), ‘Night Climbers of Cambridge’ (Festival Images in Vevey, Switzerland, 2014), ‘From Here On’ (the Rencontres d'Arles, South of France, 2011), Paris Photo, and will be exhibiting in the 'Back to the Future' show at FOAM museum in Amsterdam in the coming year (19 January - 28 March 2018). Thomas' curatorial work includes ‘Hara Kiri’ (Rencontres d’Arles 2016) and Photo Pleasure Palace with Erik Kessels (Unseen, Amsterdam, 2017). Numerous Artist books have been published about Mailaender’s work and his "Illustrated People" (AMC/RVB books) was awarded PhotoBook of the Year in the 2015 edition of the Aperture Foundation PhotoBook Awards. | | | | | |  | | | | Reaper surfer © Thomas Mailaender, courtesy Michael Hoppen Gallery | | | | | | | PRESS ENQUIRIES press@michaelhoppengallery.com | daisy@dh-pr.com | | | | | | unsubscribe here
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