| | | | | | | | Behind, Partimbo, near Kittel, Manyara Region, Tanzania, 2018.
Maseriani Lenyirai, entering her home.
Aus der Serie "From Where Loss Comes"
Platinum-palladium-Abzug auf Revere Platinum Papier
© Pradip Malde | | | | | | Materiality and Vision | | | Online workshop: "Materiality and Vision"
Monday, 14 June 2021, 6–8 pm, and Saturday/Sunday
19./20. and 26./27. June 2021, 3–6 pm (CET)
Online lecture: "Platinotype: Materiality and Vision"
Friday, 18 June 2021, 6 pm (CET) | | | | | | | | | | | | | | | | Separate, Together, Mundemu, Tanzania, 2017. Cutting trees, where FGM was performed.
Aus der Serie "From Where Loss Comes", Platinum-palladium-Abzug auf Revere Platinum Papier
© Pradip Malde | | | | | | Pradip Malde is a photographer and teacher known for his special style of teaching photography philosophically, technically and with great empathy. In the FFF Academy, he is focusing on the materiality of photography in two events. This includes the platinum-palladium process, for which he is considered one of the few experts worldwide.
In the FFF online workshop "Materiality and Vision", Malde deals with the question of how the materiality of a photograph affects the meaning of the image. The aim is learning to express one’s own photographic work optimally with the right print method.
The focus of learning will be based on monitor and printer calibration, the analysis of high-resolution digital reproductions of well-known photographs as well as aspects of photo manipulation and the depiction of truth and vision. A portfolio review and a photographic and sequential assignment is also part of the schedule. The aim of the workshop is to gain a clearer understanding of how photographic work can be comprehensively articulated. The workshop is spread over three scheduled dates.
In his FFF online lecture "Platinotype: Materiality and Vision" (Friday, 18 June 2021, 6 pm), Pradip Malde explores the relationship between materiality and vision using the platinum-palladium printing process as an example, which he himself uses in his latest work “From Where Loss Comes”. The project which includes the theme of Female Genital Mutilation (FGM) will also be published as a book soon. | | | | | | | | | Swirling in From Vapor, Dodoma, Tanzania, 2017. Raheli Hezeroni Msagala, former nrariba
and now an activist who is changing initiation practices in her community.
Aus der Serie »From Where Loss Comes«, Platinum-palladium-Abzug auf Revere Platinum Papier
© Pradip Malde | | | | | | Pradip Malde is professor at the University of the South, Sewanee (Tennessee) and a Guggenheim Fellow. Much of his photographic work considers the experience of loss and how it serves as a catalyst for regeneration. He is the author of the book "Platinotype: making photographs in platinum and palladium with the contemporary print-out process"; his current publication "From Where Loss Comes" (Charcoal Press) is forthcoming. He is currently working in rural communities in Haiti, Tanzania and Tennessee, designing models for community development through photography. His works are held in the collections of the Art Institute of Chicago; Princeton University Museum; Victoria & Albert Museum, London; Yale University Museum, New Haven; and the Scottish National Portrait Gallery, Edinburgh, among others. Pradip Malde was an exhibiting artist in the photography triennial RAY 2018; his works were displayed in the exhibition "EXTREME ENVIRONMENTS" at the Fotografie Forum Frankfurt.
Workshop and lecture are held in English.
More information and registration:
Workshop: here
Lecture: here | | | | | | unsubscribe here
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© 11 May 2021 photo-index UG (haftungsbeschränkt)
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