| | | |  | | | Wut Chalanant
Absentia, 2007
C-Print auf Alu Dibond, gerahmt / c-print on alu-dibond, framed
100 x 125 cm
Courtesy & © the Artist | | | | | Picturing Realities: Constructed, Cropped and Reassembled | | | Graduates and master students of the class of Joachim Brohm, HGB Leipzig
klassebrohm.de | | | | | | | 2 February – 7 April, 2018 | | | Opening: Friday, 2 February, 7pm
Beck & Eggeling International Fine Art, Bilker Str. 4–6, 40213 Düsseldorf | | | | | | PORTRAIT SITTINGS | | | | 16 February – 7 April, 2018 | | | Opening: Friday, 16 February, 6pm
Beck & Eggeling International Fine Art, Bilker Str. 5, 40213 Düsseldorf | | |  | | | | | | | | | | | | | |
| | | | | | | | | |  | | | Daniel Poller
Allein das Mittelstück aus "Der große Gewinn", 2017
manually erased, archive proofing pigment print
160 x 110 cm
Courtesy & © Daniel Poller | | | Picturing Realities: Constructed, Cropped and Reassembled | | | Graduates and master students of the class of Joachim Brohm, HGB Leipzig
klassebrohm.de | | | | | | | 2 February – 7 April, 2018 | | | | Opening: Friday, 2 February, 7pm | | | Photography is the most popular image medium of our times: posted, liked and quickly forgotten again.
Artistic practice is its polar opposite. An engagement with reality through the medium of photography inevitably demands working on an image, starting with its construction. An image comes into being not only in the moment of exposure, but rather acquires significance and creates new relationships through time, circulation, and form. The positions from the class of Prof. Joachim Brohm at the HGB Leipzig interact with contemporary photographic discourse in a specific way: in the exhibition space, thoughts, ideas, images, and objects produce collective resonances that both reflect our reality and allow it to become graspable.
More information: klassebrohm.de | | | | | |  | | | Abel Minée
Two identical sets of Alnico Magnets II, 2017
Inkjetprint auf Hahnemühle Pearl Fine Art Papier, gerahmt / inkjet print on Hahnemuehle Pearl fine art paper, framed
40 x 50 cm
Courtesy & © the Artist | | | | | |  | | | Sophia Kesting & Dana Lorenz
"Asphalt, Steine, Scherben", 2017 (work in progress seit 2012)
Schwarz-weiß Baryt-Handabzug / hand printed black & white photograph on Baryta paper
Maße variabel / dimensions variable
Courtesy & © Sophia Kesting & Dana Lorenz | | | | | | |
| | | | | | | | | |  | | | Isabella Rossellini, Schauspielerin/Actress, 2009
© Michael Dannenmann | | | | | | PORTRAIT SITTINGS | | | | 16 February – 7 April, 2018 | | | | Opening: Friday, 16 February, 6pm | | | | | David Lynch, Katharina Grosse, Jörg Immendorff, Dennis Hopper, Ringo Starr – stars from the worlds of film, fashion, music, and art – Michael Dannenmann has portrayed them all.
The power of his expressive portraits lies in the photographer's sense of how to capture what is essential about a human being in a second, how to let something personal shine through. The images are a skillful interplay of planning and spontaneity. He only creates a setting and leaves his sitters ample space. This has made him one of the most important contemporary portrait photographers.
Michael Dannenmann's work has appeared in magazines such as ARTnews, Forbes, Manager Magazin, Vogue, and Die Zeit. Beck & Eggeling International Fine Art is pleased to present a representative selection of his portrait photographs. | | | | | |  | | | David Lynch, Regisseur/Director, 2008
© Michael Dannenmann | | | | | |  | | | Catherine Batcheller, Tänzerin/Dancer, 1987
© Michael Dannenmann | | | | | |  | | | Pipilotti Rist, Künstlerin/Artist, 1999
© Michael Dannenmann | | | | | | unsubscribe here
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© 15 Jan 2018 photography-now.com
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