| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 8 — 15 November 2017 | |
|
| |
|
| |
| |
| | | | | Private opening: Wednesday, November 8 (by invitation only) Paris Photo and further six photo fairs are making their mark: This week more than 150 photography exhibitions are visible in Paris. See therefore the Extra-Newsletter PARIS during PARIS PHOTO. And also many relevant photo auctions will be there. |
| | | | | | | | | |
|
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | © Sandra Hoyn, Germany, Category Winner, Professional
Sony World Photography Awards |
| | | | | | | | | | | Tue 7 Nov 19:30
8 Nov 2017 – 21 Jan 2018 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | | Joel Sternfeld, A Man at His Campsite, El Prado, New Mexico, August 1999, 1999 Ektacolor print mounted on plexi 91,5 x 115,5 cm
Courtesy the Luhring Augustine, Buchmann Galerie Berlin and the artist |
| | | | | | | | | | | Fri 10 Nov 19:00
10 Nov 2017 – 3 Feb 2018 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | To Joseph Palmer © Joel Sternfeld |
| | | | | | | | | | | Fri 10 Nov 19:00
10 Nov 2017 – 3 Feb 2018 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Gregor Sailer from the series The Potemkin Village; Carson City I, Vårgårda, Sweden © Gregor Sailer |
| | | | | | | | | | | Wed 15 Nov 19:00
16 Nov 2017 – 20 Jan 2018 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Optical Goods, New York, about 1942 © The Irving Penn Foundation | | | | | | | | | | | | | until 5 January 2018 | | | | | | | | | | | | | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | RUBY RUMIÉ: MUJERES EN BODEGON, 2016
inkjet print on satin paper, laminated in luster matte, 51 3/16x 51 3/16 in. 130 x 130 cm. | | | | | | | | November 16, 2017 – January 6, 2018 | | | | Opening Reception for the artist: Wednesday, November 15th from 6 to 8 p.m. | | | | | | | | | | | | | This major exhibition will include a series of photographs, a video, a poster, and five volumes on Cartagena’s ambulant street vendors.
This new body of work was born from a chance encounter between the artist, Ruby Rumié, and Dominga Torres Tehran, a woman who for more than 45 years has walked the city streets selling fish. Dominga caught the attention of the artist for her unique and natural beauty. For nearly half a century this woman worked unnoticed, but at that moment, she completely captivated Rumié.
Weaving Streets is an attempt to rescue women like Dominga from oblivion and invisibility - women who have spent valuable years of their lives as ambulant street vendors, permanently wandering the neighborhoods of the city. Aptly named, "Weaving Streets" references the phrase used by grandmothers to describe those who walked the city streets often.
Rumié’s goal is to present new views on the vendors and their environment. The viewer’s encounter with these women will be different for the exhibition – it will be special. Viewers will see for the first time what has always been there, like running a thin veil between the visible and the invisible, a veil of old and constant stereotypes that keep us numb, or blind, so we ignore the marvelous and different realities.
"Problems such as gender violence, gentrification, social barriers and discrimination constitute a constant concern which I attempt to uncover through my work, by means of large installations where I use repetition as a platform for protest; bodies as objects of mass consumption that reveal the disappearance of our intangible heritage, and photographs to suggest the enigma of social stratification, all of these… | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Tom Arndt
Young woman, Englewood, Chicago, 2000
Tirage gélatino-argentique moderne, réalisé par l'artiste Dimensions du tirage : 40 x 50 cm
© Tom Arndt / Courtesy Les Douches la Galerie, Paris | | | | | | | | | | | | | until 13 January 2018 | | | | | | | | | | | | | The seven photographers who are the subject of this exhibit – Wayne Miller, Ray K. Metzker, Yasuhiro Ishimoto, Marvin E. Newman, Vivian Maier, Tom Arndt and Carlos Javier Ortiz – cover the period from 1940 to the present. None of them has followed the same path and none have the same way of looking at things. Each one presents us with a different image of the African-American community that had come to Chicago from the Deep South with the hope of greater freedom and better jobs. Their photos are a shocking and highly artistic testament to the life of the blacks of Chicago for over a half century.
Ray K. Metzker and Marvin E. Newman are all descendants of the unique talents of Laszlo Moholy Nagy. They all began their apprenticeship at the New Bauhaus, which was transplanted to Chicago in 1937 under his aegis, and followed it through the 1950s, under the direction of Harry Callahan. Through experimental and practical learning, they trained their eye to different aspects of creation: they were introduced to industrial design and advertising, followed by a specialisation in photography and its technical aspects, especially developing finesse in capturing light, geometric forms, the movement of silhouettes and tonal contrasts. But their common background is not a mark of uniformity – quite the contrary!
Ray K. Metzker chose the most geometric approach, ingeniously following Callahan’s teaching. He explores haziness, geometric forms, all the nuances of black and white, turning streets into theatre backdrops.
Coming from New York, where he gained a wide experience in short films and photography, Marvin E. Newman brought his Japanese accomplice, Yasuhiro Ishimoto, along w… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | SEB JANIAK
The Kingdom Above, 2010 Chromogenic print
cm 115 x 177
Unique
© SEB JANIAK – COURTESY GALERIE PIECE UNIQUE, PARIS | | | | | | | | 9 November 2017 – 3 February 2018 | | | | Opening: Thursday 9 November 18:00 | | | | | | | | | | | | | Born in 1966. Lives and works in Paris.
After showing Seb Janiak’s “Paradeisos” at the beginning of this year, Pièce Unique is presenting a solo show in the 2 spaces of the gallery with a group of works of the series “The Kingdom”.
This series, started in 2009, constitutes an essential step in Seb Janiak works.
“The Kingdom” is inspired by the Tibetan Book of the Dead, the “Bardo Thodol” where the soul deprived of its mortal envelope has to face its repressed desires, its angers, traces of its passing through the matter on earth. During the 49 days of the Bardo, the conscience of the soul has to understand that all these sometimes diabolical visions are not but fantasies, an illusion created by fear and that only then the true light gets the upper hand and will guide the soul towards the one and only light of the creative God.
In this silence of shrouding layers, the form loses its rythm and assurance. The visible face of these monumental photographies is only there to allow us get to its secret face which, as a supernatural window, opens at the border of the world where we live walled in; further begin dark areas the reason cannot reach but only the soul.
It is as much about a personal quest as about a game for an artist moved by the will not to be held in appearances. Staying on the alert through a constant questioning on the world, Seb Janiak sketches answers, proposals. By the image.
This fictitious world which under our eyes gets organized as it pleases, with the remains of the real world, reveals the most specific essence of a soul... | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | | | | | | Thu 9 Nov 18:00
9 Nov 2017 – 14 Jan 2018 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | ERNST HAAS
Route 66, Albuquerque, New Mexico, 1969
Vintage dye-transfer print 45 x 68 inches
Signed by the artist on recto
Courtesy Atlas Gallery, London - Booth A9 Literature: Ernst Haas: In America, Viking Press, New York, 1975, pl. 93.
Ernst Haas: A Colour Retrospective, 1952-1986, Thames & Hudson, London, 1989, p. 127 | | | | | | | 160 galleries and 31 art book dealers | | | | | | | | 9 – 12 November 2017 | | | | Private view (by invitation): Wednesday 8 November | | | | | | | | | | | | | Paris Photo, the international art fair for photography, will reunite 160 galleries and 31 art book dealers across 4 sectors: Main Gallery Sector, PRISMES sector, Book sector and the new Film/Video sector. Discover the most important selection of exceptional photographic art and published works from 30 countries worldwide. 29 Solo shows delve deeper into the work of one artist. The new film/video sector allows exhibitors to spotlight artists who explore the moving image featuring this year: Evangelia Kranioti, Goran Skofic, Hao Jingban, Laura Henno, Noémie Goudal, Roy Samaha, Sergio Vega, Smith, and Vanessa Beecroft. PRISMES, dedicated to large formats, series and installations highlights 14 galleries exhibiting major works and unveiling specially commissioned projects. This year, the sector located in the Salon d’Honneur will feature works by Aurélie Pétrel, Evangelia Kranioti, Gilles Caron, Grey Crawford, Henry Chalfant, John Chiara, Jungjin Lee, Karlheinz Weinberger, Katsunobu Yaguchi, Klaus Rinke, Nadev Kander, Timm Rautert, Victor Burgin, and Wilhelm Schürmann.
See the 2017 exhibitor list | | |
| |
|
|
| |
| |
| |
|
| |
| |
| |
| |
| |
|
| | | | | | | | | | a curated bookfair with 48 selected publishers, booksellers and photographers from all continents. | | Wed 8 Nov 13:00
8 – 11 Nov 2017 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | © Daisuke Takakura, Courtesy tezukayama gallery | | | | | | | 80 galleries presenting more than 150 emerging artists | | | | | | | | 10 – 12 November 2017 | | | | Thursday 9 November (on invitation only) | Preview : 3pm to 6pm | Opening night : 6pm to 10pm | | | | | | | | | | | | | fotofever is the first platform dedicated to the discovery of emerging photography for both established and aspiring collectors. In 2017, fotofever returns to the Carrousel du Louvre for the 6th edition of the art fair, ART FAIR FOTOFEVER PARIS 10 – 12 NOV 2017
The big rendezvous for established and aspiring collectors returns to the Carrousel du Louvre for its 6th edition with 80 French and international galleries, presenting over 150 emerging artists. START TO COLLECT
fotofever recognises collection as a major support system for young artistic creation and photography as the ideal medium to start one’s collection. fotofever therefore reinforces its START TO COLLECT program to accompany, throughout the year, established and aspiring collectors in the discovery of new artists, techniques and artistic horizons. | | |
| |
|
|
| |
| |
|
| | | | | | | | | | Art Publishing Fair | | Thu 9 Nov 17:00
9 – 12 Nov 2017 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | | | | | | | | | | | Thu November 9 : 2 pm - 10 pm
Fri November 10 : 11 am - 8 pm
Sat November 11 : 11 am - 8 pm
Sun November 12 : 11 am - 6 pm
paris-vintage-photobook.com/ | | | | | | | | | | | | | Today, photobook fairs seem to be spreading like wildfire all over the world. But at the same time, there seems to be an increasing focus on the newest books while vintage and out-of-print editions tend to be less and less visible.
Paris Vintage Photobook fair has been initiated to offer an alternative to this situation. Some photo book sellers from different European countries have decided to pool their effort in order to draw attention to the vintage and out-of-print photobook, bring out its diversity and specificities, and give it the place it merits in the market as well as in the hands of collectors who value quality photobooks. | | |
| |
|
|
| |
| |
|
| | | | | | | | | | The French forum for photographers and photography enthusiasts!
More than 150 brands - | | 9 Nov – 13 Nov 2017 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| | | | | | | | | | | | | Thu 9 Nov
10 – 12 Nov 2017 | | | | | |
| | | | | | | |
|
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | Lot 8
MAN RAY (1890–1976)
Noire et Blanche, 1926
Gelatin silver print
Image/sheet: 8⅛ x 10¾ in.
Estimate: €1,000,000–1,500,000
© MAN RAY TRUST / Adagp, Paris 2017 | | | Stripped Bare | | | | Photographs from the Collection of Thomas Koerfer | | | | | | Auction: Thursday, 9 November 2017, 3pm
Viewing:
4 & 6–8 November, 10am – 6pm
9 November, 10am – 1pm
E-catalogue: www.christies.com
Contact: Elodie Morel, Head of Department
+33 (0) 1 40 76 84 16
[email protected]
| |
| | | | | | | | | | | | | | Christie’s is honored to offer for sale a selection of photographs from the collection of renowned Swiss filmmaker Thomas Koerfer. Koerfer’s exceptional collection of 20th century art has a particular focus on the human body and the nude figure. The sale’s highlights include Noire et Blanche, one of Man Ray’s most iconic works, and a large-format print of Diane Arbus’ Identical twins, Roselle, N.J., 1966 dating from the artist’s lifetime. | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | Lot 126
GUSTAVE LE GRAY (1820–1882)
Flotte Française en Rade de Cherbourg, 1858
Albumen print, mounted on board
Image/sheet: 12½ x 15¾ in.
Mount: 19⅜ x 22¾ in.
Estimate: €80,000–120,000 | | | PHOTOGRAPHIES | | | | | | Auction: Friday, 10 November 2017, 3pm
Viewing:
4 & 6–9 November, 10am – 6pm
10 November, 10am – 1pm
E-catalogue: www.christies.com
Contact: Elodie Morel, Head of Department
+33 (0) 1 40 76 84 16
[email protected]
| |
| | | | | | | | | | | | | | Photographies presents 143 lots with a large selection of early 19th century works, including a superb Gustave Le Gray print and several John Murray paper negatives. The sale also features a selection of early Brassaï prints from the Albert Skira Collection, as well as a beautiful selection of contemporary works from the likes of Hiroshi Sugimoto, Robert Mapplethorpe and Guido Mocafico. | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
|
| |
| |
| | 323.
Peter Beard (1938)
Maureen Gallagher and a late night feeder, Hog Ranch, 1987.
Gelatin silver print (1996) | | | Photographs | | | | | | Auction:
Sunday November, 12th 2017 2:00 p.m. Viewing: Friday, November 10th, 10.00 am to 06.00 pm
Saturday, November 11th, 10.00 am to 06.00 pm
Sunday, November 12th, 11:00 am to 12:00 am
Phone during exhibition / sale : + 33 (0)1 53 40 77 10 | |
| | | | | | | | | | | | | Important set of papier négatives by Alphonse Davanne Prints by Gustave Le Gray : marines, Fontainebleau, portraits Unknown set of Eugène Atget’s horses Interesting set of photographs by Raoul Hausmann Space conquest, NASA prints | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
| |
|
| |
|
| |
|
| |
|
|
| |
|
|
| |
| |
| |
|
| |
| |
|
| |
| |
| | | Larissa Sansour - 004 (from the series 'In the Future, They Ate from the Finest Porcelain') | | | | | | | Noorderlicht Photofestival 2017 | | | | | | | | until 26 November 2017 | | | | | | | | | | | | | NUCLEUS | Imagining science
From 22 October - 26 November 2017, the 24th edition of the Noorderlicht International Photography Festival will take place. During ‘NUCLEUS, imagining science’ work of 74 photographers from 26 countries can be seen at seven locations in Groningen, Eelde and Assen.
Tribute to human ingenuity
NUCLEUS is about science and the representation of it by independent photographers and artists. In response to social developments, more and more artists use science in their research and as a source of inspiration. Science and art form a fertile combination after all. Both disciplines work from an investigative urge, with curiosity, originality, creativity and an open mind as fundamental principles. In NUCLEUS, the photographers tell their stories about science and the representation of it in around 700 images. It is the first time a collaboration from Noorderlicht will occur with KINK in Assen and Museum De Buitenplaats in Eelde.
www.noorderlicht.com | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | Borderlines Città divise/Città plurali | | | | | | – 10 Dec 2017 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | © Dulce Pinzón | | | FOTOMÉXICO 2017 | | | | LATITUDES - International Photography Festival | | | | 136 venues | 147 exhibitions | 614 artists | 23 cities | | | | | | | October ‐ December 2017 | | | More information and complete program:
www.fotomexicofestival.com.mx | | | | | | | | | | | | | FOTOMÉXICO 2017, the International Photography Festival is a space for creativity, a reference in the reflection and dialogue about national and international photographic production, a diverse expression of the vitality, relevance, and strength of this medium and its creators. From October to December, under the coordination of the Centro de la Imagen, FOTOMÉXICO 2017 is a forum open to the diverse and multiple works of our photographic creators. It is a meeting place for the photography community with venues in museums, galleries, and exhibition spaces that also join the Foto México Network’s initiatives. Dedicated to theme of "Latitudes", this second edition of the festival offers plural, geographic, anthropological, and multidisciplinary perspectives, with exhibitions by renowned artists from Mexico, Brasil, Chile, France, Brasil, United States, Argentina, Peru, Spain, France, Germany, Scandinavia, India, Japan, South Africa, Mali and Nigeria, among others. A broad program of parallel activities complements the festival, which for the first time organizes a call for entries to participate in portfolio review that brings together outstanding photographers, visual artists, and curators, to generate a dynamic of feedback with all those who have submitted their work. The Museo Amparo in Puebla once again opens its doors to host the International Photography Meeting 2017, an event not to be missed in this edition of the festival. FOTOMÉXICO 2017 is an opportunity for the public to experience in this artistic expression that captures the moment to eternalize it through the multiple eyes of the photographic c… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Michael Najjar: "europa", 2015
hybrid photography, archival pigment print, diasec, custom-made aluminium frame
© Michael Najjar, Courtesy the artist | | | Clouds ⇄ Forests | | | | 7th Moscow International Biennale of Contemporary Art | | | | | | | – 18 January 2018 | | | | | | | | | | | | | The 7th Moscow International Biennale of Contemporary Art takes place in the New Tretyakov Gallery (The State Tretyakov Gallery, 10, Krymsky Val, Moscow) from 19 September 2017 to 18 January 2018. The Main Project Clouds⇄Forests is curated by Yuko Hasegawa - one of the leading curators in the international art world - and includes 52 artists from 25 countries. The concept of Clouds⇄Forests focuses on a new eco-system formed through the circulation of "Cloud Tribes" born on the Internet cloud space, and "Forest Tribes" born in an analogue world. Works of the artists in the Main Project are displayed in dialogue with works from the permanent exhibition of The State Tretyakov Gallery. Michael Najjar » has been invited to participate in the Biennale with several large-scale artworks from his celebrated "outer space" series. On view for the first time will be his "liquid time" triptych, created especially for the Biennale. This work highlights the fragility of our ecological balance and the significance of the change of state from ice to water because glaciers are storehouses of time - layer on layer they capture the air, water and oxygen of countless thousands of years. The picture was taken in early 2017 in an ice cave under the Breiðamerkurjökull glacier in Iceland.
Also on view, in the All-Russian State Library, will be Michael Najjar´s striking new video artwork "terraforming". The work focuses on transformation of a natural environment through energy input and combines footage taken on various locations in Iceland in early 2017 with Martian landscapes shot by NASA´s Curiosity Mars rover. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| | | | | | | Martin Bogren, Italia © Martin Bogren
Le Plac'art Photo |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Luay Fadhil, still from Cotton (2013). Courtesy of the artist. | | | | | | | | | | | | – 26 November 2017 | | | | | | | | | | | | | The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017. The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Also for this edition, selected Collateral Events by non-profit national and international institutions, present exhibitions and initiatives. Detailed information can be found on www.labiennale.org/en/art/ | | |
| |
|
|
| |
| |
| |
| |
|
| |
| |
|
| |
© 8 November 2017 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . [email protected] . T +49.30.24 34 27 80 |
| |
