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| weekly news | | 6 - 12 July 2016 | |
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| | | | | | | | Each year, Foam organises an international Talent Call to identify young, emerging photographers under the age of 35. The 2016 Talent Call for Foam Magazine had a total of 1494 submissions from 75 different countries across 6 continents. The work of 24 selected photographers will be featured in the upcoming Foam Magazine Talent Issue, at Unseen Photo Fair in Amsterdam (23-25 September 2016) and international exhibitions.
www.foam.org |
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Untitled, from the series Empire, 2014 © Samuel Gratacap | | | | | | | |
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| | | | Juergen Teller
Plates/Teller, No.152, 2016
© Juergen Teller | | | | | | | – 25 September 2016 | | | | | | Bundeskunsthalle Bonn Friedrich-Ebert-Allee 4, 53113 Bonn
+49 (0)228-91710
www.bundeskunsthalle.de
Mon 10am-7pm, Tue-Sun 10am-9pm | |
| | | | | | Juergen Teller, born in 1964 in southern Germany, is one of the world’s most sought-after contemporary photographers. His works, many of which take the form of extensive series, are published in books and magazines and are shown in exhibitions.
In the exhibition, works like Siegerflieger and My Man Crush, Pep Guardiola transform the Foyer in the Bundeskunsthalle into a public viewing area, where images of victories and defeats bear witness to Teller’s feel for capturing decisive moments. Other groups of works, extended over three rooms, are more autobiographical and occasionally anecdotal: quiet landscapes from Nürnberg, carefully staged yet unsparingly candid images of himself in The Clinic and subjective documentations of his engagement with his youth and his origins such as Irene im Wald. The latest series, Mit dem Teller nach Bonn and Plates/Teller, seem to bring together and concentrate all his earlier themes and compositions. The protagonists’ games with a plate – the German word for plate is Teller, and so the plate acts as a synonym and stand-in for the photographer – are captured in compositions that are as tender as they are exuberant, direct and honest, full of humour and strangely touching. Many of his complex narratives only unfold upon a closer look. | | |
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| | | | | | | | Thomas Bak: Self-Portrait 2014, "White Hole / Les Chants de Marlboror" |
| | | | | | | | Sheets from 1998 to 2008 | | Fri 8 Jul 19:00
9 Jul – 16 Sep 2016 | | | | | | |
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| | Peter Keetman
Self-Portrait With Camera, 1957
© Stiftung F.C. Gundlach | | | Peter Keetman » World through a Creative Camera | | | | The Life’s Work of a Photographer | | | | – July 31 2016 | | | | | | | | | | | | | | Peter Keetman’s (1916-2005) oeuvre occupies an important position within German post-war photography. This comprehensive retrospective displaying around 300 works, held a century after the photographer’s birth, invites visitors to rediscover the life’s work of Peter Keetman. Characteristic of Keetman’s work is his continuous and imaginative exploration of the camera’s potential to create rather than just capture images. The retrospective not only traces the career of a great photographer, but also the protean career of the medium of photography itself, as it evolved between free art and commercial work. | | |
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| | | | | | | | F.C. Gundlach: Gitta Schilling, Kleid von Jean Patou, Paris 1962 |
| | | | | | | | | | | Thu 7 Jul 18:30
7 Jul – 31 Aug 2016 | | | | | | |
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| | Tomio Seike
Waterscape #18
Gelatin silver print
4 1/3 x 6 7/8 in.
Edition of 30 | | | SOMETHING FOR EVERYONE | | | | | | | – 15 September 2016 | | | | | | | | | | | | |
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| | | | | | | | Vahram Aghasyan, from the Ghost City series (2005-07). Courtesy of the artist |
| | | | Power and Architecture - A season on utopian public space and the quest for new national identities across the post-Soviet world | | | | | | 7 Jul – 7 Aug 2016 | | | | | | |
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| | | 'Follow You' 2013, © Wang Qingsong | | | China: grain to pixel | | | | A Story of Photography in China | | | | | | | – 28 August 2016 | | | |
| | | | | | | | | | | | | MGA is the exclusive Australian venue for this major exhibition of Chinese photography. Developed by the Shanghai Centre of Photography (SCôP), the exhibition offers an intriguing insight into the role that photography has played in the evolution of Chinese culture over the past 150 years, from early ethnographic photography and communist propaganda through to the internationally acclaimed work of contemporary Chinese artists. Following its launch at MGA, China: grain to pixel will continue on a global tour that includes venues in Belgium and Russia. | | |
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| | | | | | | | Untitled #1, 2015 © Jordanna Kalman |
| | | | | | | | | | | Sat 9 Jul 18:00
9 Jul – 9 Aug 2016 | | | | | | |
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| | Becoming (Detail C / G / J)
all Pigment Prints, 8 x 10 inches, 2015
© Colleen Fitzgerald | | | FRESH! 2016 : THE MODERN PORTRAIT | | | | annual juried exhibition | | | | | | | 7 July – 18 August 2016 | | | | Opening: Thursday 7 July 6pm | | | | | | | | | | | | | | Between July 7th and August 17th, JanKossen Contemporary is pleased to present our annual juried exhibition “FRESH!” featuring works by 25 artists of diverse backgrounds. FRESH! was initiated to provide a platform for emerging artists to showcase their work, as well as a venue for young collectors to explore pieces to add to their imminent collection. This year, FRESH! is returning with a group larger and more varied than the last, ready to reveal their take on what we call “contemporary portraiture.” | | |
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| | The Scale 2, 2015; Single channel HD video; 2:12 min, edition of 3 + 1AP
© Kawita Vatanajyankur | | | | | | | – 23 July 2016 | | | | | | | | | | | | | In Machinized, Kawita Vatanajyankur is a tool, a moving part in the machine. She transforms herself into food production equipment in performance videos that restage processes such as boxing eggs and weighing leafy greens. Like her previously celebrated works, this new series is graphic and glorious, sharing the same eye-catching allure that enamors us to ads. The confronting nature of her endurance performances, however, interrupts this seductive surface.
The repetitive and arduous tasks that Vatanajyankur performs parody a pervasive slippage between human and machine, and foreground the forgotten body within a technologically accelerating world. Beyond this literal translation, these gestures also make visible the invisible mechanisms that govern women’s everyday labour in her birthplace of Thailand. In both contexts, paring seduction and confrontation proves a powerful device in Vatanajyankur’s hands—a Trojan horse for tackling entrenched attitudes toward gender, equality and work. | | | | |
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| | Hervé Graumann
Bras, Garçon, Jouet, Lotto, Maman, Soulier, Tabac, Veste, 2012
Impression numérique, photographie et extraits de l'annuaire électronique | | | CAMÉRA(AUTO)CONTRÔLE | | | | 50JPG - 50 Days for Photography in Geneva 2016 | | | | | | | - 31 July, 2016 | | |
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© 6 July 2016 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . [email protected] . T +49.30.24 34 27 80 |
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