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| PHOTOGRAPHY INTERNATIONAL | | 5 — 12 July 2017 | |
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| | | © Bastiaan Woudt | | | | | | | | 8 July - 31 August 2017 | | | | Opening reception: Saturday 8 July 18:00 | | | | | | | | | | | | | Kahmann Gallery is proud to present In and Out of Focus, the first solo exhibition of Bastiaan Woudt (NL, 1987) at the gallery. The exhibition will bring together work Woudt created the last few years, including his series ‘Karawan’, made for the Van Vlissingen Art Foundation Prize, as well as new and unseen pieces.
Bastiaan Woudt has seen a meteoric rise within the world of contemporary photography. After starting his own photography practice from scratch a mere five years ago, with no experience or formal training, he has developed into a photographer with his own distinct signature style – abstract yet sharp, with a strong focus on detail. As a student of the history of photography through devouring photobooks and visiting museums and fairs, Woudt has a strong preference for classic subjects, such as portraits and nudes, and we see references to illustrious periods from photography throughout his work, such as Surrealism and the documentary photography of the 1960s and 70s. But through a sophisticated use of both camera and post-production techniques, which he has taught himself by heavily experimenting with both, he gives his own graphic and wholly contemporary twist to the classical.
Woudt’s unbridled ambition (and discipline) as an artist has brought him many accolades already, including being named New Dutch Photography Talent by the makers of GUP Magazine in 2014, ‘one to watch’ by the British Journal of Photography in 2016. In the same year he was awarded the Van Vlissingen Art Foundation prize, which has made Karawan series possible and resulted is his first publication. | | |
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| | | © Nomi Baumgartl "Dolphins Silent Dialouge", Tatjana Patiz and Robala, Grand Bahama Island, 2001 | | | | | | | | 11 July – 22 September 2017 | | | | | | | | | | | | | The world is full of paradoxes: speech without words, knowledge that no longer needs thoughts. It seems contradictions are what really drive us in life; the journey without routes and routine. Already in the sixth century the Chinese Zen master Kanchi Sosan taught that even if our words were exact and our thoughts correct, they would never correspond to the truth, since truth defies any logic and all expectations, leading through alleged deviations and contradictions. Nomi Baumgartl has experienced such paradoxes. Born 1950, in Donauries, the photographer established herself as a sought-after photojournalist in the 1980s and 1990s. Her reportages were in demand; her portraits of super models such as Kate Moss and Tatjana Patitz were published in notable magazines. Everything went smoothly in her exceptional career until a turning point occurred midway in the photographer’s life: after a major car accident, followed by several years of rehabilitation, she not only had to learn to see again, her long-term memory also remained veiled in darkness. Years would pass until she was able to set out on a new beginning after this apparent endpoint; until - as the poetess Hilde Domin once said – she would dare to place her foot in the air again to determine if it would respond by carrying her. With her injured eyes she had to learn how to photograph anew, as Nomi Baumgartl recounts today. Her eyes henceforth registered the depth of things rather than only resting on surfaces. One can repeatedly discover Nomi Baumgartl’s vision in her 36 individual photographs, shown by Johanna Breede, in her gallery rooms from July 11 until September 22, 2017: it is a vision, filled with great empathy and a deep understanding of the correlations of our existen… | | |
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| | | | | | | Stefano Cerio
Mirabilandia, Ravenna
Archival Pigment Print
140 x 110 cm |
| | | | | | | | | | | Thu 6 Jul 19:00
6 Jul – 2 Sep 2017 | | | | | | |
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| | | | | | | | Frankreich, 1987 © Josef Koudelka / Magnum Photos |
| | | | | | | | | | | Wed 12 Jul 19:00
13 Jul – 10 Sep 2017 | | | | | |
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| | | | | | | | Good Id, 2014 © Lucas Blalock / Galerie Rodolphe Janssen |
| | | | Contemporary Still Life | | | | | | Wed 12 Jul 19:00
13 Jul – 10 Sep 2017 | | | | | |
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| | | | | | | | o. T. (Selbstporträt), 2002, freie Arbeit © Hans Hansen |
| | | | | | | | | | | Wed 12 Jul 19:00
13 Jul – 10 Sep 2017 | | | | | |
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| | | Massimiliano Camellini, Courtesy of BAG GALLERY | | | | | | | | 7 July – 7 September 2017 | | | | Opening reception: Thursday 6 July 18:00 | | | | | | | | | | | | | | "Al di là dell’acqua" presents 14 artworks by the photographer Massimiliano Camellini. The exhibition is the result of a long-standing photographic project that took place over a period of four years and which examined the interiors of a large number of cargo ships belonging to the companies of various nations. Informed by the literary influences of Novecento by Alessandro Baricco, Camellini’s photographs depict the work and relaxation areas of these small worlds that live mostly on the oceans, far from land and its laws. The project identifies - through objects, symbols and mementoes - the attempt to reconstruct a lost daily life, a semblance of stability amidst constant movement. Camellini’s subjects are the work areas and their objects, but also, and primarily, the private areas such as; cabins, beds flanked by side tables full of memories, tables set for a new meal, and corridors that divide the relaxation periods of these temporary inhabitants. In this labyrinth of rooms, we glimpse a porthole or window, nonetheless as if through a haze, given it has deliberately been photographed against strong backlight and so it becomes impossible to understand the geographical location of the ship. Camellini intentionally separated the interior of the vessel from the outside: two incongruent and oft-irreconcilable spaces. The photographer is fascinated here by the ongoings within this world, how these spaces are organised, the adaptation to new laws and the reconstruction of a personal "shell" in which to live. People are absent in all of the images but are represented by the spaces and the objects themselves, which await their owners, in a momentary state of suspension. | | |
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| | Dialectical Landscape 6, 2017
25 x 29 in, 65 x 75 cm
Digital printing on cotton paper mounted on dibond and framed in white.
Edition 1/7 +2 A/P.
© Dionisio GONZÁLEZ | | | Dionisio González »
Dialectical Landscape - Thinking Central Park | | | | 5 July – 27 August 2017 | | | | Opening reception: Wednesday 5 July 18:00 | | | | | | | | | | | | | Dionisio Gonzàlez fifth solo exhibition at Galerie Richard New York is about New York City through two Series of works: Dialectic Landscape and Thinking Central Park. Skyscrapers and Cental Park co-exist dialectically. "Central Park is essentially a void. A 4000 x 800-metre void. It was conceived on the basis of an idea of spatiality where density was to be developed, but it is the density of the buildings of Manhattan, in their hyper-developmentalism, that has traced out that recreational rectangle for the dispersion of homo faber. That is, the park is a void because it works as a courtyard inside the urban prisonization" (1). Citing Walter Benjamin, Adorno, Horkheimer, and Robert Smithson's article "Frederick Law Olmsted and the Dialectic Landscape", the artist considers Central Park and new York landscape as a place indifferent to any formal ideals, a place for multiplicity, opportunism and unexpected creativity. The Dialectic Landscape is a series of six small black and white extraordinary New York City landscapes. Each work envisions a specific focus: The extension of Central Park downtown on top of the buildings, another Central Park on top of Buildings directed West-East Manhattan, Super High line pedestrian elevated paths, superelevated modern subways at high speed, and so on. It is a city with different heights of frameworks and activities, a city three-dimensionally connected. We would like to see much more as they open and stimulate the mental field of imagination and possibilities to the viewers. Dialectic Landscape is obviously his most Digital photographic works. The amount of transformation from various images in order to create these artworks suppose so much w… | | |
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| | | installation view, Curtain Call - final exhibition, Stills Gallery, Sydney 2017 | | | | | | | final exhibition | | | | | | | | – 8 July 2017 | | | | | | | | | | | | | In 1991 Bob Hawke was Prime Minister of Australia, The Simpsons debuted on Channel 10, Boris Becker beat Ivan Lendl in the Australian Open Tennis Championship, Tim Berners-Lee introduced the web browser, Nirvana released Nevermind, and Stills Gallery opened its doors at 16 Elizabeth Street, Paddington. At the time Founder and Co-Director, Kathy Freedman announced “There’s a lot of very important and exciting work being done at present using photographic images. Stills will be providing the opportunity for people to see a wide range of current work.” From these small beginnings - a roomsheet created on a typewriter and black & white prints selling for around $200 - Stills Gallery has shifted and evolved to keep up with changes in the way we produce, enjoy and understand photography. These changes have included the move to a large converted warehouse space in 1997, to accommodate the larger works being produced by artists, and the handing over of the baton from Co-Director Sandy Edwards to current Co-Director, Bronwyn Rennex along the way. We are really proud of the artists we have worked with and the exhibitions we have mounted over the years. It has been a privilege to work with such a diverse range of talented artists. And we've enjoyed sharing their works with the world - whether in Paddington or Paris... William St or Waterloo. We've also enjoyed the artworks themselves - looking at them (in the flesh), thinking about them, writing and talking about them... and of course selling them. We have relished their power to challenge and move us. In our final exhibition Curtain Call, we are taking the opportunity to look back over the history of the gallery and will present the mother of all salon hangs featuring over 70 artists from over the 26 years of exhibitions including. We’ll also be featuring ‘a work a day’ on our Facebook and Instagram feeds – where we ask friends, colleagues, collectors and artists to nominate a work or artist that has spoken to them over the history of the gallery. Please join us for this final celebration of all the fantastic artists Stills has worked with over the years. | | |
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| | | | | | | Korakrit Arunanondchai (b.1986) Thailand
Painting with history in a room filled with people with funny names 3
2015 Video 24 min. 55 sec.
Courtesy: Carlos/Ishikawa, London; Clearing, Brussels/New York |
| | | | Commemorating the 50th Anniversary of ASEAN | | | | | | | 5 Jul – 23 Oct 2017 | | |
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| | | | | | | RongRong & inri
Three Shadows, Beijing 2015
Gelatin silver print |
| | | | | | | | Three Shadows Photography Art Centre | | 5 Jul – 23 Oct 2017 | | | | | |
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| | | Yuen no Onna (Female Entertainer), 2017 © ARAKI Nobuyoshi | | | | | | | | 8 July – 3 September 2017 | | | | | | | | | | | | | | ARAKI Nobuyoshi has remained at the forefront of photography since the 1960s, and his worldwide reputation as one of Japan’s top photographers is still strong today. Now in his seventies, Araki seems to be even more active than before, and this exhibition presents some of his recent work, including new works, at gigantic scale. The artist is well known for the variety of his subjects and techniques, and his ceaseless exploration of the potential of photography still shows no sign of abating, despite having continued for over fifty years. For Araki, photography represents a record of his life, and a close personal encounter with death has recently brought further clarity to the portrayal of life and death that has long been a significant theme in his work. Consequently, while vividly communicating the ARAKI Nobuyoshi of today, the exhibition can also be seen as approaching the core of his massive and varied body of work. | | |
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| | © Philipp Keel, Sierra Sunrise, 2004
C-Print on Fujicolor Crystal Archive Paper, framed
Edition 3 & 1 AP, 126 x 182 cm (print), 129.7 x 185.8 x 4.2 cm (frame) | | | | | | | | 7 July – 19 August 2017 | | | | Opening reception: Thursday 6 July 18:30 | | | | | | | | | | | | | Philipp Keel allows himself to be surprised by the magic of the fleeting moment and records what he sees: chance encounters, everyday occurrences. His aim is not to reproduce reality but consciously to alter it by alienating or reducing it. The viewer needs to look precisely because the apparently normal becomes distorted in Philipp Keel’s images. A picture can be taken in a matter of seconds, but subsequent work on the image in the laboratory can take months, or even more than a year. Philipp Keel devotes himself to this process with experimental fervour and a meticulousness bordering on obsession. In the process, he imbues form and colour with an intensity that abstracts the commonplace. Leaves floating on water cast shadows, a woman’s pale, white legs dipped in a pool, the shimmering heat of the Sierra Nevada beyond the car window, or a glowing Ferris wheel vibrating before our eyes: Philipp Keel’s work brims with poetry: at once beautiful yet mysterious. "The works in Splash circle more around a discipline, a quest for authentic form, which finds it’s origins in painting traditions. The operative means, by which the relativity of the pictures is constructed, generate the photographic tropes of restraint. The photographs are convincing and captivating precisely because they reveal themselves to be just pictures, made from relative representations of the phenomenal." Tobia Bezzola, director of the museum Folkwang "The chance element in my work is not that I am confronted by a particular motif, but that I happen to have a camera with me at that decisive moment. From then on, I change from being a collector of images to an experimenter." Philipp Keel | | |
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| | | | Call for application | | | 9th Edition of Carmignac photojournalism Award
Theme: The Arctic | | | Application deadline: Sunday 15th October, 2017 at midnight (GMT)
Apply bit.ly/CarmignacPhotojournalismAward | | | | | | | | | | | | | In 2009, Fondation Carmignac established the Carmignac Photojournalism Award with the aim of funding and promoting an investigative photo report on human rights violations each year. The winner receives a €50,000 grant to produce an in-depth, in-the-field photo essay. After it has been completed, the Fondation provides further support, financing a monograph on the investigation and working with the photographer to develop and stage an international touring exhibition. The 9th edition of the Carmignac Photojournalism Award is dedicated to threats to the Arctic. The Arctic is a region surrounding the North Pole, within and on the outskirts of the Arctic polar circle. The area is commonly delineated by the ’10 degrees Celsius isotherm’, defining territories where the average temperature of the hottest month does not exceed 10 degrees Celsius. It is made up of 6 countries: Canada, the United States, Greenland (Denmark), Russia, Norway and Iceland. At the heart of the Cold War, the Arctic region was as a hot point for international interests, but since 1990, the region has largely disappeared from these debates. From the middle of the 2000s, it has attracted attention for three principle reasons: the disappearance of the sea ice, the growing need for hydrocarbons, and the prospect of new maritime routes. Since 1979, the sea ice has decreased in volume by 50%. The medium-term prospect of its total disappearance in the summer months may be devastating for environmental equilibrium and local Indigenous peoples, but it also provides opportunities by creating new maritime routes for commercial traffic, and opens up possibilities for the exploitation of natural resources. Beyond the fascination and curiosity surrounding the Poles due to their remoteness and the extreme conditions that reign there, global warming has put a sharp focus on these areas as strategic battlegrounds in the clash between the competing interests of countries and multinationals as they face one of the biggest challenges in the history of mankind. This edition will support an investigative photojournalism project that will shine a light on these competing interests, and highlight what the consequences of climate change will have on the region. THE JURY Members of the jury include: Chair Jean Jouzel, climatologist, received the Vetlesen Prize in 2010 for his research on the ice of the Antarctic and Greenland, and was from 2002 until 2015, vice President of the Group of intergovernmental experts on climate change, the GIEC joint-winner of the Nobel Peace Prize in 2007 for his work raising awareness of the climate emergency. David Barber, specialist in Arctic climate change, and Chief Scientist of the expedition on Canadian icebreaker and Arctic research vessel CCGS Amundsen Emma Bowkett, Director of Photography, Financial Times Weekend Magazine Pascal Beausse, Director of the photography collection, Centre national des arts plastiques (CNAP) Nicolas Jimenez, Director of Photography, Le Monde Sarah Leen, Director of Photography, National Geographic Magazine the Laureate of the 8th Edition of the Carmignac Photojournalism Award
The Carmignac Photojournalism Award has the pleasure of welcoming back Thierry Grillet, Chief Curator, Bilbliothèque nationale de France (BNF), as artistic consultant for the third consecutive year. The pre-jury has the task of selecting between 10 and 12 proposals. It is made up of: Patrick Baz, Photojournalist and founder of the MENA Photodesk at AFP Dimitri Beck, Director of Photography, Polka
SUBMISSION REQUIREMENTS After the selection, the jury will meet the winning photographer in order to speak to them and to provide, if necessary, the support they will require throughout their project - from the preparation stage of the report, to its final exhibition. The photographers must submit their projects before midnight (GMT) on Sunday 15th October 2017, by applying online on www.fondation-carmignac.com or here | | |
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| | | © Donna Ferrato | | | | | | | Workshop: 16 - 17 July | | | | Registration deadline: 7 July 2017 | | | | | | | | | | | | | There is still time to enroll for the first appointments at COTM Summer School. Professional and amateur photographers are invited to take part in a separate meeting with the top photographer Donna Ferrato. Donna Ferrato will lead an Erotic Eye Workshop, a guided tour through the world of eroticism, symbols and fantasies. At its heart is the belief that we are born to love and be loved, and that, in the words of the late great Czech photographer Miroslav Tichý, "All of society is based on sexuality". The analysis of the American photographer is an examination of the complexities of sex, love and violence, which are the cornerstones of her work. For Cortona On The Move Ferrato will lead an intensive two-day workshop. Participants will begin to develop their own unique erotic eye and learn how to delve into more intimate situations with their subjects. At the end of the two working days, Donna Ferrato, at her own discretion, will choose to which participant she will donate an original signed copy of Love & Dust, of the value of 300US$. Donna Ferrato (1949, Waltham, Massachusetts, US) is an internationally-known documentary photographer. Her gifts for exploration, illumination, and documentation coupled with a commitment to revealing the darker sides of humanity, have made her a giant in the medium. She has four books including “Living with the Enemy” which sold over 40,000 copies, and “Love & Lust”, published by Aperture, and numerous awards to her commitment and activism as a photographer and a women. She founded a non- profit called Domestic Abuse Awareness which she ran for over a decade and in 2014 launched a campaign called “I Am Unbeatable”, which features women who have left their abusers. Currently, Ferrato is documenting her rapidly changing New York neighborhood of Tribeca for a new book. Date: 16 July - 17 July 2017
Time: 9.30 am-1 pm / 3pm-6pm / possible activities with the teacher during the nights
Price: 349€
Registration deadline: 7 July 2017
10% discount: FIAF members, students, Canon newsletter subscribers, IED students, Eizo clients, students of photography schools, Visura members
15% discount: if you acquire more than 3 workshops
Number of participants: Min. 8/ Max. 12 people. The workshop is addressed to professional and not professional photographers
Language: English / The presence of a translator is not provided.
What you need: your camera, your laptop
Where: Sant'Agostino, Cortona
Registration and further information: [email protected]
www.cortonaonthemove.com/festival/cotm-summer-school/donna-ferrato | www.cortonaonthemove.com/festival/cotm-summer-school | | |
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| | | © Donald Weber | | | Donald Weber » All About Clarity: Finding a Vision and a Way Forward in Photography | | | | Workshop: 16 - 17 July | | | | Registration deadline: 7 July 2017 | | | | | | | | | | | | | There is still time to enroll for the first appointments at COTM Summer School. Professional photographers are invited to take part in separate meetings with the top photographer - Donald Weber. Donald Weber will lead the workshop All About Clarity: Finding a Vision and a Way Forward in Photography which helps photographers to see further afield and enables them to define their own vision. As it is vital to find the essence of the project, over two days, Weber will help participants sharpen their vision, and come to terms with their work; who they are as creators, and what their work-in-progress is. Photographers will learn tips and technique to define their vision and get to the heart of the matter. With this knowledge, participants will be able to produce a project proposal and statement, enabling them to apply for grants, prizes, funding, or as pitches for commissions or simply to feel confident and secure in where you need, and want, to go. To tell a good story, we need to know what we want to say in the first place. Prior to photography, Donald Weber (1973, Toronto, Canada) originally trained as an architect. Weber is the author of four photography books. Interrogations, about post-Soviet authority in Ukraine and Russia, has gone on to much acclaim; it was selected to be included in Martin Parr and Gerry Badger’s seminal ‘The Photobook: A History, Volume III.’ He is the recipient of numerous awards and fellowships, including a Guggenheim Fellowship, the Lange-Taylor Prize, the Duke and Duchess of York Prize, two World Press Photo Awards and shortlisted for the Scotiabank Photography Prize. Currently Weber is working on his next book, War Sand, about historic sacrifice, and the meaning of war in our modern world. Date: 16 July - 17 July 2017
Time: 9.30 am-1 pm / 3pm-6pm
Price: 249€
Registration deadline: 7 July 2017
10% discount: FIAF members, students, Canon newsletter subscribers, IED students, Eizo clients, students of photography schools, Visura members
15% discount: if you acquire more than 3 workshops
Number of participants: Min. 8/ Max. 12 people. The workshop is addressed to professional photographers
Language: English / The presence of a translator is not provided.
What you need: a laptop, your project (digital or printed)
Where: Fortezza del Girifalco, Cortona
Registration and further information: [email protected]
www.cortonaonthemove.com/festival/cotm-summer-school/donald-weber
www.cortonaonthemove.com/festival/cotm-summer-school | | |
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| | | | | | Rip It Up - Over 230 artists and 1000 artworks | | | | | | – 28 Jul 2017 | | | | | |
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Ulrich Wüst, untitled works from the series “Randlagen Uckermark” (Peripheries Uckermark, 2014–16)
black-and-white photographs, 18 × 26 cm each |
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| | | | | | | | | | | | – 13 September 2017 | | | | | | | | | | | | | The documenta 14 is the fourteenth edition of the art exhibition documenta and will take place 2017 in both Kassel, Germany its traditional home, and Athens, Greece. It will be held first in Athens from 8 April till 16 July, and in Kassel from 10 June till 17 September 2017. As part of the concept of the artistic director Adam Szymczyk the exhibition will proceed in both countries. The artists should work with and on both locations. www.documenta14.de | | |
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| | | | | | 20th edition | | | | | | – 27 Aug 2017 | | |
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| | | Jordi Colomer, 2017/ ¡Únete! Join Us!, video still SPAIN | | | | | | | | | | | | – 26 November 2017 | | | | | | | | | | | | | The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017. The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Also for this edition, selected Collateral Events by non-profit national and international institutions, present exhibitions and initiatives. Detailed information can be found on www.labiennale.org/en/art/ | | |
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© 5 July 2017 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . [email protected] . T +49.30.24 34 27 80 |
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