| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 3 -10 July 2019 | |
|
| |
|
| |
| |
| |
| |
| |
|
| |
| |
|
| |
| |
| | | © Schilte & Portielje | | | Infinite Spirit | | | | | | | ... until 23 August 2019 | | | | | | | | | | | | | Kahmann Gallery is proud to present the joined exhibition of two celebrated artist duos: Albarrán Cabrera (ES) and Schilte & Portielje (NL). The title of the exhibition, Infinite Spirit, is a reference to the universality of both the duo's works; while their work seems different on a formal level, both have created an oeuvre that speaks to a deep understanding of what connects us as human beings and plays with our collective memories and imaginations. Both Albarrán Cabrera and Schilte & Portielje have created new works for this exhibition, and all the artists will be present for the opening.
Huub Schilte (NL, 1953) and Jacqueline Portielje (NL, 1958) intensively explore the rich possibilities of the computer as an artistic medium and have been doing so since 1994. The computer is both their photography dark room as well as a drawing/painting tool. Their work has been featured in numerous exhibitions across the globe and has been included in numerous international private and corporate collections.
Schilte Portielje work without a preconceived plan or subject. They both select fragments of images from a digitalized library they have built up over the years. With their selected image fragments, they compose their own dreamworld in black and white, filled with creatures who are endlessly captivating
In their work Schilte Portielje constantly explore the boundaries between fantasy and reality, giving it a certain surreal quality. Could the composed black and white figures exist in real life? Are they in pleasure or pain? These questions make Schilte Portielje’s dreamworld one in which you would like to get lost forever. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Richard Mosse, Incoming, 2014-2017 © Richard Mosse. Courtesy of the artist, carlier I gebauer, Berlin and Jack Shainman Gallery, New York. | | | | | | | | 5 July – 15 September 2019 | | | | Opening reception: Thursday 4 July 17:00-21:00 | | | | | | | | | | | | | In the cross field between documentary and art, Richard Mosse, challenges our perspective on conflict and disaster in the world's hotspots. In his latest video installation Incoming, the prize-winning artist, who aroused public attention with The Enclave, focusses on the flow of refugees towards Europe.
How do we in the Western world look at the disasters and conflicts of our time? This is one of the questions on which a lot of works by the Irish artist and photographer Richard Mosse are based. Through impressive video installations and large-format photographs, he brings into focus places and conflicts only fleetingly covered by the ever-changing news flow.
Military Camera Technology
In his large video installation Incoming Richard Mosse documents the journey of refugees and migrants towards and in Europe using complex thermal camera technology. The camera enables him to take pictures at extreme distances and include events otherwise inaccessible to us. The camera is developed for military purposes and is used in connection with border control, searches and surveillance, but can also beused in military operations.
Due to the thermal technology, the black-white pictures seem almost luminescent, and the identity and skin colour of the documented individuals are blurred – despite the sharpness of the pictures. This gives the persons depicted an almost ghostlike appearance, as the pictures show them crossing dangerous waters, sleeping in temporary refugee camps and fighting to survive.
Richard Mosse states about his work: "The camera is intrusive of individual privacy, yet the imagery that this technology produces is so dehumanised – the person literally glows – that the medium anonymizes the subject in ways that are both insidious and humane."
Between Photo Documentary and Contemporary Art
Richard Mosse is known for his experimental work, which challenges the relation between photo documentary and contemporary art. He created the exhibition Incoming together with Musician Ben Frost and Photographer Trevor Tweeten. It consists of a 53-minute film shown on a wall 16 metres long and chosen photographs from the series The Castle, some of which are more than three metres wide. | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | Sabrina Jung
Berti, 2017
12-Farb Pigmentdruck, koloriert mit Eiweißlasur
40 x 60 cm
© VG Bild-Kunst Bonn, 2019 |
| | | | Overpainted Photography | | | | | | | 3 Jul – 6 Oct 2019 | | | | | |
| | | | | | | |
|
| |
| | | | | | | Sascha Weidner
Concord II, 2006
C-Print, bildseitig kaschiert
Sprengel Museum Hannover
Schenkung Ole A. H. Truderung (2016)
© The Estate of Artist Sascha Weidner |
| | | | Naturwelten in der Kunst seit 1950 | | | | | | | 3 Jul – 6 Oct 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Private collection of Lindy and Roy Kahmann and the Kahmann Gallery collection | | | | | | | 6 Jul – 22 Sep 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | | | Leviathan Legacy Trilogy Part 1 2018 Virtual Reality © Shetad Dawood |
| | | | | | | | | | | | Fri 5 Jul
6 Jul – 13 Oct 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | Barbara Hammer, History Lessons, 2000.
16mm film, color, sound, 66:51 min. Image courtesy the artist |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Martin Zellerhoff, #2018058, o. T. (Mörth) , 95 x 125 cm, Pigmentprint |
| | | | | | | | | | | | Sun 7 Jul 17:00
7 Jul – 8 Sep 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
| | | | | | | | | | | | | Photo Historica 2019 A sale of unique handcrafted prints made from alternative and historic processes | | Fri 5 Jul 17:00 5 Jul – 7 Jul 2019 | | | | | | | |
|
| |
| |
|
| |
|
| |
| |
| |
|
| |
|
| |
| |
| |
|
| |
|
|
| |
|
| | | | | | | | | | | | | | Festival week: 3 – 7 Jul 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | | | | | | | Fri 12 Jul
5 Jul – 29 Sep 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
|
| |
|
| | | | | | Emerging Photographies | | | | | | | – 22 Sep 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | © Edouard Taufenbach (FR), Specular |
| | | | | | | | | |
|
| |
| |
|
| |
| |
| | | Cooper & Gorfer » © Festival La Gacilly–Baden Photo | | | Festival La Gacilly-Baden Photo | | | | HYMN TO THE EARTH | | | | | | Baden near Vienna:
1 June ‐ 30 September 2019
Festival programm - 46 Events:
In addition to the impressive pictures in the parks, gardens and alleyways of Baden near Vienna, the photo festival also offers an exciting side program with guided tours, workshops and lectures.
festival-lagacilly-baden.photo | |
| | | | | | | | | | | | | | Europe’s largest photographic festival is coming to Baden near Vienna for the second time. Under the motto HYMN TO THE EARTH, esteemed international photographers will exhibit fascinating visual worlds in a gigantic open-air gallery: 39 exhibitions with 2,000 large-format images—each up to 280 square meters in size—will transform the gardens, lanes and squares of Baden for four months and across 7-kilometres, into a "picture-city". | | |
| |
|
|
| |
| |
|
| | | | | | Eyes East Bound | | | | | | | – 10 Aug 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | VISITING RIGHTS FOR COUPLES WHO ARE INCARCERATED AT THE SAME TIME, FOR THE SAME CRIME.
CENTRE PÉNITENTIAIRE DE FEMMES, METZ, FRANCE, 1990, © JANE EVELYN ATWOOD | | | | | | | 50JPG - 50 Days for Photography in Geneva | | | | | | | | ... until 25 August 2019 | | | | | | | | | | | | | | | | The exhibition OSMOSCOSMOS attempts to bring together two universes that are too rarely associated in our monotheistic cultures where sexuality is marked by guilt: Eros and cosmos. We can describe them as dynamic, as not static, not stable, not fixed. Jean-Pierre Vernant (1), specialist in ancient Greece and its myths, describes the meeting of the two: Eros - always in motion, between men and gods - witnessed the birth of the universe, allowing Uranus and Gaia to procreate. Gaia, who is emancipating herself from Chaos, needs the energy of Eros to unite with Uranus. Lying on his back and mating with Gaia, Uranus refuses to withdraw, despite the Titans they have just spawned and who are waiting to be born. Gaia encourages her future children to revolt and places a sickle handle in young Cronus' fist. He grabs the object to use it as a weapon and cuts off his father's sexual parts. This immense pain forces Uranus to pull away from Gaia with vehemence and upwards, forming the vault of the sky, the starry firmament, the Cosmos – forever. | | |
| |
|
|
| |
| |
|
| | | | | | | | The Slavic mindset © Sergey Maximishin |
| | | | open air festival | | | | | | | – 30 Sep 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | © Maria Gawryluc - 30 Under 30 Women Photographers |
| | | | | | | | | |
|
| |
|
| | | | | | | | © Johanna Heldebro, Night Watch II, from To Come Within Reach of You (Gunnar Heldebro, Hässelby Strandväg 55, 165 65 Hässelby, Sweden), 2009 |
| | | | | | | | | | | | Chapter One: 06 JUN - 25 SEP
Chapter Two: 17 OCT - 21 DEC | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | Leila Alaoui. Esauira, 2012 © Leila Alaoui |
| | | | | | | | | |
|
| |
|
| | | | | | | | film 40-15 © ANNIKA LARSSON |
| | | | | | | | | |
|
| |
|
| | | | | | | Right Color, France 2019
© Hélène Bellenger |
| | | | European young photography festival | | | | | | | extended through 21 July 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | The sound of screens imploding
Centre d'Art Contemporain, Genève | | | | | | | – 29 Sep 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | Marina Abramović, still from the behind the scenes of Rising. Courtesy of Acute Art (2018) | | | | | | | May You Live in Interesting Times | | | | | | | | ...until 24 Nov 2019 | | | | | | | | | | | | | | | The 58th International Art Exhibition, titled May You Live In Interesting Times, will take place from 11 May to 24 November 2019 (Pre-opening on 8, 9, 10 May). The title is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse that invokes periods of uncertainty, crisis and turmoil; "interesting times", exactly as the ones we live in today. The 58th Exhibition is curated by Ralph Rugoff, currently the director of the Hayward Gallery in London. Between 1985 and 2002 he wrote art and cultural criticism for numerous periodicals, publishing widely in art magazines as well as newspapers, and published a collection of essays, Circus Americanus (1995). During the same period he began working as an independent curator. The Exhibition will also include 90 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Four countries will be participating for the first time at the Biennale Arte: Ghana, Madagascar, Malaysia and Pakistan. The Dominican Republic exhibits for the first time at the Biennale Arte with its own national pavilion. | | |
| |
|
|
| |
| |
|
| | | | | | | | Young Cadets, Ukraine 2015. from the series How to dance the waltz © Michal Chelbin |
| | | | | | | | | |
|
| |
|
|
| |
|
|
| |
| |
| |
| |
| |
|
| |
| |
|
| |
© 12 June 2019 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
| |
