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| PHOTOGRAPHY INTERNATIONAL | | 28 June — 5 July 2017 | |
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| | | | | Every summer since 1970, over the course of more than forty exhibitions at various of the city's exceptional heritage sites, the Rencontres d'Arles has been a major influence in dissiminating the best of world photography and playing the role of a springboard for photographic and contemporary creative talents. In 2016, the festival welcomed more than 100 000 visitors. 40 PHOTOGRAPHY EXHIBITIONS 3 July — 24 September
Les Nuits de la photographie 3 — 9 July
SCREENINGS MUSIC READINGS Cosmos-Arles Books hosts about fifty international publishers and a multitude of events involving the photography book. |
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| | | © Delphine Blast, Cholitas 1, serie Cholitas, la revanche d'une génération, 2016, courtesy The Chata Gallery | | | fotofever presents FOTO DOC' COLLECTION | | | | On the theme of documentary photography, in collaboration with 10 partner galleries, at the Manuel Rivera-Ortiz Foundation for Documentary Photography & Film in Arles. | | | Christophe Beauregard (France) | EXPOSED
Delphine Blast (France) | The Chata Gallery
Beril Gulcan (Turkey) | Gama Gallery
Mami Kiyoshi (Japan) | Galerie Annie Gabrielli
KUB (France) | FKMG
Mário Macilau (Mozambique) | Ed Cross Fine Art
Suntag Noh (South Korea) | AN INC.
David Nicolas Parel (France-Switzerland) | NdF Gallery
Gabriele Stabile (Italy) | Le Magasin de Jouets
Piotr Zbierski (Poland) | Little Birds Gallery | | | 3 - 9 July 2017 (opening week) : open daily 10am-10pm
vernissage : Wednesday 5 July from 6pm
10 July - 24 September 2017 : open Tuesday through Sunday 11am-7pm
| | | | | | | | | | | | | | "Far from the typical fair format, we wanted to create a real dialogue between the presented artists, their different cultural and social backgrounds, and show their unique vision of contemporary society." - Cécile Schall, fotofever Founder & Director | | |
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| | | | | | | Miguel Ángel Rojas, Azul, 1976
©Courtesy of Toluca Éditions, Paris |
| | | | 28 colombian photographers and artists | | | | | | 3 Jul – 24 Sep 2017 | | | | | |
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| | | Jungle Check, 2017 © Cristina de Middel & Kalev Erickson | | | | | | | 3 – 9 July 2017 | | | | Collaborate X Celebrate: Drinks 5 July 18-20 hrs (open to all, free entrance) | | | | | | | | | | | | | To celebrate the 15th anniversary of the museum, Foam is organising a broad range of activities under the title Collaborate! and is present in Arles during the opening week of the international photography festival Les Rencontres de la Photographie d’Arles 2017 in France (3-9 July). In collaboration with Regards & Mémoires, Foam transforms the monumental building La Bourse du Travail, in central Arles, into a discussion- and meeting place with expositions and presentations. One of the main features of the Foam X Arles programme is an exhibition, organised specifically for the occasion with Cristina de Middel (SP) and Kalev Erickson (UK). Exhibition by Cristina de Middel and Kalev Erickson: Jungle Check is the story of two still-image adventurers on a quest to retrace and reinterpret the remains of a past dissolved in the emulsion of the Polaroid photo, a direct positive printing process now in danger of extinction. While browsing the flea market in Mexico’s La Lagunilla on a Sunday, Cristina de Middel came across a collection of Polaroid photos on sale that appeared to have been taken by the same person in the jungle near Tulum. These anonymous images all shared an orangey-pink tint caused by the passage of time, together with some random golden marks on the emulsion. ... Student Exchange: Foam X KABK X ECAL
Furthermore, while in Arles Foam takes on a role promoting international cooperation and exchange between students by initiating a collaboration between photography students of the Royal Academy of Art (KABK) in The Hague and the University of Art and Design (ECAL) in Lausanne. ... Interactive installation plplpl.pl: engage with the anti-surveillance machine by Matthias Oostrik, that confronts the visitors with themselves and each other. Artistic Internet Café: in collaboration with the Dutch online platform Patty Morgan Foam organises the Patty Morgan Internet Café. Discussions and Q&A’s: interesting exchanges with artists, curators and teachers present in Arles (Wed-Sat, 17.00-17.45 hrs). FULL PROGRAMME Foam.org/arles | regardsetmemoires.com Collaborate! A YEAR OF VISUAL ENCOUNTERS | | |
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| | Chen Zhe Body/Wound #005, The Bearable series 2007-2010
Courtesy: Three Shadows Photography Art Centre | | | | | | | Three Shadows 10th Anniversary Special Exhibition | | | | | | | 28 June – 27 August 2017 | | | | Opening reception: Wednesday 28 June 17:30 | | | | | | | | | | | | | Emerging after the Cultural Revolution, Chinese contemporary photography has more than forty years of history. This exhibition is divided into four sections: “The Rise of Unofficial Photography (1976–1979)”, “New Wave Photography (1980-1989)”, “Experimental Photography (1990-2006)”, and “The Development of Experimental Photography Organizations (2007-present)”. The exhibition provides a comprehensive overview of the work of important Chinese contemporary photographers from the mid 1970s on, as well as related historical material. The exhibition will be accompanied by an academic catalogue and related symposium, which will further trace the development of contemporary Chinese photography. This special exhibition to commemorate Three Shadows Photography Art Centre's 10th anniversary is jointly curated by Wu Hung (Harrie A. Vanderstappen Distinguished Service Professor of Art History, East Asian Languages and Civilizations & Curator at the Smart Museum of Art, University of Chicago).
The exhibition catalogue will be published on the opening of the exhibition. | | |
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| | | Jens Liebchen: SYSTEM, Motiv #6, 2014, 110 x 160 cm © Jens Liebchen | | | | | | | | – 29 July 2017 | | | Artist Talk: Thursday 29 June, 7 p.m.
with Dr. Matthias Harder curator of the Helmut Newton Foundation Berlin | | | | | | | | | | | | | For the first time, Galerie Springer Berlin is presenting the artist and photographer Jens Liebchen (*1970) and his "System" series. His photo book, published under the same title by Peperoni Books/White Press in 2014, was highly acclaimed by critics and sold out within only a short time. The gallery is therefore all the more fortunate to now be able to exhibit his large-sized works. Jens Liebchen studied Social Anthropology at Freie Universität Berlin before turning his attention entirely to photography. In his works, he deals with political and social issues. His time spent living in Tokyo, from 2010 until 2013, provided him with a reflective insight into Japanese society and culture. While in Tokyo and at the heart of the metropolis, he produced his "System" series. In the outer part of the Imperial Palace Garden, Liebchen photographed pine trees during a blizzard. In Photonews Blogbuch, Michael Klein and Peter Lindhorst described the series as seeming similarly contemplative to the art of black-and-white oriental ink painting, which is practised in Japan to perfection”. What on first glance appears to be an arrangement of nature in an untouched environment is actually a setting right in the middle of the megacity Tokyo. Whereas in the background there is the suggestion of cars and parts of the city’s silhouette through the heavy blizzard, the lighting conditions clearly highlight the shapes and structures of the trees, making the colour photographs look almost as if they were black-and-white. The trees appear like protagonists on a stage: partly representing individual characters, partly seeming to be acting in groups. In November 2014, Hannes Wanderer wrote: "Nature only delivered the material for the trees. P… | | |
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| | | | | | | | Aus der Serie Tōkei © NAKAZATO Katsuhito |
| | | | | | | | | | | Thu 29 Jun 19:00
29 Jun – 11 Aug 2017 | | | | | |
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| | | | | | | Laura Hospes
Prisoner of Air, 2016 |
| | | | Mental Health & Photography | | | | | | Fri 30 Jun 19:00
30 Jun – 2 Sep 2017 | | | | | |
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| | | | | | | | Approaching Clouds, Pizzoferato, Abruzzo, Italy. 2016 © Michael Kenna |
| | | | | | | | | | | Tue 4 Jul 19:00
4 Jul – 2 Sep 2017 | | | | | |
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| | | | | | | Marc Lüders
Objekt 709-7-2, 2006 |
| | | | Gestural abstraction in painting, alongside photographic artefacts and epherma | | | | | | 28 Jun – 16 Sep 2017 | | | | | |
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| | | | | | | Dana Lixenberg
Wilteysha, 1993
© Dana Lixenberg
Courtesy of the artist and Grimm, Amsterdam |
| | | | | | | | | | | Wed 28 Jun
29 Jun – 17 Sep 2017 | | | | | |
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| | William Christenberry
5 Cents - Demopolis, Alabama, 1988
Graphite on paper
12.7 x 17.78 cm
© 2017 William Christenberry. Pace/MacGill, New York | | | | | | | | June 30 – September 2, 2017 | | | | Opening reception: Thursday, 29 June, 5-9 pm | | | | | | | | | | | | | The Exhibition takes a closer look at how drawing formed a foundational part of Christenberry's artistic process although it is a relatively unknown and underestimated aspect of his work. Born in 1936 in Tuscaloosa, AL, Christenberry started his artistic career by studying painting at the University of Alabama where he received both his BFA and MA. Although he is most well known for his haunting color photographs of landscapes, signs, and abandoned structures in rural Alabama, he continued making paintings and sculptures throughout his life. He also taught painting and drawing at the Corcoran School of Arts in Washington D.C.. "My work as an artist includes drawing, painting, sculpture, and photography. Each medium is a part of the total expression of my deep feelings about where I’m from, and about how I care about how we, as human beings, leave our touches, positively and negatively, on the things around us." Every piece of Christenberry’s art seems to be connected to a story or one of his experiences. The organic forms in this exhibition are barely recognizable as any particular plant. The gestural movement, sparse lines and sure strokes of ink forms visible on paper made with pens, brushes and even chopsticks bear witness to Christenberry’s expressive visual canon. All of these elements carry the study of time and memory that are visible throughout his career. Besides the "Tree" paintings, Artworks such as "Memory Form", "5 Cents" or "Abandoned House in Field" (graphite/watercolor on paper) build a direct connection to his photographic work. Christenberry visited the same places year for year during his regular trips to Alabama to takepictures. From these … | | |
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| | | Mirror 13, 2017 © Murray Fredericks | | | | | | | | – 7 July 2017 | | | | | | | | | | | | | The Vanity series is a continuation of Fredericks’ renowned Salt series, previously exhibited at Hamiltons in "Salt, 2007", "Salt II, 2009" and "Recent Work, 2014 – 2015". In this next cycle of the project, Fredericks introduces a mirror into the previously undisturbed landscape. Australian photographer Murray Fredericks’ long relationship with Lake Eyre, where his most recent series "Vanity" has been produced, commenced in 2003, and to date consists of twenty journeys to the centre of the lake where he photographs for weeks at a time in the vast and infinite landscape. Fredericks is not interested in documenting the literal forms of the landscape. He views the landscape as medium in itself which, when represented in a photograph, has the potential to convey the emotional quality of his experience and relationship to the lake. Fredericks’ relationship to this project stems from his initial visit to a salt lake in 2001 where late one night he wandered away from his campsite and stopped for some time. Standing alone in the darkness he became aware that the boundary between his physical body and the environment he stood within seemed to soften and become less defined. Fredericks experienced an unfamiliar, powerful sensation of calm and eventually a release from the ever-present anxieties that seem to be inherent to the human condition. In that moment, Fredericks felt a connection to something that seemed to exist beyond his conscious mind. The memory of that experience stayed with Fredericks and defined his pursuit of landscape imagery. Fredericks employs a serial approach in the Salt project. All photographs are composed with an unbroken horizon placed in the lower third … | | |
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| | Salinger´s Refuge. , 2017
33 x 59 in, 85 x 150 cm
C. print Diasec mounting
Edition1/7 + 2 A/P.
© Dionisio GONZÁLEZ | | | Dionisio González »
Dialectical Landscape - Thinking Central Park | | | | 5 July – 27 August 2017 | | | | Opening reception: Wednesday 5 July 18:00 | | | | | | | | | | | | | Dionisio Gonzàlez fifth solo exhibition at Galerie Richard New York is about New York City through two Series of works: Dialectic Landscape and Thinking Central Park. Skyscrapers and Cental Park co-exist dialectically. "Central Park is essentially a void. A 4000 x 800-metre void. It was conceived on the basis of an idea of spatiality where density was to be developed, but it is the density of the buildings of Manhattan, in their hyper-developmentalism, that has traced out that recreational rectangle for the dispersion of homo faber. That is, the park is a void because it works as a courtyard inside the urban prisonization" (1). Citing Walter Benjamin, Adorno, Horkheimer, and Robert Smithson's article "Frederick Law Olmsted and the Dialectic Landscape", the artist considers Central Park and new York landscape as a place indifferent to any formal ideals, a place for multiplicity, opportunism and unexpected creativity. The Dialectic Landscape is a series of six small black and white extraordinary New York City landscapes. Each work envisions a specific focus: The extension of Central Park downtown on top of the buildings, another Central Park on top of Buildings directed West-East Manhattan, Super High line pedestrian elevated paths, superelevated modern subways at high speed, and so on. It is a city with different heights of frameworks and activities, a city three-dimensionally connected. We would like to see much more as they open and stimulate the mental field of imagination and possibilities to the viewers. Dialectic Landscape is obviously his most Digital photographic works. The amount of transformation from various images in order to create these artworks suppose so much w… | | |
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| | | Leonard Freed, Harlem fashion show, New York, 1963 © Leonard Freed/Magnum Photos | | | MAGNUM ANALOG RECOVERY | | | | | | | TO AUGUST 27, 2017 | | | | | | | | | | | | | LE BAL is presenting a range of the cooperative’s treasures with contemporary prints and designs for books and publications dating from the creation of Magnum Photos (1947) till 1977. This year marks both 70 years of Magnum Photos and the completion of an archive making thousands of contemporary prints at last accessible : Magnum Analog Recovery (M.A.R.). This collection, stored in the Magnum archives in Paris in boxes and bearing the name of each of the photographers, brings together the “postcard” prints sent out to the European Magnum agents for distribution to the press between 1947 and the end of the 1970s. Yet this archive only contains a tiny fraction of the hundreds of thousands of prints distributed by the Paris office during those 30 years. Only in rare cases do the stored images bear captions and the typed texts and captions accompanying the images have not always been preserved. Great icons of the 20th century are to be found alongside images never previously seen or exhibited : they are part of a dialogue linked to what the photographers had to say regarding the definition or contradictions inherent in their work and what was at stake, at a time when the world’s largest ever collective of photographers was taking shape. Their words call to mind just as many contradictory approaches to photography as the images themselves – the other side of the coin strewn with doubts and tensions which makes this array of “witnesses to the transitory” more resonant than ever. "The war is over. The four Magnum founding members all lost their job. They decide that they would create a brotherhood, a press agency that demands not to crop the pictures, not to change the captions, not to distort the photographe… | | |
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| | | installation view, Curtain Call - final exhibition, Stills Gallery, Sydney 2017 | | | | | | | final exhibition | | | | | | | | – 8 July 2017 | | | | | | | | | | | | | In 1991 Bob Hawke was Prime Minister of Australia, The Simpsons debuted on Channel 10, Boris Becker beat Ivan Lendl in the Australian Open Tennis Championship, Tim Berners-Lee introduced the web browser, Nirvana released Nevermind, and Stills Gallery opened its doors at 16 Elizabeth Street, Paddington. At the time Founder and Co-Director, Kathy Freedman announced “There’s a lot of very important and exciting work being done at present using photographic images. Stills will be providing the opportunity for people to see a wide range of current work.” From these small beginnings - a roomsheet created on a typewriter and black & white prints selling for around $200 - Stills Gallery has shifted and evolved to keep up with changes in the way we produce, enjoy and understand photography. These changes have included the move to a large converted warehouse space in 1997, to accommodate the larger works being produced by artists, and the handing over of the baton from Co-Director Sandy Edwards to current Co-Director, Bronwyn Rennex along the way. We are really proud of the artists we have worked with and the exhibitions we have mounted over the years. It has been a privilege to work with such a diverse range of talented artists. And we've enjoyed sharing their works with the world - whether in Paddington or Paris... William St or Waterloo. We've also enjoyed the artworks themselves - looking at them (in the flesh), thinking about them, writing and talking about them... and of course selling them. We have relished their power to challenge and move us. In our final exhibition Curtain Call, we are taking the opportunity to look back over the history of the gallery and will present the mother of all salon hangs featuring over 70 artists from over the 26 years of exhibitions including. We’ll also be featuring ‘a work a day’ on our Facebook and Instagram feeds – where we ask friends, colleagues, collectors and artists to nominate a work or artist that has spoken to them over the history of the gallery. Please join us for this final celebration of all the fantastic artists Stills has worked with over the years. | | |
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| | | | | | | Korakrit Arunanondchai (b.1986) Thailand
Painting with history in a room filled with people with funny names 3
2015 Video 24 min. 55 sec.
Courtesy: Carlos/Ishikawa, London; Clearing, Brussels/New York |
| | | | Commemorating the 50th Anniversary of ASEAN | | | | | | | 5 Jul – 23 Oct 2017 | | |
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| | | | | | | RongRong & inri
Three Shadows, Beijing 2015
Gelatin silver print |
| | | | | | | | Three Shadows Photography Art Centre | | 5 Jul – 23 Oct 2017 | | | | | |
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| | | | | | | | © Maia Flore / VU’ / Atout France |
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| | Helmut NEWTON (1920-2004)
Veruschka, Presidential Suite, Hotel Méridien, Nice, 1975 (variant)
Gelatin siver print, printed 1976
Signed, titled, dated in black ink with photographer's stamps verso
Image : 22,9 x 33,6 cm / Sheet : 30,2 x 39,7 cm
€ 20 000 - 30 000 | | | PHOTOGRAPHIE | | | Collection Sophie Imbert et à divers | | | | | | Auction: Friday | June 30th 2017 | 14.00 pm
Vendredi | 30 juin 2017 | 14h
Viewing :
Thursday, June 29, 11 AM - 6 PM
Friday, June 30, 11 AM - 12 PM
Expert : Christophe Lunn
Online catalogue : www.joron-derem.fr | |
| | | | | | | | | | | | | Among the 290 lots of photographs which will be on sale June 30th at Hotel Drouot in Paris, Christophe Joron Derem will offer a rare groupe of prints by Etienne-Jules Marey, relating to the birth of chronophotography, the collection of Sophie Imbert, comprised of prints purchased in the 1980s by Bill Brandt, Manuel Alvarez Bravo, Robert Doisneau or André Kertesz and several vintage prints by Helmut Newton, including a variant of "Verushcka on the terrace of Hotel Meridien, Nice, 1975".
Also in the sale : a beautiful seascape by Colonel Stuart Wortley (19th century), vintage prints by Sherril Schell and Berenice Abbott of 1930's New York architectural studies, a large selection of nudes, among which a collection of prints by Irina Ionesco, the archive of RV LEBEAUPAIN, who photographed the Parisian Gay scene in the 1980-1990s and a Peter Beard Poloraïd portrait of Andy Warhol. | | |
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| | | © Donna Ferrato | | | | | | | Workshop: 16 - 17 July | | | | Registration deadline: 7 July 2017 | | | | | | | | | | | | | There is still time to enroll for the first appointments at COTM Summer School. Professional and amateur photographers are invited to take part in a separate meeting with the top photographer Donna Ferrato. Donna Ferrato will lead an Erotic Eye Workshop, a guided tour through the world of eroticism, symbols and fantasies. At its heart is the belief that we are born to love and be loved, and that, in the words of the late great Czech photographer Miroslav Tichý, "All of society is based on sexuality". The analysis of the American photographer is an examination of the complexities of sex, love and violence, which are the cornerstones of her work. For Cortona On The Move Ferrato will lead an intensive two-day workshop. Participants will begin to develop their own unique erotic eye and learn how to delve into more intimate situations with their subjects. At the end of the two working days, Donna Ferrato, at her own discretion, will choose to which participant she will donate an original signed copy of Love & Dust, of the value of 300US$. Donna Ferrato (1949, Waltham, Massachusetts, US) is an internationally-known documentary photographer. Her gifts for exploration, illumination, and documentation coupled with a commitment to revealing the darker sides of humanity, have made her a giant in the medium. She has four books including “Living with the Enemy” which sold over 40,000 copies, and “Love & Lust”, published by Aperture, and numerous awards to her commitment and activism as a photographer and a women. She founded a non- profit called Domestic Abuse Awareness which she ran for over a decade and in 2014 launched a campaign called “I Am Unbeatable”, which features women who have left their abusers. Currently, Ferrato is documenting her rapidly changing New York neighborhood of Tribeca for a new book. Date: 16 July - 17 July 2017
Time: 9.30 am-1 pm / 3pm-6pm / possible activities with the teacher during the nights
Price: 349€
Registration deadline: 7 July 2017
10% discount: FIAF members, students, Canon newsletter subscribers, IED students, Eizo clients, students of photography schools, Visura members
15% discount: if you acquire more than 3 workshops
Number of participants: Min. 8/ Max. 12 people. The workshop is addressed to professional and not professional photographers
Language: English / The presence of a translator is not provided.
What you need: your camera, your laptop
Where: Sant'Agostino, Cortona
Registration and further information: [email protected]
www.cortonaonthemove.com/festival/cotm-summer-school/donna-ferrato | www.cortonaonthemove.com/festival/cotm-summer-school | | |
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| | | © Donald Weber | | | Donald Weber » All About Clarity: Finding a Vision and a Way Forward in Photography | | | | Workshop: 16 - 17 July | | | | Registration deadline: 7 July 2017 | | | | | | | | | | | | | There is still time to enroll for the first appointments at COTM Summer School. Professional photographers are invited to take part in separate meetings with the top photographer - Donald Weber. Donald Weber will lead the workshop All About Clarity: Finding a Vision and a Way Forward in Photography which helps photographers to see further afield and enables them to define their own vision. As it is vital to find the essence of the project, over two days, Weber will help participants sharpen their vision, and come to terms with their work; who they are as creators, and what their work-in-progress is. Photographers will learn tips and technique to define their vision and get to the heart of the matter. With this knowledge, participants will be able to produce a project proposal and statement, enabling them to apply for grants, prizes, funding, or as pitches for commissions or simply to feel confident and secure in where you need, and want, to go. To tell a good story, we need to know what we want to say in the first place. Prior to photography, Donald Weber (1973, Toronto, Canada) originally trained as an architect. Weber is the author of four photography books. Interrogations, about post-Soviet authority in Ukraine and Russia, has gone on to much acclaim; it was selected to be included in Martin Parr and Gerry Badger’s seminal ‘The Photobook: A History, Volume III.’ He is the recipient of numerous awards and fellowships, including a Guggenheim Fellowship, the Lange-Taylor Prize, the Duke and Duchess of York Prize, two World Press Photo Awards and shortlisted for the Scotiabank Photography Prize. Currently Weber is working on his next book, War Sand, about historic sacrifice, and the meaning of war in our modern world. Date: 16 July - 17 July 2017
Time: 9.30 am-1 pm / 3pm-6pm
Price: 249€
Registration deadline: 7 July 2017
10% discount: FIAF members, students, Canon newsletter subscribers, IED students, Eizo clients, students of photography schools, Visura members
15% discount: if you acquire more than 3 workshops
Number of participants: Min. 8/ Max. 12 people. The workshop is addressed to professional photographers
Language: English / The presence of a translator is not provided.
What you need: a laptop, your project (digital or printed)
Where: Fortezza del Girifalco, Cortona
Registration and further information: [email protected]
www.cortonaonthemove.com/festival/cotm-summer-school/donald-weber
www.cortonaonthemove.com/festival/cotm-summer-school | | |
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| | | | | | | | | | | | | Mon 3 Jul
3 Jul – 24 Sep 2017 | | | | | |
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| | | | | | | | | | | | | Fri 30 Jun
30 Jun – 30 Jul 2017 | | | | | |
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| | | | | | Rip It Up - Over 230 artists and 1000 artworks | | | | | | – 28 Jul 2017 | | | | | |
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Ahlam Shibli, untitled (Eastern LGBT no. 22), international (2004), chromogenic print, 38 × 58 cm |
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| | | | | | | | | | | | – 13 September 2017 | | | | | | | | | | | | | The documenta 14 is the fourteenth edition of the art exhibition documenta and will take place 2017 in both Kassel, Germany its traditional home, and Athens, Greece. It will be held first in Athens from 8 April till 16 July, and in Kassel from 10 June till 17 September 2017. As part of the concept of the artistic director Adam Szymczyk the exhibition will proceed in both countries. The artists should work with and on both locations. www.documenta14.de | | |
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| | | | | | 20th edition | | | | | | – 27 Aug 2017 | | |
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| | | in Pursuit of Venus [infected], 2015–17, Lisa Reihana: Emissaries, Biennale Arte 2017. NEW ZEALAND | | | | | | | | | | | | – 26 November 2017 | | | | | | | | | | | | | The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017. The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Also for this edition, selected Collateral Events by non-profit national and international institutions, present exhibitions and initiatives. Detailed information can be found on www.labiennale.org/en/art/ | | |
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© 28 June 2017 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . [email protected] . T +49.30.24 34 27 80 |
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