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| weekly news | | 26 October - 2 November 2016 | |
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| | Becoming South Sudan Chapter I: Portraits / Anthem, 2011
Print size 76,2 x 76,2 cm / Edition of 3
C-type print on archival photographic paper
© Alinka Echeverría | | | | | | | October 29 - December 3, 2016 | | | | Opening Friday October 28th 2016 / 5:00 - 7:00 PM | | | | | | | | | | | | | | Prior to South Sudan’s independence from the Republic of Sudan in 2011, forty years of internal conflicts and two protracted civil wars had permeated the history of the country. Established in 1956 at the end of the Anglo- Egyptian colonial rule, the Republic of Sudan had its borders drawn by its very European predecessors with little concern to the cultural and ethnic reality of the region. South Sudan’s independence allowed the borders to be reconfigured to extent. Regardless, the world’s newest nation remains in shambles, en masse. Its short history has demonstrated that internal solidarity along the ethnic lines has long lost its echo among the rivalries within the country’s ruling party, the Sudan People’s Liberation Movement (SPLM). | | | | |
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| | | © Frank Ockenfels, David Bowie | | | RARE | | | | rare and unique pieces | | | | | | | 28 October 2016 – 10 January 2017 | | | |
| Grand Opening: Friday, October 28, 18.00 - 21.00 | | | | | | | | | | | | | Join us for the opening of RARE, an exhibition filled with rare and unique pieces. From hand-colored, vintage 19th century Japanese Albumen prints to unique David Bowie photo collages by Frank Ockenfels.
While unicity is something you don't normally associate with photography, Kahmann Gallery has collected and selected pieces that are one-off or in very small editions, to create a veritable Wunderkammer of photography.
In this exhibition we will show some of our most exciting hidden treasures of the kahmann Gallery collection. | | | | |
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| | | | | | | | Thomas Zanon-Larcher und Jules Wright: aus der Serie "THE LADY FROM THE SEA" |
| | | | | | | | Cooperation with Jules Wright | | Fri 28 Oct 19:00
28 Oct – 27 Nov 2016 | | | | | | |
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| | | | | | | | Oliver Krebs: o.T., 2016, C-Print auf Alludibond, 40x60 cm |
| | | | | | | | | | | Fri 28 Oct 19:00
29 Oct – 19 Nov 2016 | | | | | | |
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| | | | | | | | | | | | | Fri 28 Oct 19:00
29 Oct – 4 Dec 2016 | | | | | | |
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| | | | Face to Face | | | | | | | 28th October to 3rd December 2016 | | | | | | | | | | | | | La Photographie Galerie presents its new exhibition, Face to Face. Entirely devoted to portrait art, this exhibition offers an overview of recent photographic history while at the same time paying homage to celebrities of this century.
Face to Face collects unique portraits done by renowned contemporary photographers. | | | | |
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| | Antonin Tesar: My love, 2004
Courtesy Gallery in focus, Cologne | | | Czech Photography | | | | | | | 28 October – 3 December 2016 | | | | Opening: Friday, 28 October, 7pm | | | | | | | | | | | | | The image of the human body is defining for Czech photography until today. Both beauty and ugliness of the human existence are the central themes in the works presented by Jan Saudek, Michal Macku and Antonin Tesar.
Antonin Tesar (*1963 in Kromeriz) breaks with the glossy aesthetic of the fashion magazines through a refined staging of his mostly female models in strange situations. | | | | |
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| | | | | | | Samuel Henne
"untitled #04", aus „displacements“
Cut-Out und Fine Art Print
40 x 30 cm (*Ausschnitt), 2016 |
| | | | | | | | | | | Thu 27 Oct 19:00
28 Oct – 10 Dec 2016 | | | | | | |
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| | | Yakov Khalip. A bazaar in Morocco. 1969 | | | | | | CONQUEST. YAKOV KHALIP, HEIR TO THE RUSSIAN AVANT-GARDE | | | | November 3 – December 11, 2016 | | | | Opening reception: Wednesday November 2, 7 pm | | | | | | | | | | | | | | The Lumiere Brothers Center for Photography presents the first complete retrospective of the Soviet photography classic Yakov Khalip. The exhibition is based on the Khalip family archive, collection of The Lumiere Center and private collections. The name of Yakov Khalip is famous far beyond the Russian museum world and photographic collections. The exhibition of Yakov Khalip’s work, as well as the serious scope of publishing efforts, should have been available in Russia years ago. However, the body of work of one of Soviet photography classics had remained unstudied for over last 35 years. The Lumiere Center for Photography strives to fill the gap and unveils the archive of the master. | | | | |
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| | | Elliott Erwitt, Texas, USA, 1956 © Elliot Erwitt / Courtesy of Edwynn Houk Gallery, New York & Zürich | | | | | | | - 19 November 2016 | | | | | | | | | | | | | A photographer since 1948, Elliott Erwitt’s early black and white photographs set a precedent for the genre of social landscape and anticipated the iconic imagery of Lee Friedlander, Garry Winogrand, and Robert Frank. Erwitt’s skill as a photographer is evident in his juxtaposition of elements within a frame. He creates relationships between people, places, and things, which reveal the world in a unique, humorous way. Throughout his distinguished career, he has taken some of the most memorable images of the 20th century including President John F. Kennedy, Marilyn Monroe, and Che Guevara. His personal pictures or “snaps” as he refers to them embody a sense of the absurd, wit and charm.
While Erwitt always carried two cameras with black and white and color film, he comes from an era when few photographers worked in color. Color film was in its infancy and primarily used for commercial and editorial work, but time and technology have changed that. However, Erwitt’s craftsmanship and wry sensibility are apparent in both. | | | | |
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| | | Hito Steyerl (b. 1966), Factory of the Sun, 2015. High-definition video, color, sound; 22:56 min., looped; with environment, dimensions variable. Installation view: Invisible Adversaries, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, 2016. Marieluise Hessel Collection. Image courtesy of the artist and Andrew Kreps Gallery, New York. Photograph by Sarah Wilmer | | | Dreamlands: Immersive Cinema and Art, 1905-2016 | | | | | | | 28 October 2016 – 5 February 2017 | | | |
| | | | | | | | | | | | Dreamlands: Immersive Cinema and Art, 1905–2016 focuses on the ways in which artists have dismantled and reassembled the conventions of cinema—screen, projection, darkness—to create new experiences of the moving image. The exhibition will fill the Museum’s 18,000-square-foot fifth-floor galleries, and will include a film series in the third-floor theater.
The exhibition’s title refers to the science fiction writer H.P. Lovecraft’s alternate fictional dimension, whose terrain of cities, forests, mountains, and an underworld can be visited only through dreams. Similarly, the spaces in Dreamlands will connect different historical moments of cinematic experimentation, creating a story that unfolds across a series of immersive spaces. | | | | |
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| | | Centre de détention de Garabuli © Narciso Contreras pour la Fondation Carmignac | | | | | | | 7th edition of Carmignac photojournalism Award | | | | 25 October – 13 November 2016 | | | | | | Hôtel de l’Industrie 4, place Saint-Germain-des-Prés, 75006 Paris
Fondation Carmignac
24 place Vendôme, 75001 Paris
T +33 (0)1-70 92 34 65
www.fondation-carmignac.com
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| | | | | | Four years since the fall of the Gaddafi regime in October 2011, Libya is experiencing an unprecedented political, military and humanitarian crisis. While negotiations for a national unity agreement have taken place since early 2015 between the various political entities claiming power, heavy fighting between rival militias and factions continues to break out in the country on a daily basis. The surge of hope that followed the revolution has now given way to chaos.
Representing the dramatic and complex reality in the region has become an increasingly challenging task. The Carmignac Photojournalism Award has resolved to support a photojournalist in the implementation, production and dissemination of an in-depth project on this country from which we now receive little to no images.
This year is the first time that the Award will focus on a conflict zone. It was thus necessary to adapt the Award organisation in order to take this situation into account. | | | | |
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| | | Prostitutas, Calle Cuauhtemotzin, Mexico, 1934 © Henri Cartier-Bresson/Magnum Photos | | | | | | | Photographs 1932-1946 | | | | – 3 December 2016 | | | | | | | | | | | | | In 1940, Henri Cartier-Bresson was taken prisoner by the Germans; in February 1943, after two previous attempts, he managed to escape. On his return, he completed a famous series of portraits for Editions Braun before joining a group of photographers to record the Liberation of Paris in 1945; he directed his famous film “Le Retour”, a documentary on the repatriation of prisoners of war and deportees.
In the meantime, The Museum of Modern Art in New-York, thinking Henri Cartier-Bresson had died during the war, began to prepare a so called “posthumous” exhibition of his work. Then he showed up, back from the camps and was delighted to hear that the exhibition was going ahead despite the fact that he hadn’t died.. | | | | |
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| | | Shadi Ghadirian: from the series "Nil Nil" (2008) No. 10, 76 x 114 cm | | | | | | | 29 October – 3 December 2016 | | | Opening: Saturday, 29 October, 12-4pm | The artist will be present.
AB43 CONTEMPORARY - KUNST ZURICH | 27 – 30 October, 2016 | Booth C1 | | | | | | | | | | | | | Shadi Ghadirian, who was born in Tehran in 1974, is one of the most distinguished representatives of a young generation of Iranian artists. Her photography series, which are made with both humour and sarcasm, get to the heart of the ambivalence in Iranian society, particularly in relation to the role of women, in an unusually dramatic manner. For good reason, Shadi Ghadirian’s work has been celebrated for more than ten years in exhibitions the world over. Now AB43 CONTEMPORARY presents the artist for the first time in Switzerland.
Shadi Ghadirian makes the conflict between tradition and modernity in her culture her subject, as well as the role of women in a society that is dominated by male stereotypes. Inspired by her own life experiences, Ghadirian uses humour and parody as starting points to show the paradoxes of women’s lives in Iran.
The series "NIL NIL" confronts the banality of the everyday with the ever-present reality of war in Iran’s recent history. The war’s arsenal of weapons and equipment such as helmets, bullets and hand grenades force their way into day-to-day life and, at the same time, are rendered trivial by their everyday surroundings. | | | | |
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| | Georg Gerster, Salt Harvest, Iran, 1976
Inkjet printed with pigmented Epson Ultra Chrome K3, on Epson Exhibition Fiber Paper
100 x 150 cm, Edition of 8 + 2 AP | | | LANDSCAPES | | | | | | | 2 – 12 November 2016 | | | | Opening: Wednesday 2 November 2016, 6pm | | | | | | | | | | | | | | | | |
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| | | | | | | | | | | | | Thu 27 Oct 18:30
28 Oct – 31 Oct 2016 | | | Art Toronto, Canada’s international fair for modern and contemporary art with over 300 photographs: artsy.net
www.arttoronto.ca | | |
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| | | | | | 22nd Contemporary Art Fair | | | | | | Thu 27 Oct 16:00
27 Oct – 30 Oct 2016 | | | The audience of the establish art fair Kunst Zurich will discover numerous positions narrated through a variety of media: From photography to multimedia and installation. 70 international galleries will present an exclusive selection of contemporary art.
www.kunstzuerich.ch | | |
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| | | | | | | | | | | | | | Auction: Monday November 14th 2016 19.00 pm
Hôtel Drouot - Room 7
9, rue Drouot - 75009 Paris
The Maison Européenne de la Photographie partners with this major sale and will exhibit, from 7 to 13 November 2016 and as part of the 19th edition of Paris Photo, all the pieces which will subsequently be sold at the Drouot auction house. | | |
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| | | | | | | | | | | | | 27 Oct – 6 Nov 2016 | | | 2016 the Shenzhen International Photography Week shows from 27th October until November solo shows of famous artists (see above) like as well as group shows like Russian Photographic History Collection from the 19th to 20th centuries, MADE IN GERMANY. German Photography from the 19th Century until Today, Historic Hong Kong photography ...
www.sziphotoweek.org/ | | |
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| | Andréas Lang "Jungle" USA, 2007/2011
Archival pigment print, 110 x 138 cm, © Andréas Lang, VG Bild Kunst
The Amazed Silence. Landscapes of Andréas Lang | Alfred Ehrhardt Stiftung, Berlin | | | European Month of Photography Berlin 2016 | | | | | | | – 31 October 2016 | | | | | | | | | | | | | European Month of Photography Berlin 2016 is the largest German festival for photography. Since 2004, it has been taking place every two years in Berlin, presenting exhibitions and events on historic and contemporary photography.
2014 the EMOP Berlin had 2 million visitors, 500 exhibitions by as many partner institutions, 30,000 photographic works shown, and 2,000 participating photographers. | | | | |
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| | | | | | | | You and Me, 2014/15 © Stuke/Sieber |
| | | | More to Come - Contemporary Photography | | | | | | – 20 Nov 2016 | | |
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| | | © Seiichi Furuya, Gravitation; Port25 – Raum für Gegenwartskunst | | | OFF//FOTO 2016 | | | 50 exhibitions with Contemporary Photography
in Mannheim, Heidelberg, Ludwigshafen an the metropolitan area Rhein-Neckar | | | | - 27 November 2016 | | | | | | | | | | | | | | |
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| | | | | | | | Unknown miner, Kuzbass, Russia. August 2016 © Maxim Marmur, 2016 |
| | | | Future Today | | | | | | – 29 Oct 2016 | | | | | | |
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| | | | | | | | Still from Hemlock Forest, Moyra Davey, 2016. HD video with sound. 42 mins, 51 secs. Courtesy the artist. |
| | | | The Grand Balcony | | | | | | – 15 Jan 2017 | | | | | | |
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| | | ROSA BARBA: Disseminate and Hold, 2016. 16mm film transferred to digital, archival material, sound. 20’ approx. C ourtesy: the artist. Commissioned by Fondation Prince Pierre de Monaco, XLVIème Prix International d’Art Contemporain. | | | | | 32nd Bienal de São Paulo - Incerteza Viva | | | | LIVE UNCERTAINTY | | | | | | | – 11 December 2016 | | | | | | | | | | | | | | |
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© 26 October 2016 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . [email protected] . T +49.30.24 34 27 80 |
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