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| PHOTOGRAPHY INTERNATIONAL | | 25 Oct — 1 Nov 2017 | |
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© Casper Faassen, Raksha, 2017r |
© Casper Faassen, Marie, 2017
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| | | | | | | | | 26 October – 1 December 2017 | | | | Opening reception: Thursday 26 October 17:30 | | | | | | | | | | | | | Kahmann Gallery and X BANK Amsterdam proudly present the new photographic series by Dutch artist Casper Faassen (1975), inspired by the most famous Dutch Master of all: Rembrandt van Rijn. Last spring, Faassen was given the opportunity to temporarily work in the 17th century studio of Jacob van Swanenburg, where 15-year-old Rembrandt van Rijn got his first painting lessons some 400 years ago. The studio proved to be a tremendous source of inspiration for Faassen, who, as a child, developed his passion for art after a visit to Rembrandt’s The Night Watch. Unsurprisingly, the spirit of the Old Master found his way into Faassen’s new work: a series of beautifully crafted portraits, Rembrandt’s own favorite genre. The works consist of transparent photographic layers that allow us to see the details photographed close to the glass, while keeping the rest of the image at a distance - leaving it to the imagination. This technique is inspired by the method of Rembrandt himself, who constructed his paintings with rough brush strokes, only to strategically highlight some details with finer techniques, creating a sense of total control. This series will premiere at X BANK Amsterdam, which will open on Thursday, October 26th. Please join us for the event and RSVP via the link below.
rsvp.xbank.amsterdam/ | | |
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| | | Stairs 1999 © Huang Rui and Rong Rong | | | | | | | | | | 28 October 2017 – 27 February 2018 | | | | Opening reception: Saturday 28 October 15:00 | | | | | | | | | | | | | | Three Shadows Photography Art Centre is honored to present the upcoming exhibition “Huang Rui and RongRong: Photo Symbiosis (1994-2001)” by artists Huang Rui and RongRong from 28 October 2017 to 27 February 2018. French curator François Hébel, former director of Les Rencontres d’Arles, curates the show. The exhibition clues the friendship between the two artists, who have been cultivating in different areas but are intertwined, and their artistic exchange from 1994 to 2001. The exhibition features over 10 different series such as “Wander”, “Square”, "Silver Beach" by Huang Rui and “Ruins”, “Fragments”, “Wedding Gown" by RongRong. Most of these photo series or photo-installations are presented for the first time to the public. | | |
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| | Tamar Magradze
To Dream is a Risk, 2017
Still aus Video, 09:00 Min
1920x1080 / Full HD
©Tamar Magradze | | | SEEN BY #9 | | | | OH SO SOLID, ALL THAT AIR | | | | | | | 27 October 2017 – 7 January 2018 | | | | Opening reception: Thursday 26 October 19:00 | | | | | | | | | | | | | OH SO SOLID, ALL THAT AIR focuses on the transformations of the urban and its spaces, the role of economics and financialization as well as their traces in the social sphere. In assembling hints and fragments from everyday perception where the individual parts become pieces of a greater puzzle, the exhibition aims to find images that illustrate today’s increasingly abstract and elusive forms of value creation. "All that is solid melts into air, all that is holy is profaned," says the Communist Manifesto. In relation to this quotation, the question is asked in what form the substances which were melted into air through the great onslaught of modernity, crystallize and manifest themselves in the present. There is indeed a lot of smoke in the air, indicitative of the hard facts of this contemporary moment: fine dust, tear gas, carbon dioxide. And haven't the materialistic and indeed profane objects of today’s capitalism now been given the same status as the once sacred had? Doesn't the almost dogmatic belief in perpetual growth hold a kind of sacred status in today’s western societies? Each new cycle of "creative destruction," each exploitation of common properties, results in a new spatial and material constellation, a visible phenomenon, which can also be seen in the restructuring and the expulsions in the urban sphere. What do they look like, the new Haussmann boulevards, the new Crystal Palaces and the new panoptic prisons? What are the new factories where human relationships are converted into bitcoins? In what kind of scenarios does modernization take place in different geographic and political spaces? The exhibition presents insights into the promises and abysses of this modernity, exploring … | | |
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| | Axel Hütte
Rio Negro-2, Brazil, 1998
C-Print, 187 x 237 cm
© Axel Hütte | | | | | | | | until 14 January 2018 | | | | | | | | | | | | | Museum Kunstpalast, Düsseldorf, is presenting 70 day and night pictures, spanning a period of more than 20 years, from the artistic oeuvre of Axel Hütte (*1951), including a number of new works and works that have never been shown publicly before. Axel Hütte, who for a long time has been regarded as a master of contemporary landscape photography, was a student in the famous Bernd Becher class at the Academy of Art in Düsseldorf, as were Andreas Gursky, Thomas Struth, Thomas Ruff and Candida Höfer. Together they rank among the important, internationally renowned representatives of the Düsseldorf School of Photography. The comprehensive exhibition of the Düsseldorf-based photographer, who to this day travels to all continents for his fascinating photographs, impressively reflects his interest in the perception of the picture, of representation and reality. Axel Hütte’s photographs surprise us with pictorial structures that place his work beyond the documentary. With water reflections, the dark of the night, but also with vertical or horizontal elements of architecture he composes atmospheric pictorial worlds. Making use of the blurring created by wafts of fog, and of structures found in bridge architecture, he creates both perspectival and atmospheric landscape pictures. Hütte’s photographs are characterised by a profound stillness, by an overwhelming sense of loneliness. The process of creating his pictures, which he takes using a plate camera, usually makes considerable demands on his patience. In photographs from the African desert, the Antarctic Sea, or in his nocturnal pictures of metropolises – Axel Hütte shows moments of astonishment and contemplation, inviting the visi… | | |
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| | | Bar Interior, 1985 © Greg Girard | | | Greg Girard » HK:PM [Hong Kong Nightlife 1974-1989] | | | | 27 October – 12 November 2017 | | | | Opening reception: Friday 27 October 18:00 | | | | | | | | | | | | | HK:PM is an exhibition of photographs of Greg Girard's nocturnal wanderings in Hong Kong made between 1974 and 1986. The exhibition also marks the release of the book of the same title, published by Asia One. HK:PM takes you through the neon lit streets and into tattoo parlours, dive bars and the hotel rooms of soldiers and sailors who frequented them. Other scenes depict the pre-dawn emptiness of the city’s streets and alleys bathed in the colours of artificial light. With a foreword by award winning Hong Kong director Ann Hui, HK:PM adds a missing photographic link to the visual record of Hong Kong in the 1970s and 80s. This is Girard’s first solo show in Hong Kong since 2008 and the first time these early photographs are collected and displayed as a dedicated body of work. Girard, a respected Canadian photographer, whose work has examined the social and physical transformations in Asia's largest cities for over 30 years, is also co-author with Ian Lambot of the seminal book “City of Darkness”, the definitive record Hong Kong’s infamous Kowloon Walled City, and its updated re-release “City of Darkness Revisited”. Other titles include “Phantom Shanghai” listed as one of the top 10 photography books of all time by The Independent (UK), “Hanoi Calling” and, earlier this year, “Under Vancouver 1972-1982” and “Hotel Okinawa”. The book HK:PM will be available during Greg Girard’s exhibition at PMQ [#507s] 27 October to 12 November 2017. Limited edition prints and books will be available during the exhibition. | | |
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| | | Distaff.07, 2017. © Juana Gómez, courtesy Isabel Croxatto Galería | | | | | | | | 2 November - 22 December 2017 | | | | | | | | | | | | | “We are so addicted to patterns that we let them sneak into almost everything we do. Moreover, these patterns are the key to predicting many aspects of our behavior, even the darkest parts of our nature. “
Chilean artist Juana Gómez’s hand embroidered photographic canvases combine the spheres of scientific exploration with ancestral tradition. Weaving complex scientific and mythological patterns onto images of both her own and her daughters’ bodies, her work is interested in placing mankind within a broader context of interconnectivity. Rather than seeing us as individuals, dethatched from one another and the world around us, Gómez positions us as part of an ancient chain that goes back to the origin of life: a combination of patterns, molecules and small organisms. | | |
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| | Stan Douglas » | | | | | | | | | | | | Stan Douglas scale photographic works by Stan Douglas focus on locations of the 2011 London riots. | | Thu 26 Oct 18:00 26 Oct – 20 Dec 2017 | | | | | | | |
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| | Jean-Marie Périer. Jacques Dutronc. “Lui”. Paris, June 1969
© Jean-Marie Périer / Photo12 | | | | | | | | until 3 December 2017 | | | | | | | | | | | | | The exhibition of Jean-Marie Périer, master of the French photographic scene will be among first projects opening the new art season at The Lumiere Brothers Center for Photography. Author of the outstanding portraits of the celebrities from the world of music, cinema and fashion Périer worked for the best-known magazines and brands and created a striking portrait series of the XX century luminaries. The key series presented at the exhibition is called «The World of Fashion Designers» and was created by Périer in the 1990’s. It includes photographs of the famous designers Yves Saint Laurent, Jean-Paul Gaultier, John Galliano, Vivienne Westwood, Kenzō Takada and has been produced for the ELLE magazine. This series of photographs best exemplifies the amazing attention the author shows to detail. Jean-Marie displays the meticulous eye of a couturier while forming every image and creating an ingenious portraiture collection. | | |
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| | | I due bagnanti, 2016 © Paolo Ventura. Courtesy of the artist and Edwynn Houk Gallery, New York | | | | | | | | until 11 November 2017 | | | | | | | | | | | | | Paolo Ventura, born in Milan in 1968, grew up with storytellers. His father was a popular author of children’s books, while his grandmother told memorable tales of living in the Italian countryside during World War II. Ventura has developed his own inventive approach to narrative, blending two forms of storytelling—one inspired by historical events and the other entirely fictive—with a creative technical approach that has earned him widespread recognition. Each of Ventura’s photographs involves multiple steps. The process includes building and painting simple sets, dressing and directing actors, and combining photographs of the two in a unique topographic reality. Lovers, soldiers, and jesters are some of the recurring characters, often played by family members, including his twin brother, son, wife, and himself. In this present exhibition, Ventura collages and hand-paints over every image. The resulting tableaus engage each other in dialogue, but each exists as its own imaginative world. Ventura’s work is characterized by a delicate and complex balance. His images are photographic yet appear painterly; familiar yet dream-like; historical yet modern. Even his artistic inspirations, which are as varied as surrealist painting and Neorealist cinema, find equilibrium in his work. Most importantly, Ventura’s sense of genuine curiosity is contagious. When Ventura hears a story, he is known to exclaim with excitement, “No way! Really?”, as curator Bill Hunt wrote in an essay on Ventura’s work for Aperture Magazine. His photographs invite viewers to share in this spirit of discovery. Seen collectively, the series of images loosely tells a story, as if the artist is drifting from dream to dream, enveloped in the theatrical sets of his own imagination. Ventura’s work has been exhibited in museums and private galleries worldwide, including at the Italian Pavilion of the 2011 Venice Biennale. Solo exhibitions include Galleria Nazionale d’Arte Moderna, Rome; The Hague Museum of Photography; Halsey Institute of Contemporary Art, Charleston, SC; and MACRO Museum of Contemporary Art, Rome. His work is included in notable public collections including the Boston Museum of Fine Arts; the Lowe Art Museum, Miami; and the Museum Het Valkhof, Nijmegen, The Netherlands. | | |
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| | Thierry Cohen, from the series Carbon catchers, 2017
Pigment print, 44 x 66 cm, edition of 7
© Thierry Cohen, Courtesy Galerie Esther Woerdehoff | | | | | | | | | | 25 October – 25 November 2017 | | | | | | | | | | | | | This autumn, the BnF (the French national Library) will hold a major exhibition, Paysage francais, une aventure photographique, 1984-2017, where two photographers of the gallery will show their works. Xavier Dauny, with his series Pylônes, methodically explores our environment and the traces left by human on the natural landscape. Guillaume Martial, who won the HSBC Prize in 2015, exposes Parade, a series realized within the mission France(s) Territoire liquide, where the photographer animates the urban environment with an applied humor.
Upon invitation by the BnF, we wish to extend this subject of landscape with a collective exhibition of our artists at the gallery. Rather than a documentary vision of the landscape, their works offer an imaginary geography, born in the real world but metamorphosed by the camera, the printing or post-processing: a reality reinvented by photography. Gregor Beltzig traveled to Armenia, his notebook pages where handwriting mingle with photographs and his souvenirs of the Silk Road in Fresson prints reveal a poetic vision of the world. Following the approach of his fascinating Darkened Cities, Thierry Cohen presents his new series in exclusivity and plunges the forest under the stars. Xavier Dauny, exhibited at the BnF, shows his series Domaines skiables at the gallery. Sabine Guédamour follows the Doubs river from its source to the Saône; more than the river, she describes the nature that surrounds it, the passing of seasons and the tenuous relationship between humans and water. Aiming towards new dimensions, Iris Hutegger presents her latest works, these photographs of mountain landscapes embroidered with colors and emotions. Jens Knigge, a master of the ancient process of platinum-palladium, captures the rough landscapes of Iceland in miniature views and sublime shades of gray. Olivier Mériel amazed at the landscapes of his native Normandy, photographs the city, the coast and elds with a large-format camera and handprint them in the dark room. With contrast and sharpness, his photographs praise time, shadows, and light. Jacques Pugin, in echo to the date of the first DATAR mission, exhibits his Graffiti rouges, a series of landscapes realized in 1984 by this precursor of light painting and printed with the Fresson process. Last but not least, Nikolas Tantsoukes, inspired by Dada, creates unique collages. Collecting images from old magazines, he composes surrealistic landscapes where a modern city is placed under the nave of a church or an alpine landscape in the ballroom of a Bavarian palace. | | |
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| | | Becoming South Sudan Chapter I: Portraits Chief, 2011 © Alinka Echeverría / Courtesy Ravestijn Gallery Amsterdam | | | | | | | | 27 October 2017 – 27 January 2018 | | | | Opening reception: Thursday 26 October 18:00 | | | | | | | | | | | | | Alinka's epic series 'Becoming South Sudan', first shown in part at Art Paris 2017, is a work in which the artist arrests South Sudan's transition to Independence in 2011, becoming the world's 193rd nation. Prior to the South's independence, forty years of internal conflicts and two protracted civil wars had permeated the history of the country. Regardless, the world's newest nation remains in shambles, en masse. This is the first time that the full series, all three chapters, will be on show in Europe. Alinka's work was recently selected for FOAM Museum's talent award and exhibition in 2017 with the research project she made during BMW's Art & Culture Residency at the Nicéphore Niépce Museum in 2015. In 2012 she was voted ‘International Photographer of the Year’ by the Lucie Awards with her work from South Sudan, and in 2011 won the HSBC Prize for Photography with work from Mexico. Her work has been widely exhibited at international venues, including La Maison European de la Photographie in Paris, the National Portrait Gallery in London, the Moscow Photobiennale, as well as solo exhibitions at the Johannesburg Art Gallery, Les Rencontres de la Photographie Arles and The California Museum of Photography. Her work is part of several public and institutional collections including The Los Angeles County Museum of Art, Musée Nicéphore Niépce in France, BMW Art & Culture Collection and The Museum of Fine Arts in Houston. Recent commissions include the Swiss Foundation of Photography and BBC Four. | | |
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| | | | | | | | aus dem Projekt »Flufhafenasyl« © Yvonne Seidel |
| | | | Festival fotografischer Bilder Regensburg 2017 | | | | | | 26 Oct 2017 – 14 Jan 2018 | | | | | |
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| | | Dalseong, Daegu, Korea, 2012 ©Woongu KANG | | | | | | | | until 25 November 2017 | | | | | | | | | | | | | | A few years ago, KANG Woongu concluded that he has fulfilled his “compulsory service” as a photographer in this world. Ever since, he says, he has been having more fun with photography. His ensuing works could be viewed as aftershock tremors. His thoughts, experienced and accumulated over a long period, permeate the photography of KANG’s late years. His later work, therefore, is just as notable as what came before. Since 1962, KANG has shown his work at numerous exhibitions at home and abroad. By lifting the burden of Western theories of photography and developing an indigenous visual language, he has pioneered photojournalism and auteurist photography in Korea. KANG refers to himself as a “photographer working exclusively to meet domestic demand.” His artistic inquiries indeed reflect this perspective, which would also contain his message, against the current overflow of photographic works stripped of a sense of identity in the name of “internationalization” and “globalization,” of resistance. | | |
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| | | | | | | | Alexander Niedermeyer: Junge Mädchen posieren mit der Zeitschrift "Photorama", 1952 |
| | | | | | | | 70 Jahre SYNDIKAT FOTO FILM :
The federation of press photographers celebrates its 70th anniversary with an exhibition of iconic pictures by their members, covering the history of the Austrian republic from the end of World War II until today. | | Wed 25 Oct 19:00
26 Oct – 5 Nov 2017 | | | | | |
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| | | © René Groebli: The Eye of Love, No. 502, Baryta Print, 40 x 50 cm, Edition 7 & 2 AP | | | | | | | | René Groebli turns 90! | | | | 26 October – 2 December, 2017 | | | | Opening: Thursday, 26 October, 2017 | | | | | | | | | | | | | René Groebli will celebrate his 90th birthday this October, which Bildhalle takes as a welcomed opportunity to honor this exceptional Swiss photographer with a comprehensive solo exhibition. In cooperation with Daniel Blochwitz, this curated gallery show will present works from René Groebli’s lifelong career. Aside from his legendary early works, like "The Eye of Love" or "Rail Magic", there will be on display his experimental and ground-breaking images of movement, color and crossfade-effects. Also shown will be his lesser known or even forgotten works, such as his series from Ireland or New York from the late 1970’s. The mix and juxtaposition of photographs taken over a period of more than six decades—with some of them presented as rare vintage prints—will provide a unique insight into René Groebli’s artistic oeuvre, underlining once again his singular position within Switzerland’s history of photography. | | |
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| | | | | | | | | | | | | Wed 25 Oct
26 – 29 Oct 2017 | | | | | |
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| | Lot 176
Peter LINDBERGH (né en 1944)
Helena Christensen, Debbie Lee Carrington, Vogue Italy, ET Mirage, California, 1990
Silver gelatin print, dedication from the author on the image
74 x 114 cm, à vue, framed
20 000 / 30 000 €
© Peter Lindbergh / © Courtesy Millon | | | PHOTOGRAPHIES | | | | Collections & Propositions | | | | | | | Tuesday, 7 November, 2017 14:30 | | | Expert:
Christophe Gœury
Tel + 33 (0)6 16 02 64 91
[email protected] Live bidding:
www.drouotlive.com Public exhibitions:
SVV 3 rue Rossini – 75009 Paris, France
Saturday, 4 November 2017, from 11 am to 7 pm
Monday, 6 November 2017, from 11 am to 7 pm
Tuesday 7 November 2017 from 11 am to 12 noon Online catalog:
www.millon.com
The catalog is available upon request from the Photography Department at the Millon Auction House Contact and inquiries:
Natalia Raciborski
MILLON Photography Department
16 rue de la Grange Batelière - 75009 Paris
Tel + 33 (0)7 88 09 91 86
[email protected] | |
| | | | | | | | | | | | | | This coming Tuesday November 7th, the expert Christophe Goeury and the Millon Auction House will present several exceptional collections as well as high quality prints of the 19th and 20th centuries in their next photography auction. | | |
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| | Lot 21
ANONYM (Active XIXe)
Untitled (Nude with Shawl), circa 1850
Hand-coloured stereoscopic daguerreotype
Each image: 2⅝ x 2¼ in.
Plate: 3¼ x 6¾ in.
Estimate: €7,000-9,000 | | | Stripped Bare | | | | Photographs from the Collection of Thomas Koerfer | | | | | | Auction: Thursday, 9 November 2017, 3pm
Viewing:
4 & 6–8 November, 10am – 6pm
9 November, 10am – 1pm
E-catalogue: www.christies.com
Contact: Elodie Morel, Head of Department
+33 (0) 1 40 76 84 16
[email protected]
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| | | | | | | | | | | | | | Christie’s is honored to offer for sale a selection of photographs from the collection of renowned Swiss filmmaker Thomas Koerfer. Koerfer’s exceptional collection of 20th century art has a particular focus on the human body and the nude figure. The sale’s highlights include Noire et Blanche, one of Man Ray’s most iconic works, and a large-format print of Diane Arbus’ Identical twins, Roselle, N.J., 1966 dating from the artist’s lifetime. | | |
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| | Lot 57
JAROMIR FUNKE (1896-1945)
Untitled (Man with a Violin), circa 1922-25
Gelatin silver print, mounted on board
Image/sheet: 9¼ x 9¼ in.
Mount: 19¼ x 18⅜ in.
Estimate: €30,000 – 50,000 | | | PHOTOGRAPHIES | | | | | | Auction: Friday, 10 November 2017, 3pm
Viewing:
4 & 6–9 November, 10am – 6pm
10 November, 10am – 1pm
E-catalogue: www.christies.com
Contact: Elodie Morel, Head of Department
+33 (0) 1 40 76 84 16
[email protected]
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| | | | | | | | | | | | | | Photographies presents 143 lots with a large selection of early 19th century works, including a superb Gustave Le Gray print and several John Murray paper negatives. The sale also features a selection of early Brassaï prints from the Albert Skira Collection, as well as a beautiful selection of contemporary works from the likes of Hiroshi Sugimoto, Robert Mapplethorpe and Guido Mocafico. | | |
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| | | | | | Die Allgegenwärtigkeit fotografischer Bilder | | | | | | Thu 26 Oct 19:00
26 Oct – 28 Oct 2017 | | | | | |
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| | | Wanuri Kahiu - still from 'Pumzi' #2, 2009 | | | | | | | Noorderlicht Photofestival 2017 | | | | | | | | until 26 November 2017 | | | | | | | | | | | | | NUCLEUS | Imagining science
From 22 October - 26 November 2017, the 24th edition of the Noorderlicht International Photography Festival will take place. During ‘NUCLEUS, imagining science’ work of 74 photographers from 26 countries can be seen at seven locations in Groningen, Eelde and Assen.
Tribute to human ingenuity
NUCLEUS is about science and the representation of it by independent photographers and artists. In response to social developments, more and more artists use science in their research and as a source of inspiration. Science and art form a fertile combination after all. Both disciplines work from an investigative urge, with curiosity, originality, creativity and an open mind as fundamental principles. In NUCLEUS, the photographers tell their stories about science and the representation of it in around 700 images. It is the first time a collaboration from Noorderlicht will occur with KINK in Assen and Museum De Buitenplaats in Eelde.
www.noorderlicht.com | | |
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| | | | | | Borderlines Città divise/Città plurali | | | | | | – 10 Dec 2017 | | | | | |
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| | | Amalia Ulman, Excellences & Perfections (Instagram Update 4th July 2014), (#work, #it, #bitch) aus Excellences & Perfections, 2014, C-Print © Amalia Ulman, Courtesy Arcadia Missa, London | | | | | | | Farewell Photography | | | | | | | – 5 November, 2017 | | | | In 2017 the internationally renowned Fotofestival Mannheim-Ludwigshafen-Heidelberg will be renamed as the Biennale für aktuelle Fotografie | | | | | | | | | | | | | | The first Biennale für aktuelle Fotografie, which will be on show from 9 September 2017 in Mannheim, Ludwigshafen and Heidelberg, takes its leave from photography as it has been known hitherto. Under the title “Farewell Photography”, a six-member curator team will shed light on radical ways of handling images in the digital age and present an alternative look at photography’s history. The Biennale will be showing works by more than 60 international photographers and artists in seven chapters in seven museums of the region. | | |
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| | | | | | | Mannheim-Ludwigshafen-Heidelberg DE | OFF//FOTO | |
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| | Samuel Fosso: La femme américaine libérée des années 70, 1997
Courtesy The Walther Collection and Jean-Marc Patras, Paris
© Samuel Fosso | | | FOTOMÉXICO 2017 | | | | LATITUDES - International Photography Festival | | | | 136 venues | 147 exhibitions | 614 artists | 23 cities | | | | | | | October ‐ December 2017 | | | More information and complete program:
www.fotomexicofestival.com.mx | | | | | | | | | | | | | FOTOMÉXICO 2017, the International Photography Festival is a space for creativity, a reference in the reflection and dialogue about national and international photographic production, a diverse expression of the vitality, relevance, and strength of this medium and its creators. From October to December, under the coordination of the Centro de la Imagen, FOTOMÉXICO 2017 is a forum open to the diverse and multiple works of our photographic creators. It is a meeting place for the photography community with venues in museums, galleries, and exhibition spaces that also join the Foto México Network’s initiatives. Dedicated to theme of "Latitudes", this second edition of the festival offers plural, geographic, anthropological, and multidisciplinary perspectives, with exhibitions by renowned artists from Mexico, Brasil, Chile, France, Brasil, United States, Argentina, Peru, Spain, France, Germany, Scandinavia, India, Japan, South Africa, Mali and Nigeria, among others. A broad program of parallel activities complements the festival, which for the first time organizes a call for entries to participate in portfolio review that brings together outstanding photographers, visual artists, and curators, to generate a dynamic of feedback with all those who have submitted their work. The Museo Amparo in Puebla once again opens its doors to host the International Photography Meeting 2017, an event not to be missed in this edition of the festival. FOTOMÉXICO 2017 is an opportunity for the public to experience in this artistic expression that captures the moment to eternalize it through the multiple eyes of the photographic c… | | |
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| | Michael Najjar: "europa", 2015
hybrid photography, archival pigment print, diasec, custom-made aluminium frame
© Michael Najjar, Courtesy the artist | | | Clouds ⇄ Forests | | | | 7th Moscow International Biennale of Contemporary Art | | | | | | | – 18 January 2018 | | | | | | | | | | | | | The 7th Moscow International Biennale of Contemporary Art takes place in the New Tretyakov Gallery (The State Tretyakov Gallery, 10, Krymsky Val, Moscow) from 19 September 2017 to 18 January 2018. The Main Project Clouds⇄Forests is curated by Yuko Hasegawa - one of the leading curators in the international art world - and includes 52 artists from 25 countries. The concept of Clouds⇄Forests focuses on a new eco-system formed through the circulation of "Cloud Tribes" born on the Internet cloud space, and "Forest Tribes" born in an analogue world. Works of the artists in the Main Project are displayed in dialogue with works from the permanent exhibition of The State Tretyakov Gallery. Michael Najjar » has been invited to participate in the Biennale with several large-scale artworks from his celebrated "outer space" series. On view for the first time will be his "liquid time" triptych, created especially for the Biennale. This work highlights the fragility of our ecological balance and the significance of the change of state from ice to water because glaciers are storehouses of time - layer on layer they capture the air, water and oxygen of countless thousands of years. The picture was taken in early 2017 in an ice cave under the Breiðamerkurjökull glacier in Iceland.
Also on view, in the All-Russian State Library, will be Michael Najjar´s striking new video artwork "terraforming". The work focuses on transformation of a natural environment through energy input and combines footage taken on various locations in Iceland in early 2017 with Martian landscapes shot by NASA´s Curiosity Mars rover. | | |
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| | Hell from the series Passage 2017: type C photograph on gloss paper 105.5 x 156cm
© Tracey Moffatt; Courtesy of Artist and Roslyn Oxley9 Gallery, Sydney & Tyler Rollins Fine Art, New York | | | | | | | | | | | | – 26 November 2017 | | | | | | | | | | | | | The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017. The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Also for this edition, selected Collateral Events by non-profit national and international institutions, present exhibitions and initiatives. Detailed information can be found on www.labiennale.org/en/art/ | | |
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© 25 October 2017 photography-now.com
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