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| weekly news | | 20 July - 12 August 2016 | |
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| | | Eternal Beauty II (Film Still). 2014 © Juno Calypso | | | Foam Talent 2016 | | | | Billboard exhibition: 25 July - 29 August 2016 | | | | | | | | | | | | | Each year, Foam organises an international Talent Call to identify young, emerging photographers under the age of 35. Foam is delighted to announce the names of the 2016 Foam Talents. The 2016 Talent Call for Foam Magazine had a total of 1494 submissions from 75 different countries across 6 continents. Once again, the jury was delighted by the impressive variety and high quality of all submissions. The work of 24 selected photographers will be featured in the upcoming Foam Magazine Talent Issue. The Talent Issue is a career building platform, helping to launch aspiring image-makers into the international photography industry and giving them global acclaim and recognition.
A selection of the work from Foam Talent 2016 can be seen starting 25 July in a special open air billboard exhibition at the ‘Mercator’-square (Mercatorplein) in Amsterdam (25 July - 29 August). This exhibition is made possible thanks to the City of Amsterdam, District West.
The selected photographers for Foam Talent 2016 are:
Sofia Ayarzagoitia (Mexico), Juno Calypso (UK), Bubi Canal (Spain), Paolo Ciregia (Italy), Sam Contis (US), Jack Davison (UK), Nicolo Degiorgis (Italy), Katinka Goldberg (Sweden/Norway), Andrea Grützner (Germany), Samuel Gratacap (France), Maxime Guyon (France), Felicity Hammond (UK), Alexandra Hunts (Ukraine/The Netherlands), Taejoong Kim (South Korea), Nico Krijno (South Africa), Leo Maguire (UK), Stefanie Moshammer (Austria), Andrés Felipe Orjuela (Colombia), Antonio Ottomanelli (Italy), Daan Paans (The Netherlands), Louise Parker (US), Andrejs Strokins (Latvia), Ilona Szwarc (Poland/US), Daisuke Yokota (Japan). | | | | |
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| | | | | | | | Maryam Jafri, Sri Lanka – Ghana - Botswana 1948-1966, from the photo series Independence Day 1934-1975, (2009-present) |
| | | | | | | | | | | Sat 30 Jul 16:00
30 Jul – 8 Oct 2016 | | | This first solo exhibition in Australia of Maryam Jafri's work presents fifty-seven photographs from her project Independence Day 1934–1975 (2009–ongoing) form an installation that documents the first independence day ceremonies in former European colonies across Asia, the Middle East, and Africa, between 1934 and 1975. | | |
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| | | | | | | Hugh 2015 by Warwick Baker
archival pigment print from digitised film negative
Courtesy of the artist |
| | | | | | | | | | | 17 Jul – 16 Oct 2016 | | | Tough & Tender reveals emotional vulnerability and yearning for connection. Art by a group of American and Australian artists from the 1960s to now explore the complexities of personal relations and individual expression – their work is intimate and raw. | | |
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| | | John Vachon: An Ozark mountain farmer and family, Missouri. May, 1940. | | | | | REOPENING | | | | THE BITTER YEARS 1935-1941 | | | | | | Open days: Thursday 21 July 6-10pm
Friday 22 July and Saturday 23 July 12am - 10pm | | | | | | | | | | | | | | "The Bitter Years" is the last exhibition Edward Steichen organized as director of the photography department at the Museum of Modern Art (MoMA) in New York. It was created in 1962 and pays tribute to documentary photography, featuring over 200 images from one of the greatest collective projects in the history of pho¬tography: the documentation of rural America during the Great Depression, which was carried out between 1935 and 1943 by the Farm Security Administration (FSA). The project was supervised by Roy Stryker and involved a number of now world-renowned photographers, such as Walker Evans, Dorothea Lange, Russell Lee and Arthur Rothstein. They travelled the length and breadth of their country to create a shattering collection of images depicting America in crisis. The result of this Government commission, which aimed to support F. D. Roosevelt’s New Deal policy, consists of more than 200,000 negatives. | | | | |
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Nick Cave, London, 1996 © Anton Corbijn |
Aimee Mann, Boston, 1992 © Anton Corbijn |
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| | | | | | | | | | 28 July – 3 September, 2016 | | | | Galerie Beckers/Landau, Braubachstraße 9, 60311 Frankfurt | | | | 28 July – 26 August, 2016 | | | | ATELIERFRANKFURT, Schwedlerstraße 1 – 5, 60314 Frankfurt | | | Opening: Wednesday, July 27, 7.30 – 9.30pm Galerie Beckers/Landau
starting at 9pm also in ATELIERFRANKFURT | | | | | | | | | | | | | | For the first time in Europe never before shown photo-prints from the series "1-2-3-4" from Anton Corbijn will be exhibited at the Galerie Anita Beckers in Frankfurt am Main. The images, produced between 1972 – 2014, are exclusively of musicians, including David Bowie, Johnny Cash, Kurt Cobain, Nick Cave and Patti Smith. In order to show the complete comprehensive group of works, the gallery has been able to procure a second location at the studio and exhibition house ATELIERFRANKFURT. In the past twenty-five years, Anton Corbijn has, in addition to his music photography, photographed every artist he had interest in from the worlds of film, painting, writing and modelling. Besides photography he has taken up film direction in a very successful way, having made four feature films ("Control," "The American," "A Most Wanted Man," and "Life") in the last ten years. | | |
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| | | | | | | Sigmar Polke: o.T. (Oberkassler Brücke), 1971/83
Städtische Galerie Karlsruhe, Sammlung Garnatz © The Estate of Sigmar Polke / VG Bild-Kunst, Bonn 2016 |
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| | | | | | | | Untitled c.1975 (Marcia Hare in Memphis, Tennessee) by William Eggleston © Eggleston Artistic Trust |
| | | | | | | | | | | 21 Jul – 23 Oct 2016 | | | William Eggleston is a pioneering American photographer renowned for his vivid, poetic and mysterious images. This exhibition of 100 works surveys Eggleston’s full career from the 1960s to the present day and is the most comprehensive display of his portrait photography ever. | | |
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| | | | | | | Yuan Goang-ming
Landscape of Energy-Stillness 2014 |
| | | | | | | | | | | 23 Jul – 19 Sep 2016 | | | It seems that, due to the progress of East Asia, such uniquely new photography and moving images that we have never seen before are increasing in this region. In this exhibition, we introduce two units of artists who reinterpret ordinary life and traditions through new media and depict nature, family and communion between people by beautifully poetic photographs and videos. | | |
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| | | | | | | Les Trois Femmes Noires, 2006
c print Ed. 1/5
Sheet Size: 56 1/4 x 65 1/4 in.
Image Size: 47 1/2 x 56 3/4 in.
© Mickalene Thomas |
| | | | | | | | | | | Thu 21 Jul 18:00
14 Jul – 27 Aug 2016 | | | | | | |
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| | | | | | | | | | | | | NEW DOCUMENTS Citizen and surveillance video and photography | | Thu 28 Jul 18:30 28 Jul – 28 Aug 2016 | | | | | | | |
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| | | Ernesto Bazan – from ISLA | | | | | | | Exhibition: 29 July – 25 September, 2016 | | | | Opening: Friday 29 July, 6:30pm | | | | Books by BazanPhotos Publishing | | | | bazanphotospublishing.com | | | | | | | | | | | | | | The exhibition will feature the three bodies of work that Ernesto Bazan has taken during his fourteen years living in Cuba, between 1992 and 2006, during the unique historical time referred to as "The Special Period". All the images have been self-published in three books by BazanPhotos Publishing. "Bazan Cuba" was launched in 2008; "Al Campo" in 2011 and "Isla" in 2014. | | | | |
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| | | | | | | Matthias Hoch Hotel Kobenzl, Salzburg 2014-16
© 2016 Matthias Hoch/ VG Bild-Kunst Bonn |
| | | | | | | | | | | | | | | | | | | Thu 28 Jul 19:30
29 Jul – 24 Sep 2016 | | | | | | |
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| | | | | | | | Charles Gatewood, Annie Sprinkle and Fakir, 1993 (Detail) |
| | | | | | | | | | | Fri 12 Aug 19:00
3 Jul – 29 Aug 2016 | | | Charles Gatewood, who died this spring, took pictures from the 1960s until the end of his life. His passing on April 28th 2016, leaves a gap in our lives which we are temporarily seeking to fill with an amazing, career-spanning show of his photographs, collages and personal ephemera - You gotta put the book on the table: Art by Charles Gatewood.
Gatewood made his first sale of a photograph in 1966 with his iconic portrait of Bob Dylan. From 1966-1975, Gatewood worked on assignment for Rolling Stone, The New York Times, Harper’s, Time, and other national publications. | | |
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| | | HAN Sungpil: Tandem Sequence, Namhansanseong Fortress, Archival pigment print, 2011 © HAN Sungpil | | | | | | | 23 July – 13 August, 2016 | | | | | | | | | | | | | As a strong supporter of Korean photography's next generation, starting from early 2015 The Museum of Photography, Seoul has openly received and reviewed portfolios by Korea photographers in their 30~40s. Works of talented artists were chosen and presented by group and solo exhibitions annually. This year, following the group of artists who react with a keen sense to urban landscape which surrounds them, the project continues with HAN Sungpil’s solo exhibition: Fantasmagoría.
The Image selection for this exhibition was conducted under the theme of this year’s young Korean photographers project: "city". The exhibition mainly talks about urban rupture we’ve repeatedly encountered with in a great or small scale in the contemporary society. A series of representative works that unveil site specificity of Seoul and simultaneously covey the subject of city development from Façade and Memories and Traces were selected. | | | | |
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| | | | | | | | | | | | | Wed 27 Jul 18:00
27 Jul – 27 Aug 2016 | | | With a diverse career as an artist, researcher and independent curator, Brenda L. Croft has been creating multi-disciplinary, multi-platform work formore than three decades.In 2015 she received a National Indigenous Arts Award Fellowship from the Aboriginal and Torres Strait Islander Arts Board of the Australia Council for the Arts in recognition of her practice. She is a member of the Gurindji/Malngin/Mudpurra peoples from the Northern Territory of Australia, and of Anglo-Australian/German/Irish heritage. Her artworks draw on personal and public archives and explore issues faced by contemporary Indigenous peoples and the ongoing impact of colonisation in Australia since 1788. Through her work she aims to give “a voice to the voiceless, making the invisible visible” – listening, seeing, being and sharing. | | |
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| | | PLANET A [video HD, 07'40", 2008] © Momoko Seto | | | The Universe and Art | | | | Princess Kaguya, Leonardo da Vinci, teamLab | | | | | | | MAM Screen 004 | | | Watching the Earth from the Universe | | | | | | | MAM Screen 004 | | | Video Hiroba » Reexamining the 1970s Experimental Video Art Group | | | | 30 July 2016 – 9 January 2017 | | | |
| | | | | | | | | | | | Our universe is of perennial interest, appearing in art all around the world as an object of worship and study over the centuries, and spawning countless stories. “The Universe and Art” in just one exhibition, will offer a diverse selection of around 200 items from across the globe and down the centuries, in multiple genres. Comprising four sections the exhibition will offer novel, future-oriented views of the cosmos and mankind.
“MAM Screen 004” will be held as a screening program of single-channel video works in conjunction with “The Universe and Art” This exhibition aims to help us get an overview of the modern human society through the universe and reexamine the Earth from more of a “cosmic” viewpoint, which could be the key to understanding the geopolitics, gender issues, as well as the meaning of the word “planet” and “alien.” | | | | |
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| | | Car Park, St. Louis, USA, 1953 | 46 x 31 cm | Archival Pigment Print | Edition 8 | © Werner Bischof/Magnum Photos | | | | | | | 25 August to 1 October 2016 | | | Opening: Wednesday 24 August 2016, 6:30-10pm
NEW LOCATION: Stauffacherquai 56, 8004 Zurich | | | | | | | | | | | | | In 1936, when Werner Bischof was 20, he opened his photographic studio. The notice on the door read "Foto-Grafik".
The exhibition takes up this theme. It begins with some little-known early studio work, which reflects the strength of form and the masterly interplay of light and shade which were to become the hallmark of Werner Bischof‘s later photography. The exhibition covers his time as a photojournalist in a few iconic images, and goes on to pay more attention to Bischof‘s later years. His photography develops its full power in Japan and the Americas (the USA), journeys undertaken from 1951 to 1953, shortly before his death. His motive in undertaking them was to break free of the confines of commission photography and invent a new visual language. Despatched to Tokyo by Magnum Photos, Bischof discovered a passion for Japan and extended his stay to nearly a year.. | | | | |
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| | Hervé Graumann
Bras, Garçon, Jouet, Lotto, Maman, Soulier, Tabac, Veste, 2012
Impression numérique, photographie et extraits de l'annuaire électronique | | | CAMÉRA(AUTO)CONTRÔLE | | | | 50JPG - 50 Days for Photography in Geneva 2016 | | | | | | | - 31 July, 2016 | | |
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© 6 July 2016 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . [email protected] . T +49.30.24 34 27 80 |
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