| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 2 ‐ 10 October 2019 | |
|
| |
|
| |
| |
| | | | The 26th Noorderlicht International Photography Festival examines from 6 October to 1 December 2019 with 34 participants the societal tensions created by international conglomerates with their vast accumulations of capital and their influence on politics. |
| | |
|
|
| |
| | | | With more than 160 of the world’s leading galleries at Frieze London» and 130 at Frieze Masters» , the two fairs together catalyze the most significant week in London’s cultural calendar, with more than 100 photographic artists. 1:54 Contemporary African Art Fair» presenting also over 30 photographic artists from Africa and its diaspora. |
| | |
|
|
| |
| |
| |
|
| |
|
| | | | | | | | André Lang: Plakatwand Westberlin, Tag des Mauerfalls, 1989 |
| | | | | | | | | | | | Sun 6 Oct 15:00
7 Oct – 9 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | © Florian Böhm from the Phaidon book: "Dieter Rams As Little Design As Possible" by Sophie Lovell | | | | | | | | 3 October 2019 – 24 January 2020 | | | | Opening reception: Thursday 3 October 18:30 | | | | | | | | | | | | | DIETER RAMS SEEN BY FLORIAN BÖHM consists of detailed images of iconic objects by Dieter Rams, photographed in the archives of the Braun-Sammlung in Kronberg. Böhm offers also exclusive insights into the private house of Dieter Rams. For the first time, a selection of pictures from the catalogue "AS LITTLE DESIGN AS POSSIBLE" by Sophie Lovell (2011 published by Phaidon) are exhibited.
The solo exhibition DIETER RAMS SEEB BY FLORIAN BÖHM takes place in the contemporary and modern exhibition space for photography of the Goethe-Institut, located in the center of Bordeaux. Before Florian Böhm, photographs by Jörg Brüggemann/Ostkreuz, Hans Engels, Maurice Weiss/Ostkreuz, Herbert List, and Stefan Moses among others, were exhibited. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Apichatpong Weerasethakul, Ghost Teen, 2009 |
| | | | contemporary Asian art from the FarEastFarWest collection | | | | | | | 10 Oct – 22 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Cherries
From the series "Summer Light", 1981
© Dag Alveng | | | | | | | PHOTOGRAPHIC ART FROM NORWAY | | | | | | | | 3 October 2019 – 12 January 2020 | | | | Opening reception: Wednesday 2 October 19:00 | | | | | | | | | | | | | Shimmering, shining, fleeting: with "ETHEREAL. PHOTO-GRAPHIC ART FROM NORWAY" the Fotografie Forum Frankfurt presents exceptional works about the subtleties of light from A K Dolven, Dag Alveng and Linn Pedersen. Through photography, video and installation, the three artists dedicate themselves to the extreme qualities of Norwegian light that shape the country’s mystic nature and their own desires.
Dag Alveng (*1953) portrays people, relaxed in the garden, on the beach, in the forest, as well as summery landscapes. Always in the picture, glistening or cooling in the shade, is the midsummer light. A K Dolven’s (*1953) surreal reflections of light at the Arctic Circle are curiously timeless, in videos with herself as actor. Linn Pedersen (*1982) uses a colossal camera obscura with which she photographed landscape and individuals for months, creating unusual perspectives on her own light drawings.
"ETHEREAL" gives insight into the lively contemporary photo-art scene of Norway and it is Fotografie Forum Frankfurt’s contribution to the country’s Guest of Honour programme at this year’s Frankfurt Book Fair. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| | | | | | | Axel Herrmann (1946‒2010)
Continental Breakfast, 1970er-Jahre, Kleinbilddias
© Daniel Herrmann |
| | | | Vom Bauhaus zu Instagram | | | | | | | Wed 2 Oct 19:00
3 Oct 2019 – 12 Jan 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Kawa=Flow #1637, 2015 © Yamamoto Masao |
| | | | | | | | 170 works of art and nature photography | | | 5 Oct – 8 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Mary Sibande I Put A Spell On Me 2009 Archival Digital Print 90 x 60 cm |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Second Lunch in Public Space for Common Place, 2010 © Nohra Haime Gallery, Ruby Rumié & Justine Graham | | | | | | | | | | | | | 2 October – 16 November 2019 | | | | | | | | | | | | | Common Place is a joint project by Colombian artist Ruby Rumié and French-American photographer Justine Graham.
The topic of this project by Rumié and Graham is the relationship between Latin American housekeepers and their employers, exploring issues of gender, power, class, and race. Made up of photographs, videos, and interviews with one hundred women between the ages of nineteen and ninety-five, this multidisciplinary project combines art and sociology, seeking to dismantle the hierarchical relationship between these women.
The artists examine the inherited colonial prejudices surrounding domestic work and propose new angles for comprehension and social communication. The visual treatment of the women is the same across the board—they are even dressed in the same clothes as an exercise in equality and for the purpose of undermining bigotry. These actions transcend the artistic plane and the piece becomes a symbolic act with real life repercussions.
Common Place has been exhibited at the Museo de Artes Visuales MAVI, Santiago, Chile; The Museum of the Americas, Washington, D.C.; The Cartagena Biennial, Colombia; and Fair., Miami, FL. | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| | | | | | | | iñaki bonillas, marginalia e, 2019 |
| | | | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | 100 NYC Women After the Ceremony (detail), 2019 © Nohra Haime Gallery & Ruby Rumié | | | | | | | | 4 – 26 October 2019 | | | | Opening reception: Thu 3 October 18:00 | | | | | | | | | | | | | Divine Breath NYC explores the pain shared by women who have endured domestic violence, identifies the damage this violence does to them, and recognizes the need for them to fully mourn in order to revive their self-esteem.
Thanks to the dedicated efforts of the Divine Breath committee and the support of the Safe Horizon Foundation, this exhibition recreates artist Ruby Rumie ́s project of one hundred survivors of domestic violence in Cartagena, Colombia with one hundred survivors in New York City.
The participants joined Ms. Rumié in intimate ceremonies of meditation and breathing exercises, after which, each woman exhaled her pain into a ceramic vessel as a symbol of recognizing, releasing, and transforming her silent pain into divine breath. The goal was to collectively create a positive and transformative experience for the women. To represent the diversity of New York City, the ceremonial vessels were created by seven local ceramic artists: Rana Amirtahmasebi, Will Coggin, Paula Greif, Eleni Kontos, Ben Peterson, Biata Roytburd and Mia Schachter.
Through this exhibition, Ruby Rumié joins the voices of the Colombian survivors with those of the New York survivors, showing us that domestic violence is a universal problem that transcends age, race, class, and culture. The Divine Breath project does not merely represent this hidden and escalating social issue, but instead, infuses it with hope and dignity for the survivors and those who experience the exhibition.
The exhibition will consist of the following phases:
1. The seven NYC prototype vessels
2. Photographs of the 100 New York women and their vessels, along with the 100 Cartagena women and their vessels
3. The 100 NYC vessels
4. Photogr… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Dirk Krüll: "The Wave", Bottrop, 2008 |
| | | | Fotografien aus der Sammlung des Pixelprojekt_Ruhrgebiet | | | | | | | Tue 1 Oct 19:00
2 Oct 2019 – 7 Jun 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Sigmar Polke, Sans titre (Hannelore Kunert), 1970-1980, Collection de Georg Polke Sigmar Polke, Cologne/ADAGP, 2019 | | | | | | | | until 22 December 2019 | | | | | | | | | | | | | | | Le Bal presents a unique ensemble of photographs by Sigmar Polke dating from the 170s, an eblematic period featuring the artist's first jubilant experiments (double exposure, floutage, solarisation, Superposition...) They reveal Polke as an alchemist of photographic material, poet of almost nothing, free from the rules of the medium and fierce chronicler of his time.
«MY ART IS LIKE A BUSH PRUNED BY PREJUDICE - DESPITE IT ALL WE GROW, EVEN BETTER. AND NOT ONLY DO WE PROLIFERATE UPWARDS, BUT ALSO DOWNWARDS.» SIGMAR POLKE
"Untitled" was the name Sigmar Polke chose for his exhibition in 1986 at the Schelma Gallery. One could describe just as tersely and categorically the entire body of photographs presented in this book and the exhibition it accompanies: hundreds of untitled, undated prints. Shots that remained over the years in a chest in the house of Georg, Sigmar Polke’s son, and had long since been forgotten. (Fritz Emslander, co-curator, Deputy director of the Museum Morsbroich, Leverkusen)
Polke used the photographic medium early on, as both a documentary source for his paintings and as a means in itself. There is a reciprocal contamination of the two practices in Polke’s work, so much so that it is just as possible to evoke the photographic dimension of his painting as it is to speak of the pictorial dimension of his photography. His approach to photography was, from the beginning, that of an amateur craftsman. Polke always developed and printed his photographs himself, irrespective of the rules (not heeding to correct times of exposure and using out-of-date paper and chemicals), flippantly practising under- and over-exposure as well as double-exposure. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Marina Caneve: Experience #01, 2015, Archival Pigment print, 40 x 50 cm |
| | | | | | | | | | | | Sat 5 Oct 18:00
8 Oct – 23 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| | Danny Lyon » | | | | | | | | | | | | Thirty Photographs (1962-1980 An exhibition of the newly published limited edition portfolio by one of the most influential documentary photographers of his generation: | | Fri 4 Oct 17:00 4 Oct – 9 Nov 2019 | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
|
| |
|
|
| |
|
| | | | | | | | | | | | | | Wed 2 Oct
3 Oct – 6 Oct 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
| |
|
| |
| |
|
| |
| |
| | | | | | | | TAXED TO THE MAX | | | | | | | | 6 October – 1 December 2019 | | | | Opening: Saturday 5 October 2019 | | | | | | | | | | | | | The 26th edition of the festival examines the societal tensions created by international conglomerates with their vast accumulations of capital and their influence on national and global politics. TAXED TO THE MAX asks: how does the increasingly perfected entanglement of corporatism, finance capital and modern government affect the lives of regular people?
With the 34 participants, the festival presents a refreshing mix of photo series, mixed media, video and sound installations, performances, and spatial work on this theme.
TAXED TO THE MAX
...at least you are not afraid to live life on the brink of chaos
Alan Gignoux | Anika Schwarzlose | Bérangère Fromont | Brigitte de Langen | Coralie Vogelaar | David Klammer | Davide Monteleone | Dorothée Elisa Baumann | Ezio D’Agostino | Gina Peyran Tan | Glenna Gordon | Igor Tereshkov | Ishan Tankha | Ivar Veermäe | John Vink | Jos Jansen | Joseph Rodríguez | Kanad Chakrabarti | Lana Mesić | Lena Dobrowolska & Teo Ormond-Skeaping | Mari Bastashevski | Mark Curran | Martin Toft | Marvin Leuvrey | Michele Borzoni | Oliver Ressler & Zanny Begg | Sergey Novikov & Max Sher | Sven Johne | Thomas Kuijpers | Tony Fouhse | Ursula Biemann Mentorship young curators: George Knegtel & Laura Carbonell Reyes
A new Noorderlicht initiative is a mentorship for young curators who are invited to curate an exhibition that will flank the festival. With this mentorship program Noorderlicht realizes the ambition to not only produce exhibitions and festivals, but to also facilitate the photographic community, invest in emerging voices and share its experience and knowledge. George Knegtel (Netherlands, 1992) and Laura Carbonell Reyes (Colombia, 1986) have been selected for this pilot edition. For their exhibition, they have invited the following participants.
Daniël Siegersma | Keijiro Kai | Lonnie van Brummelen & Siebren de Haan & Tolin Alexander | Lucia Nimcova & Sholto Dobie | Marcos Ávila Forero | Roberto Huarcaya | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | CRASH | | | | | | | Sat 5 Oct 18:00
5 Oct – 8 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | | | | | part of the fourth annual Tennoz Canal Festa. | | | 4 – 6 Oct 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
|
| |
|
| | | | | | 29th Edition - What now? | | | | | | | – 27 Oct 2019 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | The Seventh Continent | | | | | | | – 10 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | | | © Johanna Heldebro, Night Watch II, from To Come Within Reach of You (Gunnar Heldebro, Hässelby Strandväg 55, 165 65 Hässelby, Sweden), 2009 |
| | | | | | | | | | | | Chapter One: 06 JUN - 25 SEP
Chapter Two: 17 OCT - 21 DEC | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | | photomeetings luxembourg 2019 | | | | 15th edition: TSUKIMI / MOON SHOW | | | | | | | ... until 26 October 2019 | | | | | | | | | | | | | 50 years ago, the first man stepped onto the moon and since this historic moment, it stimulates our imagination: it’s unbelievable beauty enchants us every time we look at it. photomeetings luxembourg 2019 will celebrate this occasion with an exhibition by Hiroyuki Masuyama, Robert Pufleb and Nadine Schlieper.
The exhibition will be opened on 13 September, while simultaneously the annual moon festival called "Tsukimi" takes place in Japan. This ancient Japanese tradition, which translates into "moon viewing", goes back to the 8th century.
Planned on the same date, the "Moon Show" will bring two unique photographic positions together. United by a common subject, but with a very different concept of visual imagery, the authors play with our "perception of images" in an age of fake news and alternative facts.
The spatial installation and presentation of the photographs create a state of suspense between fact and fiction, forming a field of magical tension. Fascinating photographic interpretations of William Turner and Caspar David Friedrich paintings meet mysterious black and white photographs of unknown moons, whose origins and provenance can’t be traced back without in-depth research: "Alternative Moons".
A selection of the two series mentioned above will be featured at Galerie Clairefontaine, Espace 1. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
|
| |
|
| | | | | | Terra Nostra - The Age of the Anthropocenee | | | | | | | – 5 Jan 2020 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | film 40-15 © ANNIKA LARSSON |
| | | | | | | | | |
|
| |
|
|
| |
|
| |
|
| |
|
| | | | | | 72 DAYS OF FREE ART | | | | | | | – 1 Dec 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019. Film still. | | | | | | | May You Live in Interesting Times | | | | | | | | ...until 24 Nov 2019 | | | | | | | | | | | | | | | The 58th International Art Exhibition, titled May You Live In Interesting Times, will take place from 11 May to 24 November 2019 (Pre-opening on 8, 9, 10 May). The title is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse that invokes periods of uncertainty, crisis and turmoil; "interesting times", exactly as the ones we live in today. The 58th Exhibition is curated by Ralph Rugoff, currently the director of the Hayward Gallery in London. Between 1985 and 2002 he wrote art and cultural criticism for numerous periodicals, publishing widely in art magazines as well as newspapers, and published a collection of essays, Circus Americanus (1995). During the same period he began working as an independent curator. The Exhibition will also include 90 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Four countries will be participating for the first time at the Biennale Arte: Ghana, Madagascar, Malaysia and Pakistan. The Dominican Republic exhibits for the first time at the Biennale Arte with its own national pavilion. | | |
| |
|
|
| |
| |
|
| | | | | | | | | | The gallery festival with international curators in Vienna | | | – 12 Oct 2019 | | | | | |
| | | | | | | |
|
| |
| |
| |
|
| |
| |
|
| |
© 2 October 2019 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
| |
