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| weekly news | | 13 - 19 July 2016 | |
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| | | | | The installations and exhibitions - Benoit Aquin » Serge Clément » Isabelle Hayeur » Claudia Imbert » Hanne van der Woude » Robert Walker » ... - will be held from mid-July to late September in 17 municipalities or national parks.
At the heart of the event, from August 18 to 21, the Photographer Tour will take place, and some 30 photographers will be on hand for public get-togethers on the subject of creation in the form of projections for the general public, lecture-discussions and a roundtable. The official opening will take place at Quai des arts in Carleton-sur-Mer on Friday, August 19 in the evening. |
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| | Jean-Francois Lepage
Recycle 12, 2014
110 x 136,8 cm
Edition of 2 | | | The Summershow 2016 | | | | | | | - September 3, 2016 | | | | | | | | | | | | | | The Ravestijn Gallery is pleased to present The Summershow 2016; a curated groupshow introducing Katrien de Blauwer and Michael Etzensperger along Ruth van Beek, Jean-Francois Lepage and Eva Stenram. Five different artists from five different countries approaching the art of collage in five different ways. | | |
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| | | | | | | Poppyfield in Balkh province, Afghanistan, 2003
© Robert Knoth und Antoinette de Jong |
| | | | | | | | | | | Fri 15 Jul 19:00
16 Jul – 25 Sep 2016 | | | The Silk Road has connected East Asia with the West for thousands of years. Once an important trade route—for the exchange not only of goods but also of religion and cultures—today large swaths of the Road are deserted, in decay, or being used to transport drugs. For over 20 years, Robert Knoth and Antoinette de Jong followed the trails of the heroin trade from Afghanistan across Central Asia, Russia, and the Balkans, through East Africa, Dubai, and Western Europe, to where the traces finally disappear in the concrete jungle of London. | | |
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| | | | | | | | AR – Chalten 2, 2014 © Adam Jeppesen , Courtesy of the Carlsberg Foundation |
| | | | | | | | | | | 16 Jul – 25 Sep 2016 | | | All alone from the north pole to the Antarctic in 487 days – a journey in total solitude. Beyond the traditional experience of space and time. Always with the camera in tow to document the rugged landscapes and vast expanses. | | |
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| | | | | | | | Documentation of action in public space, 2010–2013 © Sasha Kurmaz |
| | | | | | | | with Svea Bräunert | | 16 Jul – 25 Sep 2016 | | | "I like mixing photography and public intervention." Sasha Kurmaz
Doing away with rules, causing irritations. Making everyday occurrences visible. Completely unexpec-ted. Right in the face! | | |
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'Sans Titre', Série Parfums, 2012 |
'Sans Titre', Serie 'Parfums' 2012 |
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| | | | | | | | | | July 16 – September 24, 2016 | | | | Opening: Friday, 15 July, 6-9pm | | | | | | | | | | | | | | When we depart, walking over the summer leaves and the meadows which confidently and piercingly surrendered to the sun, memories resonate in each of our steps. We leave regret and desire behind, while the future lurks ahead in the bushes. And this is only an image from a lost garden – made from a fabric, woven from flowers and freckles. The photographer Isa Marcelli, born in Algeria in 1958, has many such images in her work - images which appear like small flashbacks. They are reminiscences of a childhood landscape slumbering within us. One work shows an empty garden chair, which was never able to tell its full story. Another shows a tree-lined road, over which we crossed into the present with a heavy heart. All of these images are studded with abundant symbols and small mysteries. They are full of fog and soft focus, as if they were elementary particles of our earliest dreams. | | |
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| | | | | | | | | | | | | 22nd Juried Show The Peter Urban Legacy Exhibition | | Thu 14 Jul 14 Jul – 28 Aug 2016 | | | | | | | |
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| | | | | | | | Regine Petersen: Eye Witness (Eurice), aus der Serie "Find a Fallen Star", 2015 © Regine Petersen |
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| | | | Pierre Huyghe
Untitled (Human Mask), 2014
Film, color, sound, 19’07’’
Courtesy the artist; Hauser & Wirth, London; Esther Schipper, Berlin; Anna Lena Films, Paris. | | | | | | | – 1 December 2016 | | | | | | | | | | | | | | Untitled (Human Mask), 2014, the latest video work by the acclaimed French artist Pierre Huyghe, follows a hybrid creature – between monkey and human – wandering around in a deserted restaurant near Fukushima, Japan. The enigmatic presence of this creature in a desolate environment that seems to have been ruined and abandoned by human beings is an apocalyptic vision that generates conflicting feelings of alienation and incomprehension together with sadness and compassion. | | |
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| | | | | | | Max Regenberg: gas station, 1980, Köln, DE
© Max Regenberg, Courtesy Galerie Thomas Zander, 2016 |
| | | | | | | | | | | Thu 14 Jul 19:00
15 Jul – 16 Oct 2016 | | | Urban Decorations – Die dekorierte Stadt provides us with an understanding of the urban images we are essentially confronted with on a daily basis. However, we are for the most part less aware of them than the artist Max Regenberg (*1951). He has been dealing with the phenomenon of outdoor advertising, billboards, large-scale light boxes, as well as image-and-text statements in public space for about forty years. | | |
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| | | | | | | Nico Joana Weber: Unstable Landscape, 2016, Film still
© Nico Joana Weber |
| | | | | | | | | | | 15 Jul – 16 Oct 2016 | | | In her works, Nico Joana Weber reflects culturally connoted notions of landscape and nature in a dialogue with formal architectural languages and structures, in particular from the classic modern period. Her artistic media include photography, film, and installations. Her works were produced both in the region, for example in the Brutalist architecture of the Ruhr University in Bochum, as well as in countries such as Brazil and Argentina. | | |
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| | | | | | | Stephen Shore: from "American Surfaces", 1972
© Stephen Shore |
| | | | | | | | | | | 15 Jul – 16 Oct 2016 | | | The exhibition Façades & Surfaces comprises more than 130 photographs produced between 1924 and 2015 by 18 photographers who examine various expressive values of façades and surfaces on different levels. The black-and-white and color photographs deal with the exteriors of buildings, materials and structures in industrial and commercial zones, with billboards, text and image messages in the urbanscape, with pictures of objects, the documentation of works of art, as well as with formal-aesthetic and media-reflexive views. | | |
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| | | Steve Havoc, Siouxsie Sioux, Debbie Juvenile, Screen on the Green 1976 © Ray Stevenson, Courtesy Rex Shutterstock | | | PUNK | | | | 20TH JULY - 26TH AUGUST 2016 | | | | | | | | | | | | | | The Michael Hoppen Gallery in conjunction with REX SHUTTERSTOCK is delighted to present PUNK, an exhibition of vintage press prints that document the rise of punk culture in 1970s Britain. Many of the prints included are suitably distressed, with an object quality and intensity that encapsulates the movement. | | |
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| | | | | | Necklace, 2015, Archival inkjet print. 6” image on 10” paper
© Kris Sanford, courtesy elizabeth houston gallery | | | | | | | – 24 July 2016 | | | | | | | | | | | | | Relationships, real or imagined, are at the center of this work. Growing up queer, I searched for a history that spoke to me—included me. In my family history, there were no couples that mirrored my own intimate relationships. That didn’t keep me from imagining such couples.
Through the Lens of Desire creates implied narratives using snapshots from the 1920s- 1950s. Vernacular photographs from that era were created as private keepsakes and the unselfconscious intimacy they depict feels authentic and relatable. As modern viewers, we witness personal moments that were never intended to be public. By purposefully selecting images that picture men together and women together I am creating an imaginary queer past. I am drawn to the subtle points of contact and the spaces between the figures pictured. Each gesture or distracted glance holds a story, and it is these stories that reflect my own desire and experiences.
This project brings a contemporary rereading to old photographs to address sexuality and relationships in a subtle way. My images are works of fiction, where I project my own dreams onto moments from the past. | | |
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| | | | | | | Ascent (2016), Fiona Tan, still
Photo: mitsuru AsakurA |
| | | | | | | | | | | 18 Jul – 18 Oct 2016 | | | Izu Photo Museum is pleased to present an exhibition of new works by Fiona Tan, an internationally renowned artist working primarily with photography and video. Following three major exhibitions of her work in Japan – at the 21st Century Museum of Contemporary Art, Kanazawa (2013), Tokyo Metropolitan Museum of Photography and National Museum of Art Osaka (2014–15) – this exhibition focuses on her new project Ascent, which takes Mt. Fuji as its starting point. | | |
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| | © Armin Linke
BANK OF ITALY, DEPARTMENT CUT2000, ROBOTIC ARM PHOTOGRAPHS A PACK
WORTH 1,000,000 EUROS AS A FINAL AND LEGAL DIGITAL DOCUMENT
ROMA ITALY, 2007, MURAL PHOTOGRAPHIQUE, 422 × 476 CM | | | CAMÉRA(AUTO)CONTRÔLE | | | | 50JPG - 50 Days for Photography in Geneva 2016 | | | | | | | - 31 July, 2016 | | |
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© 6 July 2016 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . [email protected] . T +49.30.24 34 27 80 |
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