| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 1 - 16 January 2019 | |
|
| |
|
| |
| |
| | | | | Photo50 is London Art Fair’s annual exhibition of contemporary photography, providing a critical forum for examining some of the most distinctive elements of current photographic practice. Guest curated every year, it highlights a timely theme in current photography. Who’s looking at the family, now? is an exhibition curated by Tim Clark that will engage with some fundamental questions about family life, its dynamics and complexity, as represented by a group of contemporary photographers and artists working in the UK and internationally. |
| |
| | | | | | | |
|
|
| |
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Kaelyn and the girls, from the series Frères d’une île pas très proche, 2018 © Durimel | | | | | Foam Talent 19 | | | | | | | 13 January – 3 March 2019 | | | The festive opening will take place on Saturday, 12 January 2019 20:00 by the night mayor Shamiro van der Geld in the presence of the artists and with music by SYMBIOSYS. Successively, in 2019 the Foam Talent Programme with talks, events and a large-scale presentation will travel internationally to San Francisco, New York, London, Paris and Frankfurt. | | | | | | | | | | | | | Foam is launching a new pop-up venue: Foam Next Door. In this former office space – two doors down from the museum – Foam presents the brand new exhibition Foam Talent 2019, with works from a new generation of visual artists.
The 20 selected photographers give insight as to the position of contemporary photography today. These upcoming photographers cross the borders of the photographic medium with striking ease. Object installations in which the experience of the work is just as important as the aesthetic value are as readily found as classic two-dimensional photographs, while archival materials continue to play an important role, together with multi-layered, long-term research.
The work of these 20 outstanding young artists selected through the annual Foam Talent Call are featured in Foam Magazine #52, Talent Issue. After the presentation at Foam Next Door the Foam Talent exhibition will tour to New York, London and Frankfurt. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | Limb Eung Sik, Job hunting, 1953
Courtesy of the Museum of Photography, Seoul |
| | | | | | | | | | | | Greetings from South Korea | | | Sun 13 Jan 14:00
13 Jan – 10 Mar 2019 | | | | | |
| | | | | | | |
|
| |
| | | | | | | Koo Bohnchang, Breath01.
Courtesy of the Museum of Photography, Seoul |
| | | | | | | | Greetings from South Korea | | | | | | Sun 13 Jan 14:00
13 Jan – 10 Mar 2019 | | | | | |
| | | | | | | |
|
| |
| | | | | | | | Yoo Youngjin, The Weathering, 2018 |
| | | | | | | | Greetings from South Korea | | | | | | Sun 13 Jan 14:00
13 Jan – 10 Mar 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Peter Bialobrzeski, near Wismar, 2012, from the series "Die zweite Heimat" | | | | | | Die zweite Heimat (The Second Home) | | | | 11 January – 31 March, 2019 | | | Vernissage: Thursday, 10 January, 7pm
Introduction: Ingo Taubhorn, Curator Haus der Photographie | Deichtorhallen Hamburg
Artist tour with Peter Bialobrzeski: Sunday, 17 February, 4pm | | | | | | | | | | | | | For "Die Zweite Heimat" (The Second Home), Peter Bialobrzeski travelled throughout Germany with his camera between the years 2011 and 2016. With his photographs the artist attempts to depict the social surface of the country, that country which has been his home for more than 50 years. Through his glance the road becomes a sounding board. Above all, he is interested in the question: What does the country in which I live look like when I capture it in an image? What does the present look like once it is past?
Bialobrzeski shoots exterior spaces that have been shaped by people: the city, the countryside, architecture. People appear when they are able to add a further dimension to the image. The artist’s gaze fixes on objects which are often overlooked, which do not seem to have any meaning and which only show their essence once they have been perceived and placed within a particular context.
One can also understand Peter Bialobrzeski’s images as fragments seen from the outside, as annotations. The resulting photographs speak for themselves. They do away with a contrived stance of bearing witness and allow themselves to be understood in sociological, documentary and therefore historical contexts.
Peter Bialobrzeski (*1961) is one of the most well-known und internationally successful contemporary German photographers. Since 2002 he has been Professor for Photography at the University of the Arts in Bremen. His work has received numerous awards, including the Dr-Erich-Salomon-Prize of the German Photographic Association. Exhibiting internationally, the artist’s photographs can be found in many private and public collections. After its successful start at the House of Photography – Deichtorhallen Hamburg the exhibition can now also be seen in Berlin. The accompanying book of the same name has been published by Hartmann books. | | |
| |
|
|
| |
| |
|
| | | | | | | | Alfred Ehrhardt Photographs |
| | | | | | | | New Publication | | | | 100 years bauhaus I | | | | | | | | | | Fri 11 Jan 19:00
12 Jan – 18 Apr 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | | | © Jean Molitor, Marokko, Casablanca, Wohnhaus Salomon Benajal, Joseph und Elias Suraqui, 1931 |
| | | | | | | | | | | | The Bauhaus legacy:
Jean Molitor tracks down a legend | | Tue 15 Jan 19:30
16 Jan – 14 Mar 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | The hand of Miles Davis (C), New York, 1986
© Collection Pinault/ Penn Foundation. |
| | | | | | | | Works from the Pinault Collection | | 16 Jan – 27 Apr 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Birgit Kleber: Monica Bellucci, 2001 |
| | | | | | | | 91 portraits von birgit kleber | | Tue 8 Jan 19:00
9 Jan – 10 Mar 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | © Thomas Hoepker, Egypt 2002, Giza Pyramids with army of 1000 "trash people". Installation by German artist HA Schult | | | | | | | | 12 January – 27 March, 2019 | | | Opening: Saturday, 12 January, 7 – 9:30 pm
Thomas Hoepker will join the opening.
The gallery will be closed during carneval time: 28 February – 6 March 2019. | | | | | | | | | | | | | Thomas Hoepker (*1936, Munich) is regarded as one of the most famous reportage photographers in the world. Initially a photo reporter and correspondent for the stern, he photographed all over the world and, among other things, took pictures of contemporary historical significance. Later he became Art Director at stern, Executive Editor at GEO and President of Magnum Photos. Hoepker thus established himself in some of the most important positions in the international photography scene. Book projects, film productions and countless exhibitions in the world's most important museums and galleries followed.
The exhibition "Strange Encounters" shows bizarre and humorous observations that Thomas Hoepker could make on his travels.
"As a photojournalist, working for newspapers and magazines, one is often confronted with the rather bad situations. But soon I discovered that there are also funny or strange encounters there that are worth photographing." (T. Hoepker)
In addition, the in focus gallery in Cologne shows the most famous photographs from Thomas Hoepker's long career. | | |
| |
|
|
| |
| |
|
| | | | | | | | Jonathan Danko Kielkowski |
| | | | | | | | | | | Sat 12 Jan 16:00
12 Jan – 23 Feb 2019 | | | | | |
| | | | | | | |
|
| |
| | | | | | | “Esther’s World” - Preisträger
Kategorie: Coffee Table Books
Bildautor: Esther Haase PHOTOGRAPHY
Textautor: F. C. Gundlach
Gestaltung: Julia Wagner
Verlag: Hatje Cantz |
| | | | | | | | | | | Sat 12 Jan 16:00
12 Jan – 23 Feb 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | ANSEL ADAMS
Moonrise, Hernandez, New Mexico, 1941
Gelatin silver print
© The Ansel Adams Publishing Rights Trust | | | Ansel Adams » Landscapes of the American West | | | | until 2 February 2019 | | | | | | | | | | | | | "When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence." Ansel Adams
Atlas Gallery is delighted to present Ansel Adams: Landscapes of the American West, an exhibition of works by the celebrated landscape photographer and environmental activist. This is the first time for many that a significant body of Adams work will be exhibited in a London gallery. The exhibition opening on Thursday 29th November will coincide with the Chiltern Street Christmas Evening reflecting its 2018 focus on environmental consciousness.
Landscapes of the American West demonstrates Adams’s technical mastery and innate sensitivity to nature. It features some of Adams’s most dramatic and recognisable images including the haunting Moonrise, Hernandez, New Mexico, 1941 in which a solitary moon hovers over wraithlike clouds blanketing a valley near Española in Santa Fe. ‘I felt at the time that it was an wrote. ‘There seems to sense of satisfaction when the shutter is released for certain exposures.’ No two prints of Adams’s photographs are exactly the same and Moonrise, Hernandez, New Mexico varied over the years as he ‘sought more intensity of light and richness of values.’
Adams grew up in San Francisco amid the sand dunes beyond the Golden Gate. From an early age he fell in love with the landscape around him; his life ‘coloured and modulated by the great earth gesture of the Yosemite Sierra’. For Adams the wilderness was one of great depth, ‘a mystique: a valid, intangible, non-materialistic experience’. His connection to Yosemite lasted his whole life, frequently returni… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
Steve Schapiro
David Bowie and Mirror. 1.
Los Angeles, 1974
© Steve Schapiro, courtesy of Fahey/Klein, Los Angeles |
Steve Shapiro
David Bowie. Goggles and Brick Wall.
Los Angeles, 1974
© Steve Schapiro, courtesy of Fahey/Klein, Los Angeles |
|
| | | | Steve Schapiro »
David Bowie. The Man Who Fell to Earth | | | | 11 January – 31 March 2019 | | | | | | | | | | | | | The Lumiere Brothers Center for Photography presents the exhibition David Bowie. The Man Who Fell to Earth, which unites two prominent names of the 20th century – the worldwide famous photographer Steve Schapiro and the musician and rock icon David Bowie.
This exhibition shows never-before-published photos from the 1970s, including the performance with Cher on the Cher Show, and shots from the film set of the popular movie The Man Who Fell to Earth. After that role, Bowie entrenched the character of an odd creature, a stranger and a temporary visitor of our planet. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | Artist as idealist (#2), 2018
Inkjet print, 24 x 36 inches
© Zhiyuan Yang |
| | | | | | | | Zhiyuan Yang and Sandra Harvey | | Wed 9 Jan 18:00
9 Jan – 3 Feb 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Chris Jones "As Year Followed Year" 2018 |
| | | | | | | | | | | Wed 9 Jan 18:00
9 Jan – 10 Feb 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Hannah Darabi, Reconstructions, 2018 | | | | | | Enghelab street, a revolution through books, Iran 1979-198 | | | | 10 JANUARY – 11 FEBRUARY 2019 | | | | The exhibition will end on Monday February 11, anniversary date of the Iranian revolution, with a day of general discussion and conferences coordinated by Chowra Makaremi. | | | | | | | DISCUSSION & BOOK SIGNING : THURSDAY 10TH JANUARY - 19H | | | | On the occasion of the release by Mack of 'The Complete Papers', an extensive monograph encompassing all of Thomas Demand’s work over the past 28 years, the German photographer will be in conversation at LE BAL with the writer Maylis de Kerangal for an exceptional launch event. | | | | | | | | | | | | | For Perfoming Books #2 and on the occasion of the 40th anniversary of the Iranian revolution, LE BAL will present the original collection of photographic and political books by Iranian artist Hannah Darabi.
Gathering works published between 1979 and 1983, years corresponding to the short period when freedom of speech prevailed at the end of the Shah’s regime and the beginning of the Islamic government, Hannah Darabi takes us to the heart of an intense artistic and cultural period specifically for documentary photography in Iranian history. This period, fundamental to understand the country’s history during the 21st century, is decrypted by Chowra Makaremi, tenured researcher and a member of the National Center for Scientific Research (CNRS) in Paris. To suggest another reading of this collection, Hannah Darabi will engage in a dialogue between her books and her personal artistic work composed by contemporary photographs of her home town, Tehran, and existing image-document such as family pictures, media images or postcards.
"THE TITLE OF THIS BOOK, ENGHELAB STREET, IS A REFERENCE TO THE AVENUE IN TEHRAN KNOWN FOR ITS CONCENTRATION OF BOOKSTORES AND PUBLISHING HOUSES. THE STREET GOT THE NAME ENGHELAB, WHICH MEANS “REVOLUTION” IN PERSIAN, AFTER THE EVENTS OF 1979." — Hannah Darabi | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Gyuto - Repletion
© Tobi Wilkinson
Courtesy Galerie Thierry Bigaignon | | | | | | | | 5 January – 2 February 2019 | | | | The photographs of the “Gyuto” series are gathered in a book, with a foreword by His Holiness the Dalai Lama, which will be presented during the opening. | | | | | | | | | | | | | To start off the new year, Galerie Thierry Bigaignon introduces a new program called “Matters that matter” through which, from time to time, it will invite foreign artists to exhibit for the first time in Paris on meaningful documentary subjects. Australian photographer Tobi Wilkinson will be the first invitee, showing her work on the Gyuto Monks of Tibet.
It took Tobi Wilkinson nine years of working with the Gyuto Monks to capture the slice of life within the monastery, and depict what is as much a state of mind as it is an architectural fact.
Even though Tobi Wilkinson was an outsider, both as a westerner and a woman, she has been able to immerse herself with "fresh eyes" into their world.
The photographer renders her fascination for those human beings who embark on a spiritual journey and her photographs illustrate how long, intense and difficult learning is.
Their Order was founded in 1475 and is one of the main tantric colleges of the Gelug tradition. The life of a Monk is not just one of sitting, chanting and meditating. It's repetitive, it's monotonous and that in itself is as much a part of their spiritual practice as the esoteric nature of the studies that they undertake. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | | | | | | Fri 11 Jan 18:00
12 Jan – 24 Feb 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| | | | | | | GRETA, NAPA VALLEY, CA 2011
ARCHIVAL PIGMENT PRINT
© Lindsay MCCRUM |
| | | | | | | | | | | Thu 10 Jan 17:30
10 Jan – 23 Feb 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Siamese I, 2011, © Wiktor Franko | | | | | | | a special 30-day section curated by Anna Gondek-Grodkiewicz | | | | | | | | 7 January – 7 February 2019 | | | | Subscribe free, YourDailyPhotograph.com | | | | | | | | | | | | | The history of Polish photography has been influenced if not shaped by political conditions in the country. In the second half of the 20th century, the challenge to all artists came from the totalitarian political regime imposed by the Communists from 1945 until 1989.
Despite these conditions, Poland has a long and illustrious history of creative fine art photography. But unlike its better-known regional neighbors (Germany, Russia, Hungary, Czechoslovakia), the works of Polish photographers have been less accessible and less known outside the country’s borders.
YourDailyPhotograph.com presents a special 30-day section of contemporary Polish photography, starting January 7, 2019. You will discover some terrific works to collect.
Subscribe free, YourDailyPhotograph.com | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Eric “Good Luck Hong Kong”(#01), Type C Print 2018 © Eric |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Punk Indonesia © Eleni Kougionis |
| | | | The Revolt Against Innocent | | | | | | Thu 10 Jan 18:00
11 Jan – 3 Mar 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
| |
|
| | | | | | Photo50 | | | | | | Tue 15 Jan
16 – 20 Jan 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | | | | | | Thu 10 Jan 17:00
10 – 13 Jan 2019 | | | | | |
| | | | | | | |
|
| |
|
|
| |
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| | | | | | | | Leigh Bowery & Trojan, 1983 © Jonny Rosza |
| | | | | | | | The Revolt Against Innocent | | | | | | | 14 exhibitions, concerts, screenings | | | Thu 10 Jan 18:00
11 Jan – 3 Mar 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
| | | | | | | Bangkok Art Biennale’s installation of A.W.C. portrait #8991 at BACC Bangkok
mounted vinyl banner 1400 cm x 1400 cm © ralf tooten |
| | | | | | | | | |
|
| |
|
| | | | | | | | © Munem Wasif, Kheyal (still) Single channel, 23m30s, BW, Stereo, loop, 2018 |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | As We May Think: Feedforward | | | | | | – 10 Mar 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Possibilities for a Non-Alienated Life | | | | | | – 29 Mar 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | © Marie Hudelot, Camouflage Aux Plumes, from the series Heritage |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | Brave New World | | | | | | – 10 Feb 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Anna Skladmann, Jacob shooting at ballerinas, Moscow 2009, from the series Little Adults | | | | | | | 21 exhibitions, 142 artists of Greek and international photography | | | | | | | | until 19 January 2019 | | | | | | | | | | | | | The Thessaloniki PhotoBiennale 2018 presents to the public 21 exhibitions of Greek and international photography, of varying themes and photographic approaches, with the participation of 142 artists from many countries of the world. At this year's event, the central exhibition entitled Capitalist Realism is curated by Penelope Petsini and assistant curator Fotis Milionis. Structured in two large sections hosted at the Thessaloniki Museum of Photography and the Thessaloniki Contemporary Art Center, the exhibition attempts to highlight issues that contribute to the emergence or exacerbation of economic crises in the international environment, on a contemporary and historical horizon. This year's event, which marks the 30th anniversary of its founding, adopts some new ideas and practices for the festival | | |
| |
|
|
| |
| |
| |
| |
|
| |
| |
|
| |
© 12 January 2019 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . [email protected] . T +49.30.24 34 27 80 |
| |
