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| PHOTOGRAPHY INTERNATIONAL | | 28 Sept – 4 Oct 2022 | |
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| | | | | | | | from The showcase - unboxing the collection © Maurice Scheltens and Liesbeth Abbenes |
| | | | | | | | | | | | Sat 1 Oct 14:30
1 Oct 2022 – 15 Jan 2023 | | | | | |
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| | | | | | | Carrie Mae Weems
The Edge of Time – Ancient Rome, from the series “Roaming”, 2006
© Courtesy of the artist and the Jack Shainman Gallery, New York |
| | | | | | | | Un gran giro de lo posible | | | 5 Oct 2022 – 15 Jan 2023 | | | | | |
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| | | © Sheila Rock: 'Resting Sunflower' | | | | | | | | | | | | | 29 September – 18 November 2022 | | | | | | | | | | | | | Autumn divides the minds - and the spirits. For some, late September marks the beginning of the uncomfortable, cold time of the year. The days become shorter, the world outside grayer. But for others, autumn is a season as underrated as it is inspiring, full of color, emotion and romance. A simultaneity that many poets have written about. In Hoffmann von Fallersleben, autumn comes with rich gifts and distributes them cheerfully. In Rilke, the last sweetness is chased into the heavy wine. In Rose Ausländer, time falls into the unforeseeable. And with Goethe, autumn is "always our best time". The last traces of summer disappear, a foreboding of winter is in the air. And as the world presses inward, people move closer together. This is also the case in the photograph "Oktoberfest" by Stefan Moses from 1960: a top view, heavy beer mugs, a solemn farewell to summer.
The photograph by Stefan Moses is hanging these days in Johanna Breede's cheerful to melancholy group exhibition, which has brought autumn into its premises as a time of transition. The migratory birds gather for a last group portrait by Hannes Kilian on the telephone poles, then they fly south, but the people stay and devote themselves to the wine, which has long since risen to maturity, they celebrate humid and cheerful Thanksgiving feasts, serve turkeys for prayer - Magnum photographer Thomas Hoepker captured it wonderfully laconic in 1963 in Texas - and imagine themselves somewhere between autumn blues and coziness.
Bright October days, as in the work of Lillian Birnbaum or Ulrike Ottinger, are followed by November, which is heavy with fog. The artist Gundula Schulze Eldowy shows how much it knows how to transform landscapes. In the fog, a single tree is con… | | |
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| | Sebastião Salgado
Yanomami Indians from the community of Maturacá, looking at Yaripo, the summit of Pico da Neblina.
Yanomami Indigenous Territory, State of Amazonas, Brazil, 2014
, 20” x 24” in. Gelatin Silver Print
© Sebastião Salgado, Courtesy Robert Klein Gallery, Boston | | | | | | | | Last days ... until 1 October 2022 | | | | | | | | | | | | | Acclaimed Brazilian photographer Sebastião Salgado has created numerous in-depth bodies of work documenting life on Earth, from crushing images of unimaginable hardship facedby gold miners in Brazil and pictures of hell on earth from blazing oil wells in Kuwait toscenes of serene, magnificent wilderness, Salgado has touched the depths of the human condition. Through his expansive, yet finely detailed black-and- white photographs, Salgado reveals both awe-inspiring and horrifying scenes from some of the most far-flung corners of the world, presenting us with his own unique vision of our vast planet.
Sebastião Salgado was born in 1944 in the Brazilian mining state of Minas Gerais and now lives in Paris. Initially an economist with the World Bank, Salgado began his photographic career in Paris in 1973. He worked with the Sygma, Gamma, and Magnum Photos agencies until 1994, when he and his wife Lélia Wanick Salgado founded Amazonas Images, dedicated exclusively to his work. He has traveled to morethan 100 countries for his photographic projects, resulting in many books including Other Americas (1986); Sahel, lʼhomme en détresse (1986); Sahel: the end of the road (1988); An Uncertain Grace (1990); Workers (1993); Terra (1997); Migrations and Portraits (2000); Africa (2007), Genesis (2013) and Amazonia (2021) | | |
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| | | | | | | Tony Vaccaro: Entering Germany, Frankfurt Germany, 1947
Courtesy of Monroe Gallery of Photography and the Tony Vaccaro Studio
© Tony Vaccaro Studio |
| | | | | | | | Ein Fotografenleben vom Krieg zur Kultur | | | Fri 30 Sep 19:00
1 Oct – 4 Dec 2022 | | | | | |
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| | | | | | | Marie Louise Alemann, Sin título [Autorretrato 'reloj'], Yo veo conejos, 1967
Fotografía, Gelatina de plata intervenida, Pieza única de época
© Estate Legado Marie Louise Alemann) |
| | | | | | | | | | | | The persistent gaze | | | Fri 30 Sep 20:00
1 Oct – 18 Nov 2022 | | | | | |
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| | | Oksana Parafeniuk, Single works, 2022 | | | | | | | A cooperation with Odesa Photo Days Festival | | | | | | | | ... until 6 November 2022 | | | | | | | | | | | | | The exhibition "THE NEW ABNORMAL" at PHOXXI, the temporary House of Photography of Deichtorhallen Hamburg, is a cooperation with Odesa Photo Days Festival under the direction of Kateryna Radchenko. From September 3 to November 6, 2022 works by twelve Ukrainian photographers will convey an impression of everyday life in the face of the war.
The escalation of war and the full-scale invasion of the Russian troops into the territory of Ukraine on February 24, 2022, had a significant impact on the course of history and life in Ukraine. These events have affected every citizen of the country and all the spheres of social and political life. In an instant, life has divided into "before" and "during." The Ukrainian people went through all the stages of transformation—shock, denial, fear, acceptance, and adaptation.
The goal of the exhibition is to show a new form of life during the war, the processes of adaptation in the social and public space, the transformation of usual rules of conduct and daily routines, and the combination of emotional states of fear, anger, and joy.
The international festival of contemporary photography Odesa Photo Days was founded in 2015 as a reaction to the war Russia started in the eastern part of Ukraine accompanied by the outbreak of propaganda and media manipulation. Held annually for 7 years, Odesa Photo Days Festival in 2022 was canceled due to the full-scale Russian attack in February. Now the festival team is working to spread the word about the situation in Ukraine and to support Ukrainian documentary photographers and photography-based artists affected by the war. Among the House of Photography of the Deichtorhallen Hamburg the… | | |
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| | | | | | | | | | | | | | Fri 30 Sep 19:30
30 Sep – 13 Nov 2022 | | | | | |
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| | | | | | | Tamara DEAN
I've always wondered when soon is 2022
from the series Palace of dreams
pigment ink-jet print
160.0 x 120.0 cm
courtesy of the artist and Michael Reid, (Sydney) and (Berlin) |
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| | | | | | | Paula MAHONEY
Together in the valley (with the shadow) of death 2022
from the series This landscape holds grief
pigment ink-jet print
80.0 x 120.0 cm
courtesy of the artist and Fletcher Arts (Melbourne) |
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| | | | | | | Kirill Golovchenko: SHOES MOUNTAIN / 7KM / Edition 50, 2007-2009
Gedruckt auf Hahnemühle Photo Rag® Baryta Digital FineArt Papier
© Kirill Golovchenko |
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| | Thomas Jorion, series "No Man’s Time", 2022
Inkjet print 120 × 150 cm
© Thomas Jorion courtesy Galerie Esther Woerdehoff | | | | | | | | 29 September – 19 November, 2022 | | | Opening: Thursday, September 29, 6-9pm, in presence of the artist
Artist talk : Saturday, October 15, 3pm | | | | | | | | | | | | | The photographer Thomas Jorion adds with the series "No Man’s Time" a chapter to a remarkable body of work. This work on the ruin invites us to question ourselves in front of the sublime of places whose history can only be read in their erosion and their abandonment. Devoured by the surrounding nature, the palaces, cinemas, factories are memento mori which proposes us a journey in which several temporal frames are linked.
The ruin becomes the center of a wider reflection on our relationship to our environment and to our common history. The exhibition No Man’s Time presents a particular series of the artist’s work of the artist’s work, the ruins photographed with a large format camera are here often disproportionate constructions that have never been completed. Like a nuclear reactor wide open to the sky, their function is revealed in hollows, or leaves the viewer facing an architectural ambition without conclusion.
The places, passed from building sites to ruins, are immediately imagined and immediately abandoned. The contemporary concrete of places that have no more history than their conception is offered to the sprawling nature, inviting us to think about our relationship to the imprint that our generation leaves on the world we inhabit.
For the first time, Thomas Jorion will unveil a new work of sculptures inspired by these places in dialogue with eleven large format photographs. The sculpture is the opportunity for the artist to seize a form in space and to give body to his privileged material: concrete. The monoliths explore various aspects of this material, notably that of recording photographic images.
This work will be exhibited at the Esther Woerdehoff Gallery in Paris from September 29 to November … | | |
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| | | | | | | CHRISTIAN WACHTER
Wien, vor 2014, 2017/2022
Aus der, mehrere 100 Teile umfassenden, Serie: NFT-Cs (Non fungible Tobaco-Containers)
C-prints, 22,7 x 15,2 cm |
| | | | | | | | Konzept versus Fotografie | | | Sat 1 Oct 18:00
4 Oct – 26 Nov 2022 | | | | | |
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| | | | | | | | Gwendolin Meta Kovacic Me, myself and my thousand I’s |
| | | | | | | | | | | | Sat 1 Oct 18:00
1 Oct – 26 Nov 2022 | | | | | |
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| | Kapsel 10: Khvay Samnang. Popil
Digital C-Print, 60 x 90 cm, 80 x 120 cm
Popil is an original work commissioned by Haus der Kunst in Munich,
as part of the exhibition Capsule 10: Khvay Samnang, 18.01 – 14.07.2019 (curated by Damian Lentini)
Haus der Kunst, 2019 | | | | | | | | October 1 - October 29, 2022 | | | Opening Reception: Saturday, October 1, 6 - 8pm
*This exhibition will be held concurrently at Tomio Koyama Gallery Tennoz. | | | | | | | | | | | | | Tomio Koyama Gallery is pleased to present “Love of the Land,” a solo exhibition of works by internationally renowned Cambodian artist Khvay Samnang, taking place concurrently across two venues in Tomio Koyama Galley Roppongi and Tomio Koyama Gallery Tennoz.
The exhibit at Roppongi features photographs and video works from the series “Popil” (2018), while the show at Tennoz introduces the 2021 video work “Calling for Rain.” Both works will be presented in Japan for the first time.
About Khvay Samnang: One of Cambodia’s most internationally renowned contemporary artists who took part in Documenta 14 and 15, raising questions towards the current situation of Cambodia with an air of sarcasm, light-heartedness, and humour
Khvay Samnang was born in 1982 in Cambodia. He graduated from the Painting Department at the Royal University of Fine Art in Phnom Penh in 2006. He is also active as a member of the artist collective “Sa Sa Art Projects.”
In creating his works, Khvay spends extensive amounts of time on-site engaging with local communities in his effort to research and gain insight on the profound social issues that Cambodia confronts.
While exploring new perspectives and interpretations of history, he serves to sarcastically, light-heartedly, and humorously present multiple layers of meaning through a variety of means including sculptures that incorporate native materials, installations, video art, as well as performances in which he uses his own body.
His photographic and video work “Untitled” (2011) shows the artist pouring sand over himself in Phnom Penh’s lakes, saddened by the fact that the lake he used to play as a child had been reclaimed for development by the rich, resulting in the destr… | | |
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| | Candida Höfer » | | | | | | | | | | | | Liechtenstein Im Dialog mit den Sammlungen des Kunstmuseum Liechtenstein und der Hilti Art Foundation | | 30 Sep 2022 – 10 Apr 2023 | | | | | | | |
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| | | | | | | | | | | | | | September 28th – October 2nd, 2022 | | | Private-View VIP Wednesday, 28.9.22 ->16h-20h (by invitation only)
Public show days : Thursday, September 29th -> 12h-20h / Friday, September 30th -> 12h-20h
Saturday, October 1st -> 12h-20h / Sunday, October 2nd -> 12h-18h | | | | | | | | | | | | | A new art fair for Zürich
Zürichs new art fair Art Salon Zürich will primarily focus on the needs of art galleries, art dealers and their respective artists.The aim is to reach and cater to a national and also international audience and collector base. Art Salon Zürich is your prime destination for discovering emerging talents as well as established artists of all art genres.
This boutique fair is regionally rooted and internationally connected. | | |
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| | | | | | The photography section of Art Market Budapest | | | | | | | 6 – 9 Oct 2022 | | | | | |
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| | | | | | INTERNATIONAL PHOTO FESTIVAL | | | | | | | Thu 29 Sep 19:00
29 Sep – 9 Oct 2022 | | | | | |
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| | | © Pentti Sammallahti | | | Festival La Gacilly-Baden Photo 2022 | | | | DUE NORTH | | | | | | | | | | | | | | | | | | | | DUE NORTH is an opportunity to highlight the often little-known creative power of artists from Northern Europe who, since the dawn of photography, have maintained an almost carnal connection with the ruggedness of their homeland. For the inhabitants of Denmark, Finland, Iceland, Norway and Sweden, solitude and wild nature are integral to their relationship with the world. They do not exploit the fruits of nature blindly, but try to understand how everything works and observe it with a caring eye. Their knowledge and constant desire to learn more about flora and fauna lead them to be very committed to respecting nature.
It is no wonder that the countries of the North, with their outrageous economic health, are among the most pleasant nations to live. Regularly crippled by frost and cold and accustomed to the great outdoors, they have developed a centuries-old tradition of political consensus, rejection of conflict and social development based on strict conservation of natural resources. In Copenhagen, 40% of the inhabitants cycle to work, in Stockholm the buses run on bioethanol, and in Reykjavik geothermal energy is now commonplace. Some will see the legacy of Lutheranism, others the more distant traces of the Viking tradition. You can't survive in the far north without a certain willingness to adapt. In countries where warmth and light are vital six months out of twelve, the environment is a crucial challenge. So it is understandable that Swedish teenager Greta Thunberg has become the new face of climate change for the world's youth: she knows that melting glaciers and sea ice are not far from home and that it is not a boreal illusion. If your culture is threatened by the effects of global warming, it is your duty to alert the public.
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| | | | | | Theatre of Dreams | | | | | | | – 23 Oct 2022 | | | | | |
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| | | | | | International Photography Festival | | | | | | | – 2 Oct 2022 | | | | | |
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| | | | | | We, on the Rising Wave | | | | | | | – 6 Nov 2022 | | | | | |
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| | | | | | | | | | annual event showcasing Nordic and international photography in the Greater Helsinki area | | | – 2 Oct 2022 | | | | | |
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| | Chow and Lin, 2020:06:13, 13:31:23, 2020. From the series I want to bring you around the world, 2020–22.
Archival inkjet print. Courtesy of the artists. | | | | | | | If I Had a Hammer | | | | | | | | African Cosmologies: Redux | | | | | | | ... until 6 November 2022 | | | | | | | | | | | | | | Houston’s Fotofest Biennial 2022 "If I Had a Hammer" (September 24 through November 6) considers the ways artists utilize images to unpack the ideological underpinnings that inspire collective cultural movements around the globe. Together, the twenty-three included artists propose alternative techniques of seeing and engaging with the world, working with both conventional and new medi. | | |
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| | | | | | open air festival - VISIONS OF THE EAST | | | | | | | – 30 Sep 2022 | | | | | |
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| | | © Ngadi Smart, Port Loko District (Tombotima Community) | | | | | | | re:sources 2.0 | | | | | | | | ... UNTIL 2 October 2022 | | | | | | | | | | | | | The Fotofestival 2022 will once again bring the world of photography to Lenzburg and Aarau for an entire month and expand its horizons with new exhibition venues, international partnerships and world-famous authors.
The past three years have presented us with enormous challenges and clearly demonstrated how our resources are distributed. Some of us have been deprived of our livelihood, others have been on the verge of losing it, and some have realized how privileged they are. However, we all have one thing in common - we are thankful that the situation has recovered, and we are no longer so limited. We have the opportunity to meet with people again, to be out and explore the world - perhaps more consciously and using our resources more sparingly and considerately.
As already in 2021, the photo festival will explore the theme of resources and develop an artistic approach that seeks to capture moments of world events. The twelve exhibitions and the planned events of the 5th Fotofestival Lenzburg have been chosen in such a way that a constructive dialogue can develop between the exhibitions themselves, but also between image producers and users, i.e. bringing together contemporary positions of Swiss and international authors with their audience on the topic of resources.
For the 2022 edition, the focus is on the relationship between humans and nature, and their interplay in relation to our health, quality of life and sustainability, as well as the major climatic and societal changes we are currently experiencing.
Thanks to contributions from sponsors and partners who support the festival, each year we manage to offer a stage to international but also lesser-known photographers. We aim to engage a wider a… | | |
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| | | | | | Festival de photographie international et gratuit | | | | | | | – 2 Oct 2022 | | | | | |
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| | | | | | New beginnings from images - Investigations into reality and the inner gaze: 1,800 exhibitions, 1,760 authors and 742 exhibition spaces, | | | | | | | – 31 Oct 2022 | | | | | |
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| | | | | | Rencontres Photographiques de Toulouse | | | | | | | – 1 Oct 2022 | | | | | |
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| | | Melanie Bonajo: ‘Big Spoon’, film still from ‘When the body says Yes’ . Courtesy of the artist. The Netherlands national Pavillion | | | | | | | The Milk of Dreams | | | | | | | | ... until 27 November 2022 | | | | | | | | | | | | | The 59th International Art Exhibition of La Biennale di Venezia, titled The Milk of Dreams, will open to the public from Saturday April 23 to Sunday November 27, 2022, at the Giardini and the Arsenale; it will be curated by Cecilia Alemani and organised by La Biennale di Venezia chaired by Roberto Cicutto. The Pre-opening will take place on April 20, 21 and 22; the Awards Ceremony and Inauguration will be held on 23 April 2022
Read the statement by Cecilia Alemani »
Read the statement by Roberto Cicutto »
THE INTERNATIONAL EXHIBITION
The Exhibition will take place in the Central Pavilion (Giardini) and in the Arsenale, including 213 artists from 58 countries; 180 of these are participating for the first time in the International Exhibition. 1433 the works and objects on display, 80 new projects are conceived specifically for the Biennale Arte.
The artists »
NATIONAL PARTICIPATIONS
The Exhibition will also include 80 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the city centre of Venice. 5 countries will be participating for the first time at the Biennale Arte: Republic of Cameroon, Namibia, Nepal, Sultanate of Oman, andUganda. Republic of Kazakhstan, Kyrgyz Republic and Republic of Uzbekistan participate for the first time with their own Pavilion.
The National Participations » | | |
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© 21 September 2022 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
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