| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 22 – 29 Sept 2021 | |
|
| |
|
| |
| |
| | Parallel to Art Basel, half a dozen other fairs are taking place in Basel this week. photo basel enhance and nourish the creative trade of all the major art players within and around photography. photo basel brings together galleries from around the world in a unique, authentic setting. |
| | | | | | | | | |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Choreography # 7
Archival ink print, mounted on composite aluminium, framed with museum glass
43,8 cm x 53,8
2020
From the series CHOREOGRAPHY OF VIOLENCE
Harri Pälviranta | | | | | | | | ... until 30 September 2021 | | | | | | | | | | | | | For the last twenty years, the time Harri Pälviranta has been highly interested in the images of violence, he has occasionally purchased historical news photographs depicting actual acts of violence, such as racist assaults or clashes with the police in a demonstration. This collection of odd and haunting press photographs now consists of some 120 pictures, from the 1950s to the 1970s.
The collection can be seen as a visual narrative of how actual violence was depicted in mainstream news media in the B&W press image era. Although the collection is neither comprehensive nor scientifically solid archive, it still reveals certain recurring features: depicted people are touched with unusual force but on the other hand also tender consolation is present. In general, through their technical and visual appearance all the photographs connote authenticity and truthfulness. In this respect, they are transparent: they point to the actual happenings in an actual world.
The collection appears as a starting point for the project Choreography of Violence. He has analysed the photos in his collection and based on this analysis, he has created new works. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| | | | | | | | | | Fotografien aus Ost-Berlin | | | 29 Sep 2021 – 13 Feb 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
|
| |
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco | | | | | | | UNESCO Memory of the World | | | | | | | | ... until 31 December 2021 | | | | | | | | | | | | | The Family of Man comprises 503 photographs by 273 artists from 68 countries, and was brought together by Edward Steichen for the New York Museum of Modern Art (MoMA).
Presented for the first time in 1955, the exhibition was meant as a manifesto for peace and the fundamental equality of mankind, expressed through the humanist photography of the post-war years. Images by artists such as Robert Capa, Henri Cartier-Bresson, Dorothea Lange, Robert Doisneau, August Sander and Ansel Adams were staged in a modernist and spectacular manner.
Having toured the globe and been displayed in over 150 museums worldwide, the final, complete version of the exhibition was permanently installed in Clervaux Castle in 1994. Since its creation, The Family of Man has attracted over 10 million visitors and entered the history of photography as a legendary exhibition. In 2003, the collection was inscribed in the UNESCO Memory of the World register.
On July 5th, The Family of Man will reopen its doors to the public at Clervaux Castle. The collection’s historic photographs have been restored, and the exhibition rooms have been renovated under the direction of the National Department of Sites and Monuments, in order to adapt the technology and design to today’s standards.
CNA & EDWARD STEICHEN
The Centre national de l’audiovisuel (CNA) was created in 1989. Its mission is to preserve and honour Luxembourg’s national photography, film, and sound heritage. The institute actively collects and archives documents from a wide range of origins. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Sara Cwynar: Sahara, 2020 |
| | | | Sophie Thun und Sara Cwynar | | | | | | | 22 Sep 2021 – 5 Feb 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Judith Joy Ross
Untitled, Eurana Park, Weatherly, Pensilvania, 1982
© Judith Joy Ross, courtesy Galerie Thomas Zander, Cologne | | | | | | | | 24 September 2021 – 9 January 2022 | | | | | | | | | | | | | | Fundación MAPFRE presents the largest retrospective of Judith Joy Ross (Pennsylvania, 1946) to date, which explores the photographic archive that the artist has been developing over the last thirty years. In 1966 she began taking photographs of the people in her city as a way of understanding the emotional world of those around her. In 1979, after several trips around Europe, Ross definitively focuses on the portrait genre and marksa turning point in this genre with her images. Thanks to the use of large format, she manages to capture the past, present and even the future of the subjects posing before her lens. Her portraits obey a personal impulse and a deep interest in the people she meets. Her success is due to the connection that the photographer establishes with the portrayed, while focusing on themes such as innocence, the different stages of grief, morality or the dreams of society. Neither fashion nor irony are part of her discourse and her closest references are Lewis Hine, Walker Evans, Dorothea Lange, August Sander or Diane Arbus in the field of historical photography, and Rineke Dijkstra, Sally Mann and Thomas Struth in contemporary photography. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Cuckmere River, 1963
Private collection, Courtesy Bill Brandt Archive and Edwynn Houk Gallery
© Bill Brandt / Bill Brandt Archive Ltd. | | | | | | | | 27 September ‐ 28 November 2021 | | | | | | | | | | | | | Bill Brandt is considered one of the founders of modern photography, alongside Walker Evans and Cartier-Bresson. Exploring English society, landscape and literature, his images are vital to our understanding of the history of photography and even the British way of life in the mid-20th century. Bill Brandt (born Hermann Wilhelm Brandt on May 3, 1904, in Hamburg, † December 20, 1983, in London) was a British photographer of German origin. Hermann Wilhelm Brandt, already called Bill as a child, was born in Hamburg as the second son of the British merchant Louis Brandt (his mother came from the St. Petersburg-based, German-Russian merchant family, von Oesterreich). His older brother Walter later became the head of the family-owned London private bank William Brandt & Co, and his younger brother Rolf who was a painter also lived in London. The rise of National Socialism and their strong convictions saw the family return to England.
But everyone kept in touch with the von Oesterreich family, who had since moved to Hamburg and whose most prominent representative is the actor, author and director Axel von Ambesser. As a young man, Bill Brandt had a weak constitution and first visited London in 1931 following a sanatorium stay in Davos via Vienna and Paris. In Paris, he met the surrealist circle around Man Ray – most likely through the poet Ezra Pound. In the UK, Brandt worked as a photographer and photojournalist for various magazines, including Lilliput and Harper’s Bazaar; his thematic focus was the standard of living in England during the Great Depression. From 1936 on, Brandt also published various photobooks. In 1937 he self-financed a photo tour to the slums of the Midlands. During the Second World War, Brandt worked for the Home Office. A… | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | | Rotations 5.4.0–5.4.5 , 1971, series of six unique chromogenic prints, 7 x 7 in., unique © Gottfried Jäger | | | | | | | | 25 September – 27 November 2021 | | | An opening will be held on Saturday September 25th from 3 to 6:30 PM.
Please click here to RSVP and confirm your attendance. | | | | | | | | | | | | | Sous Les Etoiles Gallery is pleased to announce, “Intersection of Color,” German photographer Gottfried Jäger’s second exhibition with the gallery, showcasing a selection of his color works from the 1960s to the early 2000s, from September 25th to November 27th, 2021.
For the occasion, Sous Les Etoiles Gallery is publishing “Intersection of Color”, the first monograph of Jäger’s color works, bringing together different approaches to photographic color formation the artist experimented for sixty years. The monograph includes essays by Lyle Rexer and Bernd Stiegler and an interview with Gottfried Jäger by Corinne Tapia, director of Sous Les Etoiles Gallery. The book comes in a limited edition of 100 copies, numbered and signed by Gottfried Jäger.
Known as one of the greatest names in German photography, Gottfried Jäger (b. 1937, Burg near Magdeburg) is an experimental artist who, over the years, redefined the term “photography”. In breaking the boundaries of what the camera can perform, Jäger reexamines the objectivity of the photographic process.
In Jäger’s words, “The objective of my work is to induce a generative effect: to constantly provoke an endless generation of new forms and elements in a continuous process of renewal and rebirth. What is intended is not a standstill, but the image of an exchange, its infiltration, and its conversion.”
From the iconic Polarizations, the Luminograms and the Multiple Optics series, the show will include some never exhibited pieces, and a selection of silver gelatin prints. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| | | | | | | | Gillian Laub, Chappaqua backyard, 2000. © Gillian Laub |
| | | | | | | | | | | | | | | | | | | | INWARD Reflections on Interiority | | | | | | | 24 Sep 2021 – 10 Jan 2022 | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | | | | | | | | | | | | | 21 – 26 September 2021 | | | | | | | | | | | | | photo basel, Switzerland’s first and only international art fair dedicated to photographic positions, is delighted to announce its participating gallery list for the 6th edition. Taking place at Volkshaus Basel, the fair runs from September 21st – 26th, and is once again coinciding with Art Basel.
photo basel welcomes 40 international exhibitors - coming from 16 nations for this September edition.
Some of the newly incoming exhibitors this year include Robert Morat (Berlin), Migrant Bird Space (Berlin), Gowen Contemporary (Geneva),Galerie 193 (Paris), Artco (Berlin, Aachen & Cape Town), AKKA (Venice & Dubai), ISSP (Riga), Gallery Bart (Amsterdam), Thierry Marlat (Paris), WOS (Zürich), Arwe (Rotterdam), Koschmieder (Berlin), Mironova (Kiev) and Galerie Mazel (Brussels). | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | | | | | | | Mon-Wed 20-23 Sep
24 – 26 Sep 2021 | | |
| | | | | | | |
|
| |
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Luigi Ghirri, Venezia, Ponte dell'Arsenale, 1986
C-Print auf Agfa-Papier, 23,5 x 47,1 cm (29,4 x 50,6 cm)
Ergebnis € 10.600 | | | Lempertz – Photography | | | | Invitation to Consign | | | | Auctions 3, 4 December 2021 | | | Consignments welcome.
Please contact us for a free and non-binding valuation of your photographs.
Appraisal Days
Zurich 22, 23 September
Munich 28,29 September
Amsterdam 30 September
Brussels 4 October
Paris 5, 6 October | | | | | | | | | | | | |
| |
|
|
| |
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | International Photography Festival | | | | | | | 23 – 26 Sep 2021 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | biennale de la photographie | | | | | | | 25 Sep – 10 Oct 2021 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Acts of Love and Rebellion | | | | | | | 23 Sep – 23 Oct 2021 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | | | | | | | Fri 24 Sep 19:00
25 Sep – 17 Oct 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
| |
|
| |
|
|
| |
| |
|
| |
| |
| | | | | | | | | | | | | | ... until 26 September 2021 | | | | | | | | | | | | | | Every summer since 1970, over the course of more than forty exhibitions at various of the city's exceptional heritage sites, the Rencontres d'Arles has been a major influence in dissiminating the best of world photography and playing the role of a springboard for photographic and contemporary creative talents. In 2019, the festival welcomed more than 145 000 visitors. | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | | © Sebastião Salgado, Festival La Gacilly-Baden Photo | | | Festival La Gacilly-Baden Photo 2021 | | | | VIVA LATINA! | | | | | | Baden near Vienna:
The largest outdoor photography festival in Europe will take place
from 18 June until 17 October 2021.
festival-lagacilly-baden.photo | |
| | | | | | | | | | | | | FESTIVAL LA GACILLY-BADEN PHOTO 2021: VIVA LATINA!
VIVA LATINA! is the theme of the 2021 Festival La Gacilly-Baden Photo. It will present photographs from Latin America that reflect the complexity of the continent’s history, full of revolutions and hopes, its jumble of traditions, in which dreams of the West mingle with shamanistic world views; as well as the fervour of its society, shaped by violence and a powerful joy of life. Whether they come from Brazil, Ecuador, Chile, Mexico or Argentina, all photographers of our Festival are firmly rooted in everyday life. They capture the diversity of the people on this continent, explore the urban chaos and lament the damage done to nature – and they do this poetically, creatively and humorously. But above all, they stand for photographic art full of energy and inventiveness.
The Festival will also celebrate the biodiversity of our planet.
The World Conservation Congress of the International Union for Conservation of Nature (IUCN) was to be held in Marseille in mid-June 2020, to be followed by the COP15 of the UN Convention on Biodiversity in Kunming, China, in October. But the ongoing pandemic shredded the schedule and these two events, so essential for the protection of our ecosystems, were postponed to 2021. We have adapted to this change and will present exhibitions in 2021 that were created by some of the best photographers in the world to document the essence and importance of biodiversity on our planet. They want to help connecting people more deeply with the realm of nature.
To visualize these two highly complex narrative strands, 22 photographers, five photographer collectives and 16 Lower Austrian schools are taking part, in a humanist frame of min… | | |
| |
|
|
| |
| |
|
|
| |
|
|
| |
|
| |
|
| |
|
| | | | | | FAKE – visual distortion | | | | | | | – 14 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | The Makeable Mind: 15 locations, over 70 artists | | | | | | | – 28 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | open air festival - DUE NORTH ! | | | | | | | – 31 Oct 2021 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | © Mary Ellen Mark | | | | | | | re:sources | | | | | | | | ... until 3 October 2021 | | | | | | | | | | | | | With the thema “re:sources”, the Fotofestival Lenzburg, conceived as a double edition for years 2021/2022, in its fourth edition places a special focus on women photographers and their work: their view of the world as well as aspects of being a woman in this world, with great exhibitions by Mary Ellen Mark, Elinor Carucci, Caroline Minjolle and others.
We prepared a rich programme of events to share our passion for photography together again. Have a look at the list of events and make a note on your calendar. | | |
| |
|
|
| |
| |
|
| | | | | | Festival de photographie international et gratuit | | | | | | | – 3 Oct 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | | Martin Parr: Cannes, Frankreich 2018
© Martin Parr / Magnum Photos |
| | | | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | | | | | | | | | | | | ... until 1 December 2021 | | | | | | | | | | | | | | The PHOTOVILLE Festival, New York City’s FREE premier photo destination, returns on September 18 for its 10th anniversary year with a free community day, virtual online storytelling events, artist talks, workshops, demonstrations, educational programs, community programming, and open-air exhibitions across parks and public spaces throughout New York City till December 1, 2021. | | |
| |
|
|
| |
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | THOUGH IT'S DARK, STILL I SING | | | | | | | – 5 Dec 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
| |
|
| |
|
| | | | | | Rencontres Photographiques de Toulouse | | | | | | | – 2 Oct 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | | KBr Photo Award | | | | Call for submissions: until 24 September 2021 | | | | fundacionmapfre.org | | | | | | | | | | | | | In June 2021 Fundación MAPFRE is launching the 1st edition of the KBr Photo Award, a biennial international prize that reaffirms the Fundación’s support for artistic creation. This support takes the form of promoting the winning photographer on a national and international level and furthering their career with a cash prize, an exhibition and an associated catalogue.
The KBr Photo Award is open to Spanish and non-Spanish photographers aged over 18 who will produce a new photographic project or complete an already undertaken one, both previously unpublished and which have not been entered for any other similar competition.
With this initiative Fundación MAPFRE is increasing its support for photography. Alongside the exhibitions, lecture cycles and activities associated with the programme, the new KBr Photo Award both consolidates and expands Fundación’s activities relating to contemporary photography.
The prize is 25,000 Euros. In addition, Fundación MAPFRE will organize and present an exhibition in Espai 2 at the KBr Fundación MAPFRE Barcelona Photo Center in February 2023. The exhibition will present the results of the prize-winning project and Fundación will publish an accompanying catalogue.
The winner will be chosen by an international jury comprising 4 leading figures in the art world, in addition to the photography chief curator of Fundación MAPFRE and will announce their decision in November 2021.
More information and application form: here | | |
| |
|
|
| |
| |
| |
| |
|
| |
| |
|
| |
© 22 September 2021 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
| |
