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PHOTOGRAPHY INTERNATIONAL | | 22 - 29 November 2023 | |
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| Helmut Newton, Fat Hand And Dollars, Monte Carlo, 1986 © Helmut Newton Foundation | | Helmut Newton » Fact & Fiction | | 18 November 2023 – 1 May 2024 | | helmutnewton-coruna.com | | | | | | | | The MOP Foundation is proud to host Helmut Newton – Fact & Fiction, the new exhibition in A Coruña that intertwines the personal and the professional. The exhibition begins with a sequence of Polaroids which give an immediate insight into the way Newton worked. The Polaroids were an important element in helping him build the picture that he had visualised. The display of magazine spreads reminds us that in most cases the pictures Newton was building were intended for the magazine page – Helmut’s primary point of encounter with his audience. As the show unfolds into a dazzling sequence of images, we realise that we have entered Newton’s world – where we are left to disentangle for ourselves what is fact and what is fiction. This is a world of the imagination, yet the intriguing universe into which we are drawn is staged in contexts we recognise as real. It is a world of hints and allusions – including knowing references to historic artists, among them Manet, Velazquez. and May Ray, to Alfred Hitchcock and to the melodrama of film noir. We are invited to see the world anew through Newton’s exceptional, razor-sharp, and revealing eyes. The exhibition presents an array of Helmut Newton’s most iconic images including Rue Aubriot and Big Nude III and his memorable portraits of such celebrated subjects as David Bowie, Naomi Campbell, Karl Lagerfeld, Charlotte Rampling, Yves Saint Laurent, Margaret Thatcher, and Andy Warhol. His lesser known, highly atmospheric landscapes add an unexpected dimension. The exhibition also features portraits of Newton from different times in his life, personal artefacts, posters, and videos of him at work. Helmut Newton – Fact & Fiction is curated by Philippe Garner, Matthias Harder, and Tim Jefferies | |
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| | | | Andreas Fux WMF, 1988 80 x 80 cm (Motivgröße), 100 x 100 cm (gerahmt) Edition von 5 © Andreas Fux |
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| Fritz Schleifer Langeness, 1930s–40s silver gelatin print, mounted on paper board 16 x 23 cm © Marc Schleifer | | Fritz Schleifer » fritz schleifer photographs: coastal lands | | ... until 23 December 2023 | | | | | | | | The photographs of the Bauhaus-trained architect, draftsman, and photographer Fritz Schleifer (1903–77), which are being exhibited and published for the first time, are a real discovery in the truest sense of the word! In 2020, Hamburg curator Hans Bunge, while conducting research on Fritz Schleifer, came across a package with 128 vintage prints in the basement of Schleifer’s son. The discovery of the compendium of coastal lands photographs of North Frisian and Danish seacoasts from the 1930s and ’40s is an absolute stroke of luck, since the majority of Schleifer’s photographic work is no longer preserved. The captivating quality of his photographs is proof enough that architect Fritz Schleifer belongs in the upper echelon of avant-garde photographers of the 1930s and ’40s. Another stroke of luck was the discovery of Schleifer’s personal journal. Thanks to Hans Bunge’s meticulous transcription work, it was revealed that the found compendium of photographs was in fact a finished photo book project that was supposed to be published in 1939 by the renowned Heinrich Ellermann Verlag; this likely never happened due to the outbreak of World War II. The Alfred Ehrhardt Stiftung presents in the exhibition a selection of forty-eight vintage prints distinguished by their exceptional image compositions and striking choice of motifs. In these photographs, Schleifer focuses on human-constructed, decidedly atypical and run-of-the-mill subjects such as the Lorenbahn railway to Hallig Oland, dykes, drainage canals, and wagon tracks, but also natural tidal channels and inlets, whose graphical lines are overlaid onto the image structure in a grid-like manner. Notably, his compositions are often based on strong linear… | |
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| Serie With You (part 3), 2022 © Sanja Marušić | | Saison 2023 – 2024: FORMENSPRACHE | | Free access to the outdoor exhibitions, daily, all year | | Thaddäus Biberauer » EUROPE IN DREAMS Christine Erhard » BUILDING IMAGES Liz Lambert » UNENDLICH VERGÄNGLICH Tina Lechner » BODY IS REALITY Sanja Marušić » SELFPORTRAITS Steph Meyers » CONTREVUES | | 14 October 2023 – 7 October 2024 | | | | | | | | Clervaux - Cité de l'image enters its new season 2023-2024 with 6 new open-air exhibitions. We dive into a world full of fantastic forms, approaches, themes and techniques. The six photographers invited this year use their own formal language to express emotions, convey stories or present certain concepts. In this open-air exhibition, the focus is on playing with contrasts, experimenting with techniques or on the most diverse stylistic elements. With depictions of fundamental themes in the life of a young woman, the artist Sanja Marušić attracts full attention with her colourful photographs on the market square. Heading towards the church, we pass the arcades with the photographic works of Christine Erhard, which have been developed out of a sculptural process in her studio. Opposite the church, Thaddäus Biberauer takes us on his journeys through nature. The snapshots, almost painterly in scene, invite us to dream. In Steph Meyer's works, the focus is on the photograph and the viewer. The picture within the picture, in which the viewers in the arcades of the Grand-Rue are included in the snapshot of the documented photo exhibition or even become voyeurs. On the castle plateau, Liz Lambert gives us a deep insight into her very personal story. In a poetic and partly symbolic way, she explores the questions of how relationships come into being and develop. In Tina Lechner's works in the garden of the castle, she focuses on the exploration of identity and the female body. Covered with self-produced props, this becomes a retrofuturistic sculpture. Through their creative and poetic manner, the photographers a… | |
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| Kathrin Linkersdorff: Microverse II / 2, 2023 archival pigment print © Kathrin Linkersdorff | | Kathrin Linkersdorff » Works | | ... until 21 January 2024 | | | | | | | | Kathrin Linkersdorff’s (*1966) fascinating large-scale works fluctuate between art and science. With experiments in which the artist explores the nature of plants and thus offers an enlarged view of their fragile inner structures, she works at the intersection of photography and botany. She deliberately sets processes of decay in motion in order to expose the inner structure of flowers and other plants. She captures their revealed structures in staged photographs, for which she uses a variety of photographic techniques, from dye transfer to high-quality archival pigment prints on special cotton paper. Her thinking and the aesthetics of her photographs are rooted in the Japanese concept of wabi sabi, according to which beauty is the acceptance of impermanence, imperfection, and vulnerability. For her series "Fairies", the artist first collects tulips and carefully dries them over a period of several weeks. During this time, she extracts the pigments from the flowers, which she then reconcentrates into a natural dye. She then immerses the dried, translucent flowers in a liquid medium in which their petals unfold. In her new research project, which will be shown for the first time at PHOXXI she makes use of bacteria. The resulting new series of works will be created in collaboration with the microbiologist Prof. Dr. Regine Hengge from Excellence Cluster Matters of Activity at Humboldt-Universität zu Berlin. In order to visualize processes that materials undergo in nature, discolored plants and fruits will serve as a growth substrate for bacteria, which form morphologically differentiated and spectacularly colorful colonies with their colored antibiotics. The complex interplay of growth and decay in nature is thus made directly visible.
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| | | | Albert Renger-Patzsch "Krabbenfischerin", aus der Serie "Die Halligen", 1927 Leihgabe Land Niedersachsen, Schenkung Ann und Jürgen Wilde © Albert Renger-Patzsch / Archiv Ann und Jürgen Wilde, Zülpich VG Bild-Kunst, Bonn 2023 |
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| Gerry Johansson 'Steel construction under the Manhattan bridge in Brooklyn New York, USA, 1983', 1983 Gelatin silver contact print Image size: 20.2 x 25.2 cm Open Edition © Gerry Johansson | | Stepping Stones: Three Photographic Journeys | | Guido Guidi » Gerry Johansson » Mark Ruwedel » | | ... until 30 November 2023 | | | | | | | | "Stepping Stones: Three Photographic Journeys" connects the work of three photographers: Gerry Johansson, Guido Guidi and Mark Ruwedel. Focusing on a specific journey by each artist, three distinct conceptual, and personal, approaches to capturing place unfold. Gerry Johansson realised his series Motel Prints (1983) during a coast-to-coast long trip, beginning in Los Angeles in May 1983 and ending in New York, via Utah, Colorado, Oklahoma, and Arkansas to Memphis, meeting with renowned photographers of the time, Robert Adams, Richard Benson, Gary Winogrand and William Eggleston, among others. Taking photographs daily with his 8x10" camera, he would develop film in the evening in his motel rooms, making contact prints from select negatives by placing a glass plate on top of the printing paper and turning on the room light for a few seconds. Central to Johansson's presentation is a new portfolio, "Coast to Coast", comprising 10 gelatin silver contact prints and an accompanying booklet produced by Imagebeeld Edition, Brussels. Gerry Johansson (b.1945 in Örebro, Sweden) is one of Sweden's most renowned photographers. Working mostly in black and white, and favouring the square format, Johansson is attracted to the neglected details of urban space. He is known for portraying quiet small towns around the world in the USA, Sweden, Italy, Japan, Germany and Spain. Johansson has produced a large number of books including the recently published 'American Winter' (2018) and 'Spanish Summer' (2022), both MACK. He has been awarded the Region Skånes kulturpris (2012) and the Lars Tunbjörk Prize (2019). In May 1974, a newlywed Guido Guidi travelled to S… | |
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| | | | Persia Campbell Last Cabaret (Self-Portrait) 2023 Archival Pigment Print Digital Photography - Hahnemühle Photo Rag 308g Ed. 3, 71 x 106 cm |
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| © Morvarid K. This Too Shall Pass - Chapter 1, Temps 1.4, 2023 courtesy Galerie Thierry Bigaignon, Paris | | Morvarid K » This Too Shall Pass | | ... until 23 December 2023 | | | | | | | | First solo show by Iranian artist Morvarid K at the gallery, this exhibition, entitled "This Too Shall Pass", is a continuation of the one held at the Musée de l'Église Saint-Vincent in Mérignac (France), and follows on from the Bibliothèque nationale de France 's acquisition of three works from the same series. It also allows us to extend the scope of the series to the scale of our space, as it was partially exhibited in Amsterdam last September during a highly acclaimed participation at the Unbound by Unseen fair. Born in Teheran in 1982, Morvarid K's attachment to Iranian identity is the foundation of her relationship with the world and her artistic sensibility. Through the manipulation of photographic material, her work questions our relationship to the world, transformative memory and the in-between. The photographic medium is the starting point, anchoring his work in reality, while superimposition and transformation techniques provide the additional expressions that photography cannot capture. Overwhelmed by the images of the fires in Australia in 2019 and 2020, Morvarid K feels the compelling need to go there and see the static, silent, empty landscapes, to witness the overwhelming absence of life, to confront what remains … | |
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| | | | David Young Infinite AI (b70k,m,7453-20,6,23,15,35,27-c), 2020 Archival Pigment Print 45 x 45 cm VG Bildkunst |
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| | | | aus der Serie "FLEETING" © Valentin Goppel |
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| | | | "Ares" © Frauke Joana, 2021 |
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| | | | Hiromitsu Morimoto Mimi, 1990/2023 Kallitype on BFK Rives paper 20 x 16 inches (image) 30 x 22 inches (paper) Unique |
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| | | | Krypto-Mine in einem alten Industriekomplex, Irkutsk, Russland © Danny Franzreb |
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| Auction 1234/lot 523 Axel Hütte Bussaco, Portugal, 1999 Chromogenic print on Kodak-Professional paper, face-mounted to plexiglass 97 x 129 cm (133.5 x 164.5 cm frame) From an edition of 4 Estimate € 10,000 – 15,000 | | Lempertz – Photography | | Auction 1232 Photography | Friday, 1 December 2023, 2 pm (lot 600 – 760) Online catalogue | PDF catalogue Auktion 1234 Day Sale | Saturday, 2 December 2023, 2 pm (lot 300 – 526) Online catalogue | PDF catalogue Preview Saturday, 25 November - Thursday, 30 November Mon-Fri 10 am – 5.30 pm | Sat 10 am – 4 pm | Sun 11 am – 4 pm | |
| | Further information: Dr. Christine Nielsen Tel: +49-(0)221-92 57 29-56 fax: +49-(0)221-92 57 29-6 [email protected] | | | | | | | | Auction 1232: Classical Photography No fewer than six works by Robert Mapplethorpe will be offered this season. Particularly noteworthy are two nude studies of the model "Ajitto" crouching on a pedestal in an aesthetic back and side view as lifetime prints from 1981, both in excellent condition (lot 716/717, € 10/15,000 each). The four rare gelatin silver prints of famous motifs by Helmut Newton, including "Ernesto Esposito and Frederica della Volpe in my Hotel Room, Montecatini, Italy" from 1988 (lot 722, € 15/20,000) and "Fat Hand and Dollars, Monte Carlo" from 1986 (lot 724, € 6/8,000), come from the same southern German private collection as well. The latter - like Albert Watson's "Monkey with Gun, New York" (lot 748, € 4/5,000) - a subtle, aesthetically packaged social critique. The earliest highlight of the auction is an albumen print by Charles Marville ("Percement avenue de l'Opéra, Paris") from 1876, in which Charles Garnier's new Paris Opera House can be seen in the background as a symbol of the magnificent architecture of the Second Empire. From 1858 until his death, Marville documented the urban redevelopment of the capital under the direction of Georges-Eugène Baron Haussmann on behalf of the city of Paris (lot 600, € 5/6,000). A thematic equivalent to this is August Sander's project 'Köln wie es war' (Cologne as it was), a documentation of a city in its 'old' state prior to its transformation or destruction in the war, from which the present Rhine panorama with cathedral originates. It is a signed vintage print in its original frame from 1939 (lot 611, € 6/8,000). Also noteworthy is the likewise signed vintage print of the "Malermeister", which Sander selected for his 'Menschen des Zwanzigsten Jahrhunderts' (People of the 20th Century). The print comes from the sitter's family (lot 608, € 4/5,000). | |
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| | The Indian Photography Festival (IPF) - Hyderabad 2023 | | | Sharafat Ali » Christian Als » Giovanni Ambrosio » Christoph Bangert » Günter Beer » Regina Bermes » Supratim Bhattacharjee » Peter Bialobrzeski » Jürgen Bindrim » Birte Zellentin & Patrik Budenz » Jan-Peter Boening » Katharina Bosse » Tatenda Chidora » James Whitlow Delano » Barbara Dombrowski » Stephan Elleringmann » Norbert Enker » Maria Feck » Bettina Flitner » Peter Granser » Jan Grarup » Andreas Herzau » James Hill » Sandra Hoyn » Britta Jaschinski » Hannes Jung » M'hammed Kilito » David Klammer » Vincent Kohlbecher » Dirk Krüll » Axel Krause » Kai Löffelbein » Michael Lange » Paul Langrock » Frederic Lezmi » Manfred Linke » André Lützen » Ingmar Björn Nolting » Lee-Ann Olwage » Amy Parrish » Johannes Reinhart » Dani Sandrini » Helena Schätzle » Smita Sharma » Eleonore Sok » Henrik Spohler » Berthold Steinhilber » Andreas Teichmann » Marylise Vigneau » Wolfgang Volz » Marc Wilson » Michael Wolf » ... | | 23 November 2023 – 7 January 2024 | | | | | | | | The 9th edition of the Indian Photo Festival will be presented from November 23 to January 7 at the State Gallery of Art, Madhapur, and other venues across Hyderabad. The event is free and open to the public. The Indian Photo Festival (IPF) - Hyderabad, a not-for-profit initiative of the Light Craft Foundation, is India's longest-running international photo festival, showcasing a wide range of photography from India and around the globe with a series of events including Talks and Discussions, Exhibitions, Portfolio Reviews, Screenings, Book launches and Workshops. The IPF creates a platform for professional and aspiring photographers, photography lovers and the public. The festival strives to promote the art of photography and, at the same time, address social issues through the medium of photography. The 9th edition of the Indian Photo Festival will be presented from November 23 to January 7 at the State Gallery of Art, Madhapur, and other venues across Hyderabad. The event is free and open to the public. Stay up to date with what we’re up to: IPF 2023 Schedule | Facebook | Instagram | |
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| | Photo Days 2023 | | au sein du programme VIP de Paris Photo | | Olivia Bee » Victor Burgin » Julia Margaret Cameron » Gregory Crewdson » Carolyn Drake » Véronique Ellena » Elger Esser » Costanza Gastaldi » Sophie Hatier » Jean-Baptiste Igout » Rinko Kawauchi » Lebohang Kganye » Mona Kuhn » Laurence Leblanc » Thandiwe Muriu » Henri Oltramare » Irving Penn » Wilhelm (Guglielmo) (von) Plüschow » Viviane Sassen » | | 3 November – 3 December 2023 | | | | | | | | A PHOTO ● VIDEO TOUR IN AND AROUND PARIS Photo Days 2023 For the past 4 years, Photo Days has been inviting visitors to a unique photographic experience in and around Paris. For the entire month, museums, cultural institutions, galleries, foundations, fairs and festivals join forces with Photo Days to introduce enthusiasts and curious onlookers to the full diversity of the worldwide photographic production. Photo Days takes you from one bank of the Seine to the other, for an exceptional immersive experience, from November 3 to December 3. Exhibitions Photo Days promotes contemporary creation by commissioning artists to invest atypical spaces and venues. ● Rinko KAWAUCHI, M/E November 7 to 28 2023, at the Fondazione Sozzani, 22 rue Marx Dormoy, Paris 18e For the first time since 2005, Rinko Kawauchi is back in Paris, with an installation especially conceived for Photo Days in an exceptional private venue, the Fondazione Sozzani. ● Elger ESSER, Le Lys dans la Vallée November 10 to December 3, 2023 at Rotonde Balzac, Fondation des Artistes - Hôtel Salomon de Rothschild, 24 rue de Balzac, Paris 8e Photo Days presents an exhibition of Elger Esser in the Rotonde Balzac, opened for the occasion. Inspired by the world of the famous writer, the artist from the Düsseldorf school has delved into his archives of the Loire riverbank landscapes to illustrate the settings of Balzac's novel "Le Lys dans la vallée". ● Véronique ELLENA, Le ciel, la terre, et tout ce qu’ils renferment Tribute to Pierre-Alain Parot November 9 . December 3, 2023 at Sorbonne Artgallery, Galerie Souffot - 12 Place du Panthéon - Université Paris 1 Panthéon-Sorbonne, Pari… | |
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| | | | Noga Shadmi's series of the kidnapped penetrates the heart. Keep sharing your images, together we will raise the global awareness and bring them back home. |
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© 22 November 2023 photography now UG (haftungsbeschränkt) Ziegelstr. 29 . D–10117 Berlin Editor: Michael Steinke [email protected] . T +49.30.24 34 27 80 |
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