| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 22 — 29 March 2023 | |
|
| |
|
| |
| |
| |
| |
| |
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Evelyn Hofer, Phoenix Park on a Sunday, Dublin, 1966 |
| | | | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
| |
|
| |
| |
| | | US Army cameraman and photographer at the Ohrdruf concentration camp after its liberation, April 1945, © Yad Vashem Archives | | | Flashes of Memory | | | | Fotografie im Holocaust | | | | 24. März – 20. August 2023 | | | | | | | | | | | | | Yad Vashem, the World Holocaust Remembrance Center in Jerusalem, in cooperation with the Kunstbibliothek of the Staatliche Museen zu Berlin and the Freundeskreis Yad Vashem e.V., presents the highly acclaimed exhibition Flashes of Memory. Photography during the Holocaust at Berlin’s Museum für Fotografie (Museum of Photography). Featured for the first time in Germany, the exhibition presents a critical account of visual documentation – photographs and films – created during the Holocaust by German citizens and Nazi propaganda photographers, by Jewish photographers in the ghettos, and by members of the Allied forces during liberation. The exhibition focuses a spotlight on the circumstances under which each photograph was captured. It shows how the worldview of the documenting photographer – both official and private – influenced the image captured, while emphasizing the different and unique viewpoints of the Jewish photographers as direct victims of the Holocaust.
For the German Nazi regime, photography and film played a crucial role in manipulating and mobilizing the masses. These forms of propaganda were an elementary part of the National Socialist ideology. Conversely, the work of Jewish photographers during the Holocaust was part of their struggle for survival – depicting the living conditions of those incarcerated in ghettos. For the Jews, unsanctioned photography in the ghetto was punishable by death. Nonetheless, it was critical for them to document the atrocities so that the truth could one day be transmitted to all of humanity.
Upon liberation, the Allies recognized the need to document what they discovered in order to, combat future denial of these atrocities, justify their enormous losses on the battlefield, and gather … | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | © Ingo van Aaren, Friedrichstraße, 2019, aus der Serie "Nachtwach Berlin" |
| | | | | | | | Ein installives Projekt | | | Thu 23 Mar 18:00
24 Mar – 4 Jun 2023 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | De la série American Diorama – Streets, 2011 © Véronique Kolber | | | Saison 2022 – 2023: Kaleidoscope | | | Clervaux - cité de l'image enters its new season 2022-2023 with 6 new open-air exhibitions.
Co-produced by the Centre national de l'audiovisuel (CNA), this new edition focuses on the diversity of photographic creation in Luxembourg. | | | Marie Capesius » Heliopolis (2017-2019)
Veronique Kolber » American Diorama – Streets (2011)
Boris Loder » Particles, 2016-2019
Bruno Oliveira » Coentro e Cachorros (2018)
Marc Schroeder » Corona 2020 – Scenes of the Pandemic (2020)
Jeanine Unsen » I love you baby. Portraits de femmes résilientes (2016-2018) | | | | ... until 9 October 2023 | | | | | | | | | | | | | Various photographic installations throughout the city of Clervaux transform it into an open-air gallery. Discover the work of national and international contemporary photographers in an extraordinary setting: on the walls of houses, in flowering gardens and along the narrow streets.
Six different visions invite us on a journey, each uniquely opening up a world that unfolds in photography and lingers in our imagination. A play of momentary dialogues strikes up between the images, their open air exhibition setting – as it changes with the seasons - and the viewer that contemplates them. The photographers transform the image of the city and the gaze we bring to bear upon it by way of reflections from elsewhere.
The 2022-2023 photographic season celebrates the diversity of Luxembourg creation through the work of six contemporary photographers. On the market square, we set out with Bruno Oliveira to Cap Vert, via a documentary collection shot through with personal sensations, while along the rise to the church, Véronique Kolber presents a series of American street scenes, captured through her lens, that resonate in our cinematographic memory. Behind the church, Marie Capesius, by way of calm and sensual images, explores the question of paradise and the contrasts between the two worlds that co-exist on the Ile du Levant. Inspired by the methods of archaeology, Boris Loder collects objects, examines them, and thus condenses the identities of the City of Luxembourg’s various neighbourhoods and their stereotypes into sculptural photographs that can be seen in the arcades of Grand- Rue.
On the Castle concourse, we are greeted by Marc Schroeder’s black and white minimalist photographs capturing urban landscapes which seem to follow a strict graphic logic. While in the Castle gardens, the women portrayed by Jeannine Unsen share with us a moment that is both intimate and intense. Thus, by way of these encounters, different paths, readings and connections interweave to keep us questioning. | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | | © Rinko Kawauchi | | | | | | | | | | | | | 23 March – 29 April 2023 | | | | Opening: Thursday 23 March 6pm | | | | | | | | | | | | | The Irish premiere exhibition of 'Prix Pictet: Fire' presents powerful photographs exploring the pertinent topic of 'Fire' by thirteen international photographers. The free exhibition features Sally Mann's award winning art pieces, together with work by 13 acclaimed artists from Austria, Belgium, Benin, Cambodia, Japan, Lebanon, Mexico, Nigeria, South Africa, Switzerland, USA addressing issues of climate change and sustainability across the globe.
'Prix Pictet: Fire' is the ninth edition of the Prix Pictet Prize, which harnesses the power of photography to draw global attention to issues of sustainability and the environment. The Prix Pictet Prize is an important presence in the international art sector. It has played an important role in highlighting the issue of the environment and sustainability. Prix Pictet has led the way in promoting the work of photographers from Africa and Asia, challenging and rethinking the power dynamics of the international art world.
About the Prize: The Prix Pictet is a global award with a unique commitment to promoting discussion and debate on issues of sustainability and the environment. The bodies of work nominated for the prize all respond to the theme of 'fire', with the shortlisted photographers drawing on both major global events and personal experiences as inspiration. The resulting works span documentary, portraiture, landscape, collage and studies of light and process. | | |
| |
|
|
| |
| |
| | | © Rachel McClure | | | | | | | | 23 March – 15 April 2023 | | | | Opening: Thursday 23 March 6pm | | | | | | | | | | | | | PHOTO MUSEUM IRELAND IS DELIGHTED TO PRESENT THE HEART IS A LONELY HUNTER, A BODY OF WORK BY RACHEL MCCLURE, SUPPORTED BY OUR EARLY CAREER ARTIST AWARD 2022.
This ongoing body of work explores photography’s ability to engage and challenge the psyche. It questions the authenticity of using photography as a tool in healing. Can photography help us to process traumatic events and confront unpleasant memories? Through photography, we can we free ourselves from the constraints of language and explore our emotions on a deeper level, or does the process just act as a distraction? This series uses a range of approaches and interventions in image-making, allowing for new narratives to be created out of old, to reimagine and question.
Rachel McClure is a visual artist based in Northern Ireland. Using photography to explore concepts of spirituality and mental well-being, she wants to provide a new perspective on the complex relationship between our minds and photography. Her work encourages us to reflect on the relationship between the natural world and our own sense of identity. | | |
| |
|
|
| |
| |
|
|
| |
| |
|
| |
| |
| | | Paintings, Dreams and Love © Yushi Li, courtesy of the artist | | | | | | | | | | | | | ... until 14 May 2023 | | | | | | | | | | | | | The Deutsche Börse Photography Foundation presents the group exhibition "Foam Talent 2022". The show is part of a cooperation with the Fotografiemuseum Amsterdam Foam. It comprises photographic, film-based and installative works by 20 contemporary photographers from 14 nations. The artists were selected as part of Foam's young talent programme, which the Deutsche Börse Photography Foundation is supporting since 2017. The artistic positions presented in the exhibition are distinguished by the innovative use of the medium of photography and deal with essential issues of our time.
With unsparing openness, the artists dare to critically question ideological structures and deconstruct the resulting political, social, and ecological consequences for the planet, humanity, and the individual. They thereby provide intimate insights into the realities of their lives, connect personal experience to an overall social context, and confront visitors with their own position within a globalized world. Current discourses find their way into the exhibition, including the challenges of climate change, issues of identity, gender and body, discrimination, displacement as well as the far-reaching consequences of a capitalist economy. All works presented are characterized by their unique visual language while illustrating the current state as well as future trends and themes of contemporary photography.
In her series Paintings, Dreams and Love, artist Yushi Li explores the concept of the gaze, the established ways of looking at art and the relationship between subject and object. With reference to Greek mythology, the artist stages detailed portraits and group photographs in which the naked male body becomes an object of… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | Untitled, 2016-2021
© Roger Ballen |
| | | | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Otto Steinert, Blick vom Arc de Triomphe [Vue de l’Arc de triomphe], 1951
© Museum Folkwang, Essen – ARTOTHEK | Catherine Leutenegger, "Apocalyptic-Post, Fire&Fury", 2022, de la série "Apocalyptic-Post", 2017 - en cours.
Collections Photo Elysée © Catherine Leutenegger |
| | | BLUR | | | | A PHOTOGRAPHIC HISTORY | | | | | | | 3 March – 21 May 2023 | | | | | | | | | | | | | The exhibition traces the history of blur in photography, from the invention of the process to the contemporary era. With comparisons to painting and cinema, it tells the story – through key works – of the evolution of this form, as well as the values associated with it according to the different periods and photographic practices.
From Alfred Stieglitz to Gerhart Richter, and including Auguste Rodin, Man Ray, William Klein, Jan Groover and Sarah Moon, one can perceive the richness of blur, which often evokes an element and its opposite, whether in its relationship to reality or to mimesis, in its bourgeois and revolutionary affinities, in its relationship to amateurism and expertise, or in the technical virtuosity that it evokes, or on the contrary the primary defect it indicates. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Autoportrait, from the series "70's Lifestyle", 1975-1978 (printed 2019) © Samuel Fosso | | | | | | | | | | | | | ... until 11 June 2023 | | | | The winner of the £30,000 prize will be announced at a special evening award ceremony on 11 May 2023, with the other finalists each receiving £5,000. | | | | | | | | | | | | | This year’s shortlisted artists all push the boundaries of photography and exemplify its resonance and relevance as a cultural force today.
Bieke Depoorter explores the complex ethical relationship and boundaries between photographer and subject, shown through the intense scrutiny of her relationship with her own subjects, Michael and Agata.
Drawing upon the West African tradition of studio portraiture, Samuel Fosso creates startling new identities through self-portraiture, based on social archetypes as well as real historical figures.
Arthur Jafa uncompromisingly articulates Black experience, providing us with an exercise in visual literacy, confronting us with a new Black aesthetic which avoids fixed hierarchies and linear storytelling.
Giving sculptural form to photo collage, Frida Orupabo reimagines the historical Black female body through her extraordinary multi-layered collages and Instagram posts using material circulated online. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Zora J Murff
White Girl, 2022 (Detail)
Pigment print
28 x 35 inches
© Zora J Murff / Webber Gallery | | | Zora J Murff » We Here For Some Jive Conspiracy | | | | ... until 31 March 2023 | | | | | | | | | | | | | "We Here For Some Jive Conspiracy" is the title of Webber's inaugural LA exhibition by American artist Zora J Murff. Murff's practice is consistent in its fierce and open questioning of racial and cultural constructs – this specific iteration of works being geared toward the histories and social climate of Los Angeles. This is not the first time the artist has chosen to focus on one place in order to detail a more expansive case-study of America's complex and deep racial history - photographed in Omaha, Nebraska, At No Point In Between (2021) exists as a photographic study of a Black community which has been shaped by a legacy of injustice and oppression.
Here in this LA installation, Murff continues to utilise photography's objective power alongside our faith in the image to probe our existing relationships with racial indifferences, whilst weaving in an array of historical documents alongside a growing archive of memes, online social phenomena, and pop culture references.
This amalgamation of materials, time and information comes together through a collaging of the gallery walls and floor in homage to fly-postering as a means of direct, provocative communication. The piece White Girl is comprised of a long repeating series of the famous image of OJ Simpson's white Bronco being driven down Interstate 405 in 1994, both the scene and the individual now serving as an emblem of LA's racial and fanatical character.
An arguably intrinsic link exists between the televised courtroom trial and the Rodney King riots that took place just a few years prior, with Murff reproducing the images of Reginald Denny being pulled from his truck and assaulted at a large and unavoidable scale in the gallery. … | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Addison Rae (2022) by Chessa Subbiondo |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | DAVE HEATH (1931-2016)
NY MoMA, 1966
© Dave Heath / courtesy Stephen Bulger Gallery & Howard Greenberg Gallery | | | | | | | | ... until 6 May 2023 | | | | | | | | | | | | | For its spring 2023 programme, Galerie Miranda is delighted to present an exhibition of vintage photographs by Dave Heath (1931-2016, US/Canada), the first European gallery exhibition of Dave Heath's work. Entitled Alone, together, the exhibition at Galerie Miranda presents emblematic works that express Heath's central themes of loneliness and alienation in modern society.
Influenced by W. Eugene Smith, in whose workshops he participated, as well as the photographers of the Chicago School including Aaron Siskind and Harry Callahan, Dave Heath worked mainly on the streets while living in Philadelphia, Chicago and New York, seeking to capture the fractures and growing unease in booming American post-war society, prior to the rise of the civil rights movement and opposition to the Vietnam War.
His seminal publication A Dialogue with Solitude was conceived in 1961 and finally published in 1965 after difficulty in finding a publisher, then reprinted in 2000 with a preface by Robert Frank. The book stunned with its emotional potency, thanks to Heath's sensitive translation of an intimate experience of the world, something lived and felt: tension in the city streets, between the constrained proximity of bodies and the isolation of individuals in the crowd, who fill his frame with their 'absent presence'. Heath photographed strangers of all class and generation; riding the train, watching other passers by or just staring pensively into the distance, lost in thought.
In his own words, Heath endeavoured to convey not a sense of futility and despair, but an acceptance of life's tragic aspects. He also captured glimmers of joy and tenderness that intersect the series like brilliant rays of sunshine.
The selection at Galerie M… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
| | | | | | | | | | | | | Circulation(s) 2023 Festival de la jeune photographie européenne | | Sat 25 Mar 14:00 25 Mar – 21 May 2023 | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| | | | | | | | Art Basel in Hong Kong 2018 © Art Basel |
| | | | | | | | | |
|
| |
| |
|
| |
| |
| | | ARTCO Gallery @ MILAN IMAGE FAIR Booth C010 | | | | | | | | | | | | | 23 – 26 March 2023 | | | | 22 March 2023: PREVIEW ON INVITATION | | | | | | | | | | | | | MIA Fair – Milan Image Art Fair, the most important and renowned Italian exhibition entirely dedicated to the photographic image, conceived by Fabio Castelli and now in its 12th edition, is back from 23 to 26 March 2023.
For the third consecutive year, SUPERSTUDIO MAXI will host in Milan (via Moncucco 35) the stands of Italian and foreign exhibitors and the various initiatives offered by the exhibition.
For the first time after joining the group, MIA Fair is collaborating at the organizational level with Fiere di Parma and will be able to attract even more the interest and curiosity of collectors and international buyers, as well as involve galleries and partners in new areas, by presenting exclusive shows and events while strengthening the relationship with the city of Milan and with the international community of artists, curators, gallery owners, press and visitors.
100 exhibitors: more than 80 galleries, 30% of which from abroad, 16 special projects. | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | THE FUTURE PASSED By Arne Svenson
Debuting at The Photography Show - Presented by AIPAD
Robert Klein Gallery Booth #106 | | | | | | | presented by AIPAD 2023 | | | | | | | The 2023 Photography Show by AIPAD is in New York from March 31 to April 2, 2023
with a VIP Opening on March 30th | | | | | | | | | | | | | | |
| |
|
|
| |
| |
| |
|
| |
|
| |
|
| |
|
|
| |
|
| | | | | | Rencontres de la jeune photographie internationale 2022 - 27 artists | | | | | | | Fri 31 Mar
25 Mar – 27 May 2023 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | European young photography festival | | | | | | | Sat 25 Mar 14:00
25 Mar – 21 May 2023 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | IN OUR VEINS FLOW INK AND FIRE | | | | | | | – 10 Apr 2023 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Thinking Historically in the Present | | | | | | | – 11 Jun 2023 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| | | | | | Turning Point. Turning World | | | | | | | – 11 Jun 2023 | | | | | |
| | | | | | | |
|
| |
| |
| |
|
| |
| |
|
| |
© 15 Mar 2023 photography now UG (haftungsbeschränkt) i.G.
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
| |
