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| PHOTOGRAPHY INTERNATIONAL | | 20 – 27 October 2021 | |
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| | | © Liz Johnson Artur, courtesy of the artist | | | Liz Johnson Artur » of life of love of sex of movement of hope | | | | ... until 9 February 2022 | | | | | | | | | | | | | Foam is proud to present of life of love of sex of movement of hope, by Liz Johnson Artur. The work of Liz Johnson Artur is about the encounters the artist has had with the people she has met over the last 30 years. The photographs of these encounters are collected in her ever-expanding Black Balloon Archive. Through site-specific photographic installations – individually developed for a particular location – she retells the stories of these meetings to her audience. After photographing, Johnson Artur often builds the narrative in personal sketchbooks: printing and inserting her images on its pages, she experiments by annotating, painting or writing on them.
Materiality
The book form has multiple values for Johnson Artur. She uses it as a holder, a medium, to tell the stories of her photographs. It also provides a platform to experiment with paper, materials, and the possible applications of her photographs. Here she plays with texture and determines how materiality influences the perception of the photograph. This is an essential element in understanding the work.
No details
This past year, Johnson Artur has created five presentations specifically for Foam’s galleries. Only one of the exhibited works has a title, date or any other defining description. This is significant: by leaving out names, titles and dates, Johnson Artur takes away the limitations of perception. The image in the photograph stands alone. Where many artists or photographers insist on providing a context in order to share their story, Johnson Artur believes that leaving out details, encour… | | |
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| | | From the series New York Restaurants, Empire Diner, 1985 © Stephan Erfurt | | | | | | | | ... until 16 January 2022 | | | | | | | | | | | | | Parallel to the special exhibition "America 1970s/80s" – featuring works by Evelyn Hofer, Sheila Metzner, Joel Meyerowitz, and Helmut Newton – the Helmut Newton Foundation is showing over 50 photographs by Stephan Erfurt, taken in the 1980s between New York and the Californian Pacific coast. Stephan Erfurt. On the Road ties in closely with the main exhibition on the first upper floor of the museum: Erfurt worked as an assistant for Evelyn Hofer, and he later sought advice from Joel Meyerowitz for a photo series that is central to his oeuvre.
Erfurt’s first significant photographs were taken in Vienna in 1980, when he observed dancers at the Opera Ball, as well as somewhat later in Paris, where he shot musicians in the branching corridors of the Metro at night with his medium-format camera. He was so fascinated with the medium of photography that he decided to focus on it during his studies of Communication Design at the Gesamthochschule Essen. Paris, a place of longing for so many artists, was just the beginning. In 1984 Erfurt relocated to New York City, where he lived with a friend and colleague in a tiny loft in the East Village. America remained the center of life for the young photographer for five years, until the fall of the Berlin Wall.
During this time, the magazine of the Frankfurter Allgemeine Zeitung (FAZ) became Erfurt’s client, buying his photographs and photo essays documenting the streets and restaurants of the legendary cultural melting pot and his travels across the vast country. Whether in New York, Miami, Las Vegas, or Los Angeles, he produced well researched, nuanced reportages for the FAZ magazine, often accompanied by texts by Jordan Mejias.
The Wall Street s… | | |
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| | Rania Matar, Rayven, Miami Beach, Florida, 2019
25 1/2 x 30 inches - (other sizes & pricing available)
Pigment print from a limited edition of 8 | | | | | | | | ... until 15 December 2021 | | | Exhibition opening: October 23 from 2–5PM
Artist's talk and book signing: 3:30PM | | | | | | | | | | | | | Robert Klein Gallery is pleased to present a selection of photographs by Boston-based photographer Rania Matar in SHE, a series of portraits depicting women and womanhood across cultural boundaries.
The women photographed in SHE contain multitudes: They’re playful but self-assured; soft yet strong; curious and adventurous. From Massachusetts to Beirut, Matar collaborates with young women to create images that reflect their experiences leaving home and entering adulthood.
"Whereas in earlier projects, I photographed young women in relationship to the curated and controlled environment of their bedrooms," says Matar, "I am photographing them here in the larger environment they find themselves in after they leave home, the more global and complicated backdrop that now constitutes their lives in transitions."
Below, Matar shares the stories behind four of the works that are now on view at the gallery. | | |
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| | | | | | | | Annette Hauschild, Die Crew beobachtet das Meer, Mission Lifeline, zivile Seenotrettung auf dem Mittelmeer, aus der Serie Die Helfer, 2016–2018 : © Annette Hauschild |
| | | | | | | | An exhibition of the photography collective
Ostkreuz – Agentur der Fotografen and
Akademie der Künste, Berlin. | | | | | | | Sat 23 Oct 18:00
24 Oct 2021 – 23 Jan 2022 | | | | | |
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| | | | | | | | Joscha Steffens, Mystic (20, South Korea), aus der Serie Nexus, 2019, C-Print, 40×30 cm © Joscha Steffens / VG Bild-Kunst, Bonn |
| | | | Förderpreise 12, Wüstenrot Stiftung | | | | | | | Sat 23 Oct 18:00
24 Oct 2021 – 23 Jan 2022 | | | | | |
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| | | | | | | | Die längste Nacht © Arne Piepke & Maximilian Mann |
| | | | Fotografische Positionen zur Pandemie | | | | | | | Thu 21 Oct 18:30
22 Oct 2021 – 21 Jan 2022 | | | | | |
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| | | | | | | Hermann Landshoff
Abendkleider, Modelle Rone Compton und Lili Carlson
New York 1946
© Münchner Stadtmuseum, Sammlung Fotografie, Archiv Landshoff |
| | | | | | | | Fotografien 1930–1970 | | | Fri 22 Oct 19:00
23 Oct 2021 – 30 Jan 2022 | | | | | |
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| | | | | | | | Nobuyoshi Araki: Tombeau Tokyo, 2016/2017 © Nobuyoshi Araki / Courtesy of Taka Ishii Gallery |
| | | | Japanische Fotografie der 1930er und 1940er Jahre (Before) und nach 2010 (After) | | | | | | | 22 Oct – 10 Dec 2021 | | | | | |
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| | | | | | | Hélène Binet,
Le Corbusier, Canons de lumière, Couvent Sainte-Marie de la Tourette, Eveux, France, 2007.
Digital C-type print. 102 x 80 cm.
Courtesy ammann // projects. © Hélène Binet. |
| | | | | | | | The Architectural Photographs of Hélène Binet | | | Thu 21 Oct
23 Oct 2021 – 23 Jan 2022 | | | | | |
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| | Gail Albert Halaban
Chelsea, Manhattan, Penn South, Anita checking on Lou, 2008
Pigment print 50,8 x 61 cm
© Gail Albert Halaban, courtesy Galerie Esther Woerdehoff | | | | | | | | | | | | | 28 October – 18 December 2021 | | | | | | | | | | | | | | |
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| | | | | | | FLORE
Quel amour c'était, 2021
courtesy Planches Contact © FLORE |
| | | | Lauréats de la fondation photo4food | | | | | | | 26 Oct – 26 Nov 2021 | | | | | |
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| | | | | | | | Gudrun Kemsa: 5th Avenue 2011, VG Bild-Kunst, Bonn 2021 |
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| | | | | | | Bodhisattva in my okra garden.
2021
giclée print
17 x 22 in (43.1 x 55.9 cm)
© Jun Nguyen-Hatsushiba |
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| | | Claudia Andujar, Youth Wakatha u thëri victim of measles, is treated by shamans and paramedics from the Catholic mission, Catrimani, Roraima, 1976 © Claudia Andujar | | | | | | | | 23 October 2021 – 13 February 2022 | | | | | | | | | | | | | For five decades, photographer Claudia Andujar (b. 1931) has dedicated her life and work to the indigenous Yanomami communities in the Amazon region of Northern Brazil. In the late 1970s, when the community found itself subjected to severe external threats, the Swiss-born photographer, who is based in São Paulo, began fighting for the Yanomami’s rights. She subsequently went on to join the community, thus deepening relations between them.
Her fourteen-year battle alongside Yanomami leader Davi Kopenawa and other concerned parties led to an official demarcation of the community’s land in 1992. Today, Andujar’s activist efforts are as relevant as ever – as is illustrated by current events, such as the ongoing deforestation and environmental destruction caused by mining and ranching, human rights violations in the region or the spread of malaria and COVID-19. The exhibition brings into focus the humanitarian and environmental crises that have been exacerbated by the pandemic.
The exhibition Claudia Andujar: The Yanomami Struggle, which brings together photographs, audiovisual installations, Yanomami drawings and other documents, is based on two years of research in Andujar’s archive. It is the first major retrospective dedicated to the work of the Brazilian activist, a survivor of the Holocaust, who has devoted her life to photographing and defending the Yanomami. | | |
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| | Francis Frith, The Staubbach, c. 1862.
© ETH-Bibliothek Zürich, Bildarchiv | | | | | | | Swiss Photography in the 19th Century | | | | | | | | 23 October 2021 – 30 January 2022 | | | | Opening: Friday 22 October 2021 6pm | | | | | | | | | | | | | After photography was proclaimed as a French invention in 1839 in Paris, the new medium quickly embarked on its victory march throughout Europe. Although the race for technical innovation and the development of this new craft began in the continent’s cultural centres, the heavy cameras soon made their way to the villages and the countryside, to remote valleys and mountains, where photographers gained recognition for their images “after nature”. How was photography able to spread so rapidly? Who were the pioneers who constantly came up with new applications, from representative portraits to wanted posters, from nature and landscape studies to the representation of industry and technology, from scientific illustration to the documentation of events?
This exhibition, organised as a co-production between the Fotostiftung Schweiz (Winterthur), the Musée de l’Elysée (Lausanne) and the MASI Museo d’arte della Svizzera italiana (Lugano), and curated by Martin Gasser and Sylvie Henguely, presents a previously underexplored chapter in the story of Swiss photography. For the very first time, a retrospective exhibition presents the first 50 years of this new medium in Switzerland. It brings together exquisite works from numerous public and private collections, in order to capture this momentous invention in its artistic, social and economic dimensions. Impressive examples also convey the competition and correlations between the various types of pictorial media. Up until the 1890s, photographic images were judged according to the same standards as paintings. They were often also reproduced in printed form, as this was deemed more trustworthy, and they could be reproduced in greater numbers. | | |
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| | | | | | | | | | | | | | Fri 29 Oct
23 Oct 2021 – 2 Jan 2022 | | | | | |
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| | | | | | | | Leopoldo Cebrián Alonso — Cortesía de TEA Tenerife Espacio de las Artes |
| | | | International Photography Festival of Tenerife | | | | | | | 22 Oct 2021 – 9 Jan 2022 | | | | | |
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| | | | | | VI BIENNIAL OF PHOTOGRAPHY ON INDUSTRY AND WORK: 11 EXHIBITIONS / 10 VENUES | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | FAKE – visual distortion | | | | | | | – 14 Nov 2021 | | | | | |
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| | | | | | The Makeable Mind: 15 locations, over 70 artists | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | Acts of Love and Rebellion | | | | | | | – 23 Oct 2021 | | | | | |
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| | | | | | open air festival - DUE NORTH ! | | | | | | | – 31 Oct 2021 | | | | | |
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| | | | | | | | | | | | | | ... until 1 December 2021 | | | | | | | | | | | | | | The PHOTOVILLE Festival, New York City’s FREE premier photo destination, returns on September 18 for its 10th anniversary year with a free community day, virtual online storytelling events, artist talks, workshops, demonstrations, educational programs, community programming, and open-air exhibitions across parks and public spaces throughout New York City till December 1, 2021. | | |
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| | | | | | Women and Photography: Ways of Seeing and Being Seen | | | | | | | – 15 Nov 2021 | | | | | |
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| | | | | | THOUGH IT'S DARK, STILL I SING | | | | | | | – 5 Dec 2021 | | | | | |
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© 13 October 2021 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
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