| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 10 – 17 November 2021 | |
|
| |
|
| |
| |
| | Paris Photo 2021 with 149 participating galleries and 30 art book dealers, 17 solo shows and 8 duo shows, opens for the public on Thursday, November 11th, 2021. The international art fair for photography, reunites the world’s leading galeries and art book dealers in Paris at the Grand Palais Ephémère (November 11–14) and online for its it first-ever online viewing room (November 11–17).
See the 2021 exhibitor list.
|
| | | | | | | | | |
|
|
| |
| |
|
| |
| |
|
| |
| |
| | | © Liz Johnson Artur | | | Liz Johnson Artur » of life of love of sex of movement of hope | | | | ... until 9 February 2022 | | | | | | | | | | | | | Foam is proud to present of life of love of sex of movement of hope, by Liz Johnson Artur. The work of Liz Johnson Artur is about the encounters the artist has had with the people she has met over the last 30 years. The photographs of these encounters are collected in her ever-expanding Black Balloon Archive. Through site-specific photographic installations – individually developed for a particular location – she retells the stories of these meetings to her audience. After photographing, Johnson Artur often builds the narrative in personal sketchbooks: printing and inserting her images on its pages, she experiments by annotating, painting or writing on them.
Materiality
The book form has multiple values for Johnson Artur. She uses it as a holder, a medium, to tell the stories of her photographs. It also provides a platform to experiment with paper, materials, and the possible applications of her photographs. Here she plays with texture and determines how materiality influences the perception of the photograph. This is an essential element in understanding the work.
No details
This past year, Johnson Artur has created five presentations specifically for Foam’s galleries. Only one of the exhibited works has a title, date or any other defining description. This is significant: by leaving out names, titles and dates, Johnson Artur takes away the limitations of perception. The image in the photograph stands alone. Where many artists or photographers insist on providing a context in order to share their story, Johnson Artur believes that leaving out details, encour… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| | | | | | | | Chilango Low Bike Club © Joeffrey Guillemard |
| | | | Eine Ausstellung über das Fahrrad als Utopie | | | | | | | 13 Nov 2021 – 27 Mar 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Eckart Bartnik: aus der Serie "Flut. Von der Gewalt der Gewässer. Ahrtal 2021" |
| | | | | | | | Von der Gewalt der Gewässer. Ahrtal 2021 | | | Sat 13 Nov 19:00
13 Nov 2021 – 29 Jan 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Ruth Bernhard, Nude in the Box, 1962 | | | | | | | | | | | | | ... until 15 December 2021 | | | | | | | | | | | | | In “The Fine Print,” Robert Klein Gallery is proud to exhibit a curated selection of works by “darkroom alchemists” from the gallery’s collection to illustrate the beauty and skill behind creating prints that become masterpieces.
“The pursuit of the perfect print has long been one of the principles behind the value of photography,” says gallerist and long-time photography dealer Robert Klein.
But what makes a print “perfect”? And in an age where most images we encounter are made up of thousands of tiny pixels instead of traditionally crafted darkroom photographs, how does one discern an average print from a spectacular photograph? | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Cheyreen au Pays d'Alice, Marseille, 2020 © Yohanne Lamoulère / Tendance Floue | | | Yohanne Lamoulère » Virage - Manger Tes Yeux,
Ici Ment La Ville - Gyptis & Protis | | | | ... until 21 October 2022 | | | | | | | | | | | | | | Yohanne Lamoulère (*1980) lives and works in Marseille (France). After growing up on the Comoros Islands, she graduated from the École nationale supérieure de la photographie in Arles in 2004. She's a member of the collective Tendance Floue and her themes include the urban periphery and the insularity within its multifaceted aspects. "Faux Bourgs", a compilation of her work on the city of Marseille, was published in 2018. She is also part of the collective Zirlib with the director Mohamed El Khatib. She is currently working on her first film, "L'œil Noir". www.yohannelamoulere.fr | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| | | | | | | | Amina Falah: aus der Serie "POTT-À-PORTER" |
| | | | | | | | Im Rahmen der Reihe "Aktuelle Fotografie im Ruhrgebiet. Pixelprojekt auf Zollverein" | | | 15 Nov 2021 – 6 Mar 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | Elsa & Johanna,
A Couple of Them, 2014-2016
© Elsa & Johanna, courtesy Galerie La Forest Divonne |
| | | | | | | | | | | | Wed 17 Nov 19:00
18 Nov 2021 – 13 Mar 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Melanie Bonajo in collaboration with Kinga Kielczynska, Metamemory from the series Modern Life Of The Soul, 2007, dye coupler print, 23 5/8 × 34 5/8 in., promised gift of The Sir Mark Fehrs Haukohl Photography Collection at the Los Angeles County Museum of Art and Brooklyn Museum, © Melanie Bonajo and Kinga Kielczynska, digital image courtesy of the artists and AKINCI, Amsterdam | | | | | | | Gender and Nation in Europe, Selections from the Sir Mark Fehrs Haukohl Photography Collection | | | | | | | | 14 November 2021 – 13 February 2022 | | | | | | | | | | | | | | In the Now explores and challenges traditional categories of gender, nation, and photography, featuring works made since 2000 by women artists born or working in Europe. Many artists contend with representations of the body, with individual perspectives on beauty, femininity, objectification, and what it means to be an artist who identifies as a woman today. Though born or based in Europe, these artists may or may not locate their practices geographically or in accordance with nationalistic assumptions around identity. Finally, the wide-ranging material and conceptual approaches testify to the expediting force of technology, which has made photography subject to greater circulation, alteration, and abstraction. Selected from the collection of Sir Mark Fehrs Haukohl—donated to LACMA and the Brooklyn Museum in 2021—the exhibition suggests that women photographers practicing in Europe today are global citizens pointing toward a future in which limiting statements can yield to productive questions. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Gunnar, 2016 © Laurent Elie Badessi |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Samuel Fosso, Autoportrait Série « Tati », La Femme américaine libérée des années 70, 1997
© Samuel Fosso. Courtesy Jean-Marc Patras / Paris | | | | | | | | 10 November - 13 March 2022 | | | | | | | | | | | | | Retracing a career of almost 50 years, this retrospective exhibition of the work of Samuel Fosso brings together, for the first time in France, all of his major series.
“When I work, it’s always a performance that I choose to undertake. I link my body to this figure, because I want to translate its history”
– Samuel Fosso
Working between photography, self-portraiture and performance, his work occupies a central position in the international contemporary art world. Born in 1962 in Kumba, Cameroon, Fosso survived the civil war in Nigeria, before settling to live with his uncle in Bangui in the Central African Republic, where he began his career as a studio photographer at the age of 13. It was here that, outside of his daily work making portraits to order, he began making self-portraits for his own pleasure, creating a series of alternate identities challenging representational conventions. Ever since this time Fosso has continued to reinvent himself through his self-portraits which have allowed him to reach beyond the limitations usually imposed by society, geography and time. Above all his work questions what is at stake in accepted codes of representation and identity, as well as celebrating freedom of expression.
Comprising more than 300 prints, the exhibition brings together iconic series, lesser-known works, as well as archival material and previously unpublished, unseen images, displayed principally in large-scale ensembles. By offering overviews of both Fosso’s artistic practice and his personal story, and indeed the relationship between the two, the show offers a complete account of the artist. | | |
| |
|
|
| |
| |
| | Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019
Courtesy of the artists and Fortes D’Aloia & Gabriel, Sao Paulo / Rio de Janeiro. | | | | | | | | | | | | | 10 November - 16 January 2022 | | | | | | | | | | | | | Exhibited in the Brazilian Pavilion of the 2019 Venice Biennale, Bárbara Wagner and Benjamin de Burca’s film-installation Swinguerra is presented for the first time in Paris at the MEP studio.
The title, Swinguerra, refers both to a musical rhythm originating from Bahia (Swinguiera) and to combat (guerra). The viewer watches dancers rehearsing while their movements are scrutinised both by a choreographer, and rival dancers. Little by little the sports arena in which they rehearse is replaced by a space of fantasy. The two-channel installation, in which the screens face one another further reflects this sense of confrontation.
In this work, Bárbara Wagner and Benjamin de Burca celebrate identities that are rarely visible or often marginalised in Brazil. Made in close collaboration with the dancers, for the most part black, queer and/or transgender from the region of Recife, Swinguerra raises basic questions of inclusion, acceptance and above all pride in the LGBTQ+ communities.
Collaborating since 2011, Bárbara Wagner (b.1980, Brazil) and Benjamin de Burca (b. 1975, Germany), make work at the frontiers of fiction and documentary. | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Adriana Lestido, Madre e hija de Plaza de Mayo [Mother and daughter from Plaza de Mayo], 1982, Gelatin silver print on fiber paper © Adriana Lestido, Courtesy Rolf Art |
| | | | | | | | | | | | Thu 11 Nov 18:00
11 Nov – 26 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Sanja Zdrnja - WitLove, 2021
© Sanja Zdrnja | Julian Slagman: Mats
© Julian |
| | | SUTURE | | | | Photography class of Adam Broomberg and Oliver Chanarin / HFBK Hamburg | | | | Part of the series "La jeune photographie allemande" | | | | | | | 11 November 2021 – 5 January 2022 | | | | Opening: Thursday, 11 November 2021, 6pm | | | | | | | | | | | | | On the occasion of the International Photography Fair PARIS PHOTO, and as part of the series "La jeune photographie allemande", Deutsche Börse Photography Foundation and Goethe-Institut Paris show works by the photography class of Adam Broomberg and Oliver Chanarin, professors at the Hochschule für Bildende Künste (HfBK) and winners of the Deutsche Börse Photography Prize 2013.
In "SUTURE", 23 artists explore the unifying potential of photography as a medium – its limits, capabilities and opportunities as a means of expression in a changing world. Despite the diversity of their positions, they are connected by a thread of critical thinking and a persistent reluctance to accept the world as it is. For the members of Broomberg’s and Chanarin’s class, photography and art serve as mouthpiece, remedy and suture.
The exhibition also includes a digital research project initiated in 2020 by the Deutsche Börse Photography Foundation and the Goethe-Institut. In the context of the pandemic, the students explored the potential of photography in digital space and the resulting consequences for artists, viewers and society. Both presentations will be opened at the Goethe-Institut Paris on 11 November 2021 at 6pm.
With the exhibition series "La jeune photographie allemande", the Deutsche Börse Photography Foundation and the Goethe-Institut Paris have been promoting young photographers at German universities since 2018, showing current trends in photography. Each year, students from a selected university or academy are invited to present their work in an exhibition at the Goethe-Institut Paris. After an exhibition by Martin Liebscher’s photography class at t… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Hortus Conclusus, HC # 12, 2020. C-print. 95 x 105 cm.
Courtesy: Produzentengalerie Hamburg; Sonnabend Gallery, New York.
© Beate Gütschow, VG Bild-Kunst, Bonn 2020 | | | | | | | Biennale de l'Image Tangible #2 - BIT20 Paris | | | | | | | | 12 – 21 November 2021 | | | | Opening reception: Friday 12 November 18:00 | | | | | | | | | | | | | For its second edition, the flagship exhibition of the Biennale de l'Image Tangible invites twelve French and international artists to Atelier Basfroi, from November 13 to 22, 2020, around the themes of town planning, the control society and monitoring tools.
Digital prints (Richard Mosse, Clemens Gritl, Maxime Matthys) or silver prints (Thierry Urbain), recomposed images (Beate Gütschow, Claudia Larcher) and videos (Hito Steyerl), sculptures (Xavier Bauer, Achim Mohné) or multimedia installations (Grégory Chatonsky, Emmanuel Van Der Auwera, Antje Feger & Benjamin Stumpf), the works of artists invited by the Tangible Image Biennale place us at the heart of the network of cyber-connected cities, architectural utopias, and the monitoring tools that scrutinize them with their mechanical eye.
They are more particularly interested in the functioning and the scope of these registration systems which now dominate and govern our societies, referred to as “control societies”. They thus open up a reflection on the emergence, place and socio-political implications of these new technologies in the public space, for 50% urban humanity - and which will be 70% by 2050. Each proposal considers therefore critically the tangible effects and the future of these digital technologies, in order to understand their impact on the organization of our environment ... And to see how our perception of the world, of ourselves, as well as our behavior, is find it affected.
So how do the new tools for capturing reality, which include photography and its digital ersatz, end up shaping urban space? How do they contribute to producing a world, rather than just recording it? And by what means do they manage to format our bodies, our habits and our minds, through the … | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | Backstage at the Victoria‘s Secret © Gavin Bond / Sansiao Gallery / M84
Title : Candice Swanepoel / Alessandra Ambrosio
Signature : signed and numbered by the artist on a separate label
Image Size & Print Paper Size : 654 x 500mm
Print Method : Digital C Print、Media：Kodak Metallic paper] |
| | | | | | | | | | | | 15 Nov 2021 – 22 Jan 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | | | Paris Photo 2021 Grand Palais Ephémère | Champ-de-Mars, Place Joffre | 75007 Paris
Wed November 10 : by invitation only
Thu-Sat November 11-13 : 1 pm - 8 pm
Sun November 14 : 1 pm - 7 pm
www.parisphoto.com |
| | | | | | | | | | | | | Paris Photo, the international art fair for photography, reunites the world’s leading galeries and art book dealers in Paris at the Grand Palais Ephémère (November 11–14) and online for its it first-ever online viewing room (November 11–17). Discover the most important selection of exceptional photographic art and published works from 29 countries worldwide with more than 149 participating galleries and 30 art book dealers, 17 solo shows and 8 duo shows.
The Curiosa sector, curated this year by Shoair Mavlian (Director, Photoworks), brings to the foreground new trends in contemporary photographic practice, including new documentary practice, experimental approaches to photography, diaristic practice and contemporary conceptual practice. 20 emerging artists are spotlighted for this edition, some of whom exhibit in France for the first time, such as Maisie Cousins (TJ BOULTING London) and Jošt Dolinšek (PHOTON Ljubljana).
See the 2021 exhibitor list.
Paris Photo is a key event for collectors, art world professionals and those passionate about art and photography. Public programming, both on-site, online and throughout Paris, is an essential component of the fair and includes exhibitions, talks, awards, book signings, podcasts, curated fair selections and more. | Paris Photo announces 147 galleries and 30 art book dealers representing 28 countries.
Solo shows Main Sector: Jürgen Schadeberg » BONNE ESPÉRANCE Paris | Ilit Azoulay » BRAVERMAN Tel Aviv | Gottfried Jäger » SOUS LES ETOILES New York | Tomasz Machciński » CHRISTIAN BERST ART BRUT Paris | Paul Mpagi Sepuya » DOCUMENT Chicago | Julien Guinand » FRANÇOISE BESSON Lyon | Paolo Ventura » GALERIE XII Paris | Latif Al Ani » ISABELLE VAN DEN EYNDE Dubai | Herbert List » KARSTEN GREVE Paris | Elsa & Johanna » LA FOREST DIVONNE Paris | Joana Choumali » LOFT ART Casablanca | Claudio Edinger » LUME São Paulo | Omar Victor Diop » MAGNIN-A Paris | Alexey Titarenko » NAILYA ALEXANDER New York | Boris Lurie » ODILE OUIZEMAN Paris | Sandy Skoglund » PACI Brescia
Solo shows Curiosa Sector: Ira Lombardía » ALARCON CRIADO Sevilla | Gosette Lubondo » ANGALIA Meudon | Anastasia Samoylova » CAROLINE O'BREEN Amsterdam | Yael Burstein » CHARLOT Paris | AnaMary Bilbao » DIX9 - HÉLÈNE LACHARMOISE Paris | Lucas Leffler » INTERVALLE Paris | Victoria Pidust » JUDITH ANDREAE Bonn | Mark Mahaney » KOMINEK Berlin | Prince Gyasi » NIL Paris | John Yuyi » OVER THE INFLUENCE Hong Kong | Jošt Dolinšek » PHOTON Ljubljana | Lara Gasparotto » STIEGLITZ19 Antwerp | Johno Mellish » THK Cape Town | Maisie Cousins » TJ BOULTING London | Kincső Bede » TOBE Budapest | Sébastien Reuzé » UN-SPACED Paris | Karolina Wojtas » VASLI SOUZA Oslo | Zora Murff » WEBBER London | Majo Guerrero » YOUNIQUE Paris | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | JOHN CHIARA
Variation, Népsziget u. on Népsziget island, Budapest, Hungary, 2019
Negative image on Fujiflex Crystal Archive paper 50x30 inches / 127 x 76 cm
Unique
© John Chiara / Galerie Miranda | | | | | | | A salon dedicated to experimentation of the photographic medium | | | Thu 11 November : 11am-2pm Press preview | 2-10pm upon invitation
Fri 12 November : 11am-1pm upon invitation | 1-8pm public by reservation
Sat 13 November : 11am-1pm upon invitation | 1-7pm + 7pm-10 pm public by reservation
Sun 14 November : 11am-1pm VIP, upon invitation | 1-6pm public by reservation | | | | | | | | | | | | | This year sees a ppr oc he reach the important milestone of its fifth year in existence, demonstrating that its unique format, unlike existing models, has won over collectors, art lovers, participating artists and galleries, as well as professionals in the contemporary art world. A milestone marked by a return to normality at the Molière, the private mansion that has hosted the salon since its inception, and now emblematic of its more intimate format. To mark this event, I invited 5 curators to present one or two artists each, with the same ambition: to expand horizons, initiate encounters, and forge new ties.
The artists selected this year reflect the major concerns of many of their contemporaries. Exploring new territories, whether geographical, scientific or imaginary, is central to works by Caroline Corbasson, Grégoire Eloy, Sylvie Bonnot and Ilanit Illouz. While Kim Boske and Bertrand Hugues lend a new form to reality through precise and calculated gestures. The experts of traditional techniques, Antony Cairns, John Chiara and Yasmina Benabderrahmane, experiment from the shooting and chemical bath processes, to the media used for printing. Mouna Saboni and Vasantha Yogananthan document and revisit their personal memories, somewhere between fact and fiction. While Camille Bénarab-Lopez and Alix Marie waver between photography, sculpture and installation, Marleen Sleeuwits and Laurent Millet go so far as to become set designers of the photographed in situ installation. Finally, David Weber-Krebs proposes a new form of experimentation, through an online performance which takes the form of a late-night Zoom call in which an over-stimulation of images leads to a shared sleep experience between the performer and the viewer.
The content is rich and diverse, with a series of discoveries that will encourage collectors and visitors to reflect on the current state of experimentation in the medium. | | | Yasmina Benabderrahmane » Galerie Bacqueville (fr,nl)
Camille Benarab-Lopez » Galerie Chloé Salgado (fr)
Sylvie Bonnot » Ségolène Brossette Galerie (fr)
Kim Boske » FLATLAND (nl)
Antony Cairns » Intervalle (fr)
John Chiara » Galerie Miranda (fr)
Caroline Corbasson » Galerie L'inlassable (fr)
Gregoire Eloy » Tendance Floue (fr)
Bertrand Hugues » Galerie Eric Mouchet (fr)
Ilanit Illouz » Galerie Fontana (nl)
Alix Marie » Ncontemporary (it)
Laurent Millet » Galerie Binome (fr)
Mouna Saboni » Galerie 127 (fr, ma)
Marleen Sleeuwits » Galerie Bart (nl)
David Weber-Krebs » secteur a ppr oc he (be, de)
Vasantha Yogananthan » The Photographers' Gallery (uk) | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | Justin Dingwall and Robin Handt
WAYWARD, 2021
Ilford Fine Art Textured Silk on Dibond
A0 (118,9 cm x 84,1 cm)
ARTCO Aachen, Berlin, Cape Town | Toyin Loye
SAMUEL, 2021
Fine Art Print on Hahnemühle Photo Rag, Bright White, ripped
112 x 82 cm
ARTCO Aachen, Berlin, Cape Town |
| | | AKAA - Also known as Africa | | | | | | | | | to discover 35 galleries and 150 artists from 25 different countries inside the beautiful Carreau du Temple. Three days to share the African energy, hear its hum and feel its vibration.
VIP preview Thu 11 Nov 2pm-6pm | Opening Thu 11 Nov 6pm-10pm
Fri/Sat 12/13 Nov noon-8pm | Sun 14 Nov noon-6pm | | | | | | | | | | | | | | This sixth edition is one of resilience. A resilience built around multiple new projects and a cutting edge curatorial vision. This year we are proud to present our first ART BOOK produced with the support of our partner 35°Nord. Against the flow of time inspired by Birago Diop’s memoir (Présence Africaine), is a poetic invitation to rethink temporality after the slowing down of time and the constraint of waiting that we’ve experienced this past year. Three authors, Julie Crenn, Dénètem Touam Bona and Armelle Dakouo address this theme through the work of seventeen artists and their relationship to time and the imprint it leaves in their artistic creation. | | |
| |
|
|
| |
| |
|
| | | | | | | | | | A walking tour of independent publishers hosted in art bookstores, studios and galleries | | | 11 – 14 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| | | | | | | | | | 50 specialized international photography book publishers | | | Wed 10 Nov 15:00
– 14 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | fair of today for art, antiques and design | | | | | | | Sat 13 Nov
14 Nov – 21 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| |
|
| |
|
|
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | Lot 198
William Klein (1928)
Backstage Azzedine Alaia. Paris, 1987
Vintage painted contact | | | Photographs | | | | | | | | | | | | | | | | | Public exhibition: Thursday, 11 November, 11 am to 6 pm
Friday, 12 November, 11 am to 6 pm
Saturday, 13 November, 11 am to 12 pm
Etude Ader ; 3, rue Favart
Online catalogue : www.ader-paris.fr
Live bidding : www.drouotonline.com
Specialist:
Antoine ROMAND - Assisted by François CAM-DROUHIN and Agathe OUALLET
22, rue Bisson 75020 Paris
+ 33 (0)6 07 14 40 49
[email protected] | [email protected]
www.antoineromand.fr
Sales manager :
Magdalena MARZEC
+ 33 (0)1 78 91 10 08
[email protected] | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| | | | | | The Photographers' Gallery London | | | | | | | 10 – 16 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | ROBERT FRANK (1924–2019)
Candy Store, New York, 1955
Rare signed print, published in the book "The Americans"
20 x 30 cm
Starting price: 22,000 € / Estimate: 35,000–40,000 € | | | | | | | | | | | | Aution:
Friday, 19 November 2021, 5pm
Preview:
Thursday 11 – Friday 19 November 2021
2pm to 6pm
Online catalogue: here |
AUGUST SANDER (1876–1964)
Varnisher, Cologne 1932
Large-format print from the series
"Menschen des 20. Jahrhunderts"
("People of the 20th century")
58.4 x 40.5 cm
Starting price: 6,000 € /
Estimate: 10,000–12,000 € |
| | | | | | | | | | | | | It is a picture that everyone knows and that has never lost its appeal despite being reproduced many times: Derrière la Gare Saint-Lazare (Behind the Gare Saint-Lazare) is the ingenious picture Henri Cartier-Bresson took in 1932 of his now legendary »puddle jumper«. Like no other, this masterly shot stands for his photographic approach, which was only explained twenty years later in the photobook Images à la Sauvette (The Decisive Moment). The jumping man is captured a split second before the moment when his foot would have touched the smooth surface of the water and destroyed the perfect reflection. This motif of doubling occurs several times and in complex intertwinings in this photographic icon, which comes up for auction in an excellent, very rare large-format exhibition print from 1960 and is sure to be one of the most sought-after lots of the 24th OstLicht Photo Auction (estimate: 30,000 - 35,000 €).
Certainly, no less coveted among collectors is Robert Frank's shot from the Candy Store, 86th Street, which he took in 1958 for his groundbreaking book The Americans. For the photographer, who died two years ago, the group of teenagers crowded around a jukebox was one of the paradigmatic motifs with which he aptly described the US lifestyle of the 1950s like no other. OstLicht is auctioning the approximately 60-year-old, well-preserved vintage print of this photograph, which is also one of the highlights of the collection of the Art Institute of Chicago (estimate: 35,000 - 40,000 €).
Additionally, the numerous exhibits from the history of Austrian photography form a focal point of the auction portfolio, which comprises a total of 181 lots and was personally… | | |
| |
|
|
| |
| |
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Léa et moi © Nassia Stouraiti |
| | | | | | | | 150+ Talented and awarded artists
from all over the world | | | | | | | Fri 12 Nov 18:00
12 Nov – 14 Nov 2021 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | Gaëlle Foray, View from the room over the swimming pool, assembly: photographic paper, sand rose, coral, 2018. | | | | | | | Main Exhibition: 12 – 21 November 2021 | Opening: Fri 12 Nov 18:00 | | | | | | | | Ten satellite exhibitions: 4 November - 5 December | | | | | | | | | | | | | | | | | | | | | During a month of exhibitions and events located in the 20th arrondissement of Paris, the Biennale de l'Image Tangible presents a selection of works that tend to break free from a classic use of the photographic medium.
Whether it is looking for new supports, hybrid techniques or a new relationship to reality, this event tends to demonstrate that photography never stops inventing. In this, the Tangible Image Biennale supports the emergence of new languages and new practices related to photography : a photograph which upsets the assumptions of reality, a photograph which changes in nature, form and postulate, and which thus participates in a broadening of the field of its discipline.
The second edition of the Tangible Image Biennale focuses its calendar on the month of November 2021. It retains its roots in the 20th arrondissement, following the idea already acclaimed by the public to draw an artistic journey in eastern Paris.
Its program revolves around an exhibition curated by the organizers of the Biennale, and ten exhibitions bringing together the 31 winning artists of the call for projects (February - May 2020), selected by a jury of professionals from the world of art, image and photo. As well as an Instagram prize, an afternoon of meetings and discussions, and an in situ project in the public space.
The 2021 edition of the Biennale is the one which was to be held in 2020 but which has been postponed for health reasons. | | |
| |
|
|
| |
| |
|
| | | | | | 9th International Photography Festival | | | | | | | 17 – 27 Nov 2021 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
| |
|
| |
|
|
| |
|
|
| |
|
| | | | | | VI BIENNIAL OF PHOTOGRAPHY ON INDUSTRY AND WORK: 11 EXHIBITIONS / 10 VENUES | | | | | | | – 28 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| | | | | | FAKE – visual distortion | | | | | | | – 14 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
| | | | | | The Makeable Mind: 15 locations, over 70 artists | | | | | | | – 28 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
| |
|
| |
| |
| | | | | | | | | | | | | | ... until 1 December 2021 | | | | | | | | | | | | | | The PHOTOVILLE Festival, New York City’s FREE premier photo destination, returns on September 18 for its 10th anniversary year with a free community day, virtual online storytelling events, artist talks, workshops, demonstrations, educational programs, community programming, and open-air exhibitions across parks and public spaces throughout New York City till December 1, 2021. | | |
| |
|
|
| |
| |
|
| | | | | | Women and Photography: Ways of Seeing and Being Seen | | | | | | | – 15 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | PLACE À LA PHOTO ! . UNE VIRÉE PHOTO . VIDÉO | | | | | | | – 30 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | | | | | | | Thu 4 Nov
4 – 20 Nov 2021 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Edition 2021 | | | | | | | Thu 4 Nov
4 Nov – 1 Dec 2021 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| | | | | | | | Leopoldo Cebrián Alonso — Cortesía de TEA Tenerife Espacio de las Artes |
| | | | International Photography Festival of Tenerife | | | | | | | – 9 Jan 2022 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | THOUGH IT'S DARK, STILL I SING | | | | | | | – 5 Dec 2021 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Corpo / Body | | | | | | | – 8 Dec 2021 | | | | | |
| | | | | | | |
|
| |
| |
| |
|
| |
| |
|
| |
© 3 November 2021 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
| |
