| | | | | | | | | Mirco Magliocca, Grand Palais, 2024 - Courtesy Mirco Magliocca | | | | | Paris Photo 2024 - Exhibitions, Booksignings, Talks, ... | | | Grand Palais | 3 avenue du Général Eisenhower | 8e
Wed November 6 : by invitation only
Thu-Sat November 7-9 : 1 pm - 8 pm
Sun November 10 : 1 pm - 7 pm
www.parisphoto.com | |
| | | | | | |
| | | | | | | | | | | | | | | | | | | | | | | Gregoire Grange, Paris Photo, 2023 | | | | | Paris Photo 2024 - Book sector | | | This section, presented in a new space on the first floor of the Grand Palais, reflects the importance of the photobook in the history of the medium. It brings together specialist publishers and features photobooks, limited editions, printed works, multiples, and artist’s books.
See the 2024 publishers & art book dealers... » | | | | | | | | | | | | | | | Paris Photo 2024 - Booksignings | | | | | | Each year, Paris Photo hosts more than 400 artist signings within the publishing sector.
www.parisphoto.com/.. | | | | | | |
| | | | | | | | | | | | | | | Éditions Images Vevey’s latest books | | | | | | Book Sector - Booth J04 | | | | | | | | | | | | |
Time Quaaludes and Red Wine | 2024 | 20.5 x 26 cm | Anna Galí |
Crossroads | 2024 | 19 x 25 | Debsuddha |
| | | | | | Editions Images Vevey is joining Paris Photo for the First Time! At stand J04 in the Editions sector, the Swiss publishing house will proudly present its latest publications, a selection of rare books, limited editions, and exclusive prints, accompanied by meet-and-greets with international photographers.
Editions Images Vevey is one of the four pillars of Images Vevey, a Swiss ecosystem dedicated to artistic creation. Based in Vevey, this publishing house supports the editorial projects of artists presented as part of Images Vevey’s activities and offers a catalog of around thirty books, including publications by winners of the Images Vevey Book Award.
Collaborations: In addition to its own publications, Editions Images Vevey collaborates with specialized publishing houses such as SPBH, Witty Books, Editorial RM, Ciao Press, Here Press, Koenig Books, TBW Books, and Aperture.
Book signings during Paris Photo: here | | |
| | | | | | | | | | | | | | | | PhotoBook Awards
Paris Photo–Aperture Foundation | | | Co-founded in November 2012 by Paris Photo and the Aperture Foundation, the Paris Photo-Aperture PhotoBook Awards celebrate the photobook’s contribution to the evolving narrative of photography.
Paris Photo and Aperture are pleased to announce the shortlist for the 2024 Paris Photo–Aperture PhotoBook Awards, an annual celebration of the photobook’s enduring role within the evolving narrative of photography. Now in its twelfth year, the awards recognize excellence in three major categories of photobook publishing: First PhotoBook, PhotoBook of the Year, and Photography Catalog of the Year.
After receiving 940 books from fifty-nine countries, the jury for the shortlist gathered to make the selection of the works below.
The 2024 PhotoBook Award winners will be announced during Paris Photo on Friday, November 8, at 3:00 p.m. (CET). | | | | | | | | | | | | | PHOTOBOOK OF THE YEAR
This prize is awarded to the photographer(s)/artist(s) and publisher(s) responsible for the photobook judged to be the best of the year. 10 books from this category have been selected for the shortlist, and they will be presented to the final jury for selection and exhibited during Paris Photo.
Taysir Batniji » Disruptions Loose Joints Publishing, Marseille, France / London
Cai Dongdong » Passing By Beijing Cai Dongdong Studio, Beijing
Lia Darjes » Plates I–XXXI Chose Commune, Marseille, France
Jessica Ingram » We Are Carver Self-published, Dallenwil, Switzerland
Akihiko Okamura » Les souvenirs des autres (The Memories of Others) Atelier EXB, Paris
César Rodríguez » Hoja Dorada KWY, Lima, Peru
Rosalind Fox Solomon » A Woman I Once Knew MACK, London
Peter van Agtmael » Look at the U.S.A.: A Diary of War and HomeLook at the U.S.A.: A Diary of War and Home Thames & Hudson, London
Awoiska van der Molen » The Humanness of Our Lonely Selves Fw:Books, Amsterdam
Carmen Winant » The Last Safe Abortion SPBH Editions, London
FIRST PHOTOBOOK
A $10,000 prize is awarded to the photographer(s)/artist(s) whose first finished, publicly available photobook is judged to be the best of the year. 20 books from this category have been selected for the shortlist, and they will be presented to the final jury for selection and exhibited during Paris Photo.
Hady Barry » i am (not) your mother Self-published, Penumbra Foundation, New York
Ciro Battiloro » Silence Is a Gift Chose Commune, Marseille, France
Angeniet Berkers » Lebensborn: Birth Politics in the Third Reich The Eriskay Connection, Breda, Netherlands
Claire Cocano » Rue Désiré Chevalier Self-published, Paris
Barbara Debeuckelaere » ’Om (Mother) The Eriskay Connection, Breda, Netherlands
Simone Engelen » 27 Drafts Fw:Books, Amsterdam
Janick Entremont » If Time Does Not End Self-published, Berlin
Ismail Ferdous » Sea Beach Imageless, Shanghai
Toma Gerzha » Control Refresh The Eriskay Connection, Breda, Netherlands
Virginia Hanusik » Into the Quiet and the Light: Water, Life, and Land Loss in South Louisiana Columbia Books on Architecture and the City, New York
Abdulhamid Kircher » Rotting from Within Loose Joints Publishing, Marseille, France / London
Hassan Kurbanbaev » One Head and Thousand Years Art Paper Editions, Ghent, Belgium
Srinivas Kuruganti » Pictures in My Hand of a Boy I Still Resemble Self-published / Marigold Books, Delhi, India
Nicola Moscelli » Dead End Penisola Edizioni and Antiga Edizioni, Crocetta del Montello, Italy
RaMell Ross » Spell, Time, Practice, American, Body MACK, London
Melissa Shook » Daily Self-Portraits 1972–1973 TBW Books, Oakland, California
Ngadi Smart » Wata Na Life Loose Joints Publishing, Marseille, France / London
Tsai Ting Bang » Born from the Same Root Self-published, Taipei
Rawsht Twana » Twana’s Box: The Photographic Life of Twana Abdullah, Kurdistan Region of Iraq, 1974–1992 Fraglich Publishing, Bregenz, Austria
Róisín White » Lay Her Down Upon Her Back Witty Books, Turin, Italy, Landskrona Foto, Sweden, and Breadfield Press, Malmö, Sweden
Photography Catalogue of the Year »
Akinbode Akinbiyi: Being, Seeing, Wandering Katia Reich, Spector Books, Leipzig, Germany
Flashpoint! Protest Photography in Print, 1950–Present Russet Lederman and Olga Yatskevich, 10×10 Photobooks, New York
Grace Wales Bonner: Dream in the Rhythm—Visions of Sound and Spirit in the MoMA Collection Museum of Modern Art, New York
Shining Lights: Black Women Photographers in 1980s–90s Britain Joy Gregory, editor, and Taous Dahmani, associate editor Autograph and MACK, London
Yasuhiro Ishimoto: Lines and Bodies Diane Dufour and Mei Asakura, Atelier EXB and LE BAL, Paris | | |
| | | | | | | | | | | | | | | | | | | | | | | Tee A. Corinne, Untitled, 1965 - Courtesy Webber | | | | | Elles x Paris Photo 2024 | | | | A circuit dedicated to women photographers | | | | | | | ellesxparisphoto.com/en/ | | | | | | | | | | | | | A program dedicated to women photographers, supported by the French Ministry of Culture and Kering
This year, the Elles × Paris Photo exhibition, which showcases the work of women photographers, will be curated by Raphaëlle Stopin, director of the Centre Photographique Rouen Normandie and former director of the Festival de Hyères.
Organised in collaboration with the Ministry of Culture, with the support of Kering’s Women in Motion programme, it showcases women in the arts and culture. Elles × Paris Photo has helped to boost the representation of women artists in the fair, which has increased from 20% to 38% since 2018. For the first time this year, with the support of Kering, four galleries are organising group and solo exhibitions devoted to women photographers.
The path - Elles x Paris Photo 2024
"Two themes guided my selection of the individual works in the exhibition as well as the four galleries and their artists : on the one hand, the linked silences of history, as outlined by the pioneer of the study of the history of women, Michelle Perrot, underlining the unequal sharing of traces and memory. I was keen to focus on post-war photographers and previous generations, who are often forgotten. On the other hand, I wanted to show the plurality of paths taken by women artists, who have used photography to challenge norms and explore their creation beyond the stereotypes of the intimate. The selection made for the exhibition demonstrate the way in which women artists have also, and very early on, considered photography as a tool for pure plastic research and experimentation, testifying to an equally strong commitment to their creation. The strong presence of artists under the age of 40 in the exhibition, and the wide range of their approaches, testify to the vitality of this creative field, far removed from any gender bias. “I want to be able to write about men, women, ants, whatever I want”, said Lebanese writer Hanan El-Cheikh recently. A female visual artist should be able to aspire to the same freedom. When all is said and done, it is about nothing more than being simply considered an artist."
Raphaëlle Stopin - Elles x Paris Photo curator | | |
| | | | | | | | | | | | | | | | | | | | | | | Hannah Darabi, from the series Haut Bas Fragile, 2016 © Hannah Darabi | | | Prix Elysée 2025 - Photo Elysée | | | | | | | | | | | | | | | | Photo Elysée is one of the most important museums dedicated to photography. Located in Plateforme 10, the arts district of Lausanne, Switzerland, the museum features exhibitions by renowned artists, supports emerging talents, and encourages the exploration of contemporary visual culture.
Photo Elysée exclusively unveils at Paris Photo the projects of the eight finalists for the Prix Elysée 2025: Hannah Darabi (IR), Roger Eberhard (CH), Rahim Fortune (US), Camille Gharbi (FR), Samuel Gratacap (FR), Seif Kousmate (MA), Felipe Romero Beltrán (CO), and Anastasia Samoylova (US).
The Prix Elysée is one of the most prestigious international photography awards, endowed with a reward of 80,000 CHF. Its goal is to support contemporary creation. The laureates of the Elysée Prize have been: Debi Cornwall (2023), Kurt Tong (2021), Luis Carlos Tovar (2019), Matthias Bruggmann (2017), and Martin Kollar (2015). Founded in 2014, the Prix Elysée is supported by Parmigiani Fleurier. | | |
| | | | | | | | | | | | | | | From the project 'Castle of innocence' by Joel Jimenez Jara | | | | | Carte Blanche Students | | | | A Prize for Young Creation | | | | | | Gare de Lyon: 28 October – 30 November 2024
Paris Photo: 7 - 10 November 2024 | | | | | | | | | | | | | Paris Photo, Picto Foundation, and SNCF Gares & Connexions are partnering for the 8th year to develop a platform for discovery, visibility, exchange, and meetings aimed at young talents. Launched in 2017, the Carte Blanche Students program is designed for bachelor’s and master’s students from European photography and visual arts schools, aiming to foster emerging talent and encourage creativity and energy.
The projects of the four selected students, chosen from over 100 European schools, will be showcased at the Paris Photo fair from November 7 to 10, 2024, in a dedicated space where they will engage with the public. Additionally, an exhibition will be held at the forecourt of Paris Gare de Lyon from October 28 to November 30, 2024.
This project is supported by Hahnemühle, La Saïf, and La Copie Privée. | | |
| | | | | | | | | | | | | | | Roope Rainisto, REWORLD: Draconian Landscape No.5, 2023 - Courtesy Roope Rainisto / JPMorganChase Art Collection | | | | | Balancing Acts: Capturing Work & Leisure | | | | | | | | | | | | | | | | The JPMorganChase Art and History Collections present Balancing Acts: Capturing Work & Leisure.
Our selection of photographs spanning over 10 decades invites viewers to reflect on how these universal aspects of daily life intersect and evolve over time. The exhibition captures a variety of global workplace and leisure settings and experiences, offering a nuanced look at how and where we spend our time and energy. Employing a range of styles and techniques from diverse cultures, each photograph explores the role of work and leisure in shaping identity, community, and a sense of purpose. | | |
| | | | | | | | | | | | | | | Mustapha Azeroual, Groenland – Ponant - Courtesy Mustapha Azeroual / BMW ART MAKERS | | | | | | The Green Ray | | | | Marjolaine Lévy, BMW Art Makers | | | | | | | | | | | | | BMW ART MAKERS by BMW France, official partner of Paris Photo program appoints an artist/curator duo each year to lead an innovation project in the visual arts and its implementation in space.
Who hasn’t dreamed of seeing what the eye is unable to grasp?
The Green Ray reflects this ambition.
The color of the sky at sunrise and sunset is recorded on the high seas,
according to an exacting photographic protocol by the artist.
The resulting abstractions are a subtle rebuke of human overactivity.
Insofar as the color of the sky, even in the ocean, is intrinsically linked to our presence on earth.
The Green Ray is a work that is both abstract and rooted in the issues and
stakes of our society.
Mustapha Azeroual & Marjolaine Lévy
BMW ART MAKERS | | |
| | | | | | | | | | | | | | | Yuan Cui, Les Pêcheurs de la Terre, 2023 - OPPO | | | | | | Dear Life | | | | OPPO imagine IF | | | | | | | | | | | | | The OPPO Imagine IF Photography Awards provides a global platform to encourage users worldwide to unlock the potential of mobile photography and inspire them to capture the most delightful moments. As the global partner of Paris Photo this year, OPPO will exhibit the winning entries of the Imagine IF Photography Awards 2024.
Based on the theme “Dear Life,” the exhibition space is divided into four distinct zones: ‘Dear World,’ ‘Dear Time,’ ‘Dear Friend,’ and ‘Dear Me,’ combining elements from nine categories: Landscape, Portrait, Colours, Snapshot, Fashion, Unfading Moment, Light, Travel, and Collection. Each zone is distinguished by its own unique colour palette, offering guests a colour-coded and heart-moving journey.
In “Dear World,” the grandeur of nature and the splendor of human civilization are intertwined, and every shot reveals our incredible world. Each light-and-shadow awakens people’s deep respect and admiration.
In “Dear Time,” precious moments are frozen into images, bringing priceless gifts of life and time to people.
In ‘Dear Friend,’ the warmth of friendship and the power of love from each encounter lie behind each mobile-captured image, highlighting the warmest colours in life. The power of images is greater than words.
In “Dear Me,” a deep monologue and inner exploration are discovered.
Images, like mirrors, reflect the world back to you as you look at them.
In addition to exhibiting the winning entries, OPPO will also display official sample photos. These images represent more than just an exhibition; they are snapshots of peoples’ lives, the embodiment of emotional resonance, and human traces left in the universe.
Beyond the Image, Beyond Imagination. | | |
| | | | | | | | | | | | | | | Edouard Taufenbach & Bastien Pourtout, Canopée, 2024 - Prix Maison Ruinart 2024 | | | | | Prix Maison Ruinart | | | | | | | | | | | | | | | | For its 6th edition, the Maison Ruinart Prize was awarded to photographers Edouard Taufenbach and Bastien Pourtout, a duo that emerged from a project at the Villa Medici in 2020. Following their residency in Champagne, Edouard and Bastien created a series of photographs titled Le Jardin de Craie, which explores the close relationship between biodiversity, the landscape, and the geology of this region.
By blending outdoor and underground photography, this project invites a conversation with the living world, where the mineral, vegetal, and human elements intertwine and extend into one another, often indistinguishable from each other. | | |
| | | | | | | | | | | | | | | A Sabatine Christmas, Martins Creek, PA, December 1983 © Larry Fink / MUUS Collection | | | | | | Sensual Empathy | | | | MUUS Collection | | | | | | | | | | | | | | Larry Fink was a social photographer. That says two things: He was socially engaged in his work, and he photographed society. People and their interactions were the focus of his passionate interest. He was in the room with them and recognized them as kin, whoever they were. He defined society in its broadest sense. In a career that spanned more than sixty years, he covered debutante balls, Oscar parties, demonstrations, boxing matches, and his neighbors in rural Pennsylvania, all with the same bold framing and masterly chiaroscuro--and with the same urgency, immediacy, and deep human feeling. | | |
| | | | | | | | | | | | | | | Brassaï, Les trois femmes masquées pour la Parade, Paris, France, 1931 © Estate Brassaï Succession Collection photographique de la Fnac/Dépôt au musée Nicéphore Niépce, Ville de Chalon-sur-Saône | | | | | Affaires de regards | | | | Fnac collection | | | | | | | | | | | | | | | | | Through a selection of works part of the 1,800 photographs of the Fnac Photography Collection, Quentin Bajac offers a free discussion on the topic of “looking”, echoing the title of the book published under his supervision by Gallimard editions: ”Regards. Un siècle de photographie de Brassaï à Martin Parr. Chef d’oeuvre de la collection de la Fnac”. Models staring at the photograph, images suggesting off-camera looks, photos built upon gaze interplays. These are about thirty original photographs from the Fnac photo collection that will be exhibited for the first time this year at the Grand Palais. | | |
| | | | | | | | | | | | | | | © Louis Vuitton Malletier / Jackie Nickerson | | | | | Librairie Ephémère | | | | Editions Louis Vuitton | | | | | | | | | | | | | | | | | Louis Vuitton has been celebrating the art of travel since 1854. Its latest invitation to distant shores will be released this autumn in the form of three previously unseen Fashion Eye photograph albums: US photographer Jackie Nickerson shares a fresh perspective on Iceland, with telluric landscapes and icy shorelines offering fascinating panoramas seemingly from another planet; another US photographer, Deborah Turbeville, highlights her own elusive view of Mexico with echoes of an enigmatic past, where familiar anchors twist and turn in plastic errantry; finally, British photographer Alasdair McLellan turns his keen and sincere eye to a Scotland whose mists obscure its inhabitants as much as its mountaintops. In the same vein as previous publications, each work shares a vision of a country, region, city, or location as seen through the lens of a fashion photographer. | | |
| | | | | | | | | | | | | | | Mya Mixcoatl, Mexico. Teotihuacan. March 21, 2023. A dancer plays a ritual in the pyramid of the sun. Intervened photography. | | | | | Heritage in Focus | | | | World Monuments Fund x Magnum Foundation partnership | | | | | | | | | | | | | | | | | Heritage in Focus is a collaboration between World Monuments Fund and Magnum Foundation to work with local emerging photographers in capturing historic places and their stewards. Photographers were invited to document eleven of the sites from the 2022 World Monuments Watch. The work of Fransisca Angela, Eric Gyamfi, Yael Martínez and Victor Zea are on view at this year's Paris Photo. | | |
| | | | | | | | | | | | | | | © Maxime Riché, Paradise | | | | | Une autre empreinte | | | | Dahinden Photo Prize | | | | | | | | | | | | | | | | Une Autre Empreinte – Dahinden Photo Prize aims to promote artistic creation, eco-conception in the art world, and to raise awareness of environmental issues among a wide audience. In 2024 as the last chapter of the cycle around the elements is highlighted: FIRE.
Following the call for applications and the jury meeting, three winners were selected and will be exhibited at the Photoclimat Festival galerie at l’Académie du Climat between 18 Sept and 20 Oct 2023. :
Aletheia Casey, A Lost Place
Sophie Alyz, Dear Mom, everything is fine here
Maxime Riché, Paradise
The winner of the Public Prize will be exhibited at Paris Photo | | |
| | | | | | | | | | | | | | | © Frédérique Barraja | | | | | | Pink Ribbon Photo Award | | | | Estée Lauder Companies | | | | | | | | | | | | | Created in 2012, The Estée Lauder Companies Pink Ribbon Photo Award is open to all photographers.
A pioneer of its kind and today an essential support component of the French Ruban Rose Association, mobilizing through photography a large public in the annual Breast Cancer Awareness Campaign.
In 2024, the call for entries for the 13th edition of the competition has been focused on the theme "Lumière(s)". Since 2017, Paris Photo welcomes the Estée Lauder Companies Pink Ribbon Photo Award, as its charity partner. | | |
| | | | | | | | | | | | | | | Fonds C'était Paris en 1970, Bibliothèque historique de la Ville de Paris / Ville de Paris | | | | | | Ville de Paris - ARCP | | | | Atelier de Restauration et de Conservation des Photographies | | | | | | | | | | | | | | After last year's negatives, the Atelier de Restauration et de Conservation des Photographies de la Ville de Paris (Photography Conservation and Restoration Studio) has chosen this year to unveil its restoration work on the colour slide medium. The teams will be presenting exceptional prints from the "C'était Paris en 1970" collection held by the Bibliothèque Historique de la Ville de Paris (BHVP). This amateur photographic competition enabled the capital to be photographed in 1970 in 250m x 250m squares. Of the 15,000 candidates, a total of 2,800 photographers produced nearly 30,000 slides reflecting Paris from a wide variety of perspectives. | | |
| | | | | | | | | | | | | | | Taysir Batniji, Gaza Walls, 2001 - Courtesy CNAP | | | | | | CNAP | | | | Gaza Walls by Taysir Batnij | | | | | | | | | | | | | | Gaza Walls (2001) is a photographic series created by Taysir Batniji in Gaza during the early months of the Second Intifada. This project focuses on how the city’s walls and doors, which have served as carriers of information since the First Intifada (1987-1993), transform into vectors of collective memory. The project features portraits, posters, slogans, graffiti, and other inscriptions that announce the disappearances and succes- sion of faces destined to fade over time or through interventions. Batniji explores the formal, symbolic, and identity-related complexities of these images, which oscillate between persistence and evanescence, reflecting the fragility and resilience of collec- tive memory in times of conflict. | | |
| | | | | | | | | | | | | | | © TASCHEN | | | | | Variety is the Spice of Life | | | | TASCHEN | | | | | | | | | | | | | | | | | The renowned art-book publisher Taschen returns to Paris Photo, presenting a captivating collection of new projects. Highlights include a magical tribute to Hollywood's golden age, meticulously curated from the LIFE archives, a vintage homage to turn-of-the-century France, cutting-edge photos of the red planet drawn from NASA's archives, and an interactive book of games conceived by Carsten Höller, with photos by celebrated artists like Wolfgang Tillmans and Rineke Dijkstra. In addition, fresh formats of beloved photography titles such as Marvin E. Newman, David LaChapelle. Lost + Found and Good News, Steve Schapiro. Andy Warhol & Friends, and Robert Doisneau. Paris will also be featured. | | |
| | | | | | | | | | | | | | | Vitas Luckus, Juozas, 1975 - Tatjana Luckienė-Aldag. | | | | | The Forms of Things, The Forms of Skulls, Forms of Love | | | | The Collection | | | | | | | | | | | | | | | | Lithuanian photographs from the collections of the Bibliothèque nationale de France, the Centre Pompidou, and the Lithuanian Photographers Association
Beginning in the late 1970s, when Lithuania had been under Soviet rule for three decades, more than 1,600 prints entered the collections of what is today the BnF (Bibliothèque nationale de France) thanks to donations from the 22 photographers. This body of work, centred on a generation of photographers who worked mainly in the 1960s to 1980s, reveals a highly expressive scene characterised by eternal, metaphysical themes. Pantheistic relationship with nature, close connections between humans and the animal kingdom, cohabitation of generations, and existential angst: These works furnish a poignant illustration of a country whose dense forests, spirit of resistance, and passion for poetry have come together to forge a powerful and multifaceted identity. Though not well known by the public today, the Lithuanian School of Photography had at the time a unique reputation throughout the Soviet Union and beyond, opposing to the dictates of ‘socialist realism’ a sensitive and polysemous representation of reality.
Recently, as part of preparations for the Season of Lithuania in France, the Centre Pompidou initiated a series of acquisitions of Lithuanian photography, creating a pendant to the BnF collections, bringing together artists from the subsequent generation (mainly the 1980s and 1990s). Breaking away from their elders, while still contending with state coercion despite the political “thaw”, these artists stand out for their scepticism, their reserve or, on the contrary, their brashness. Everyday life is at times transfigured into curious fragments, at others into tragicomic compositions; boredom into mystical experience; solitude into a theatre of intimacy. Experimentation, performance, and a mise en abyme of the medium reshape the contours of photography. Women photographers take a stand.
Selected prints from these two ensembles are complemented by prints from the collection of the Lithuanian Photographers Association – a historical institution and partner of the project – as well as by a few contemporary works that demonstrate the vitality of a scene more conscious than ever of its history. Each of these works enters into its own dialogue with the preceding generations. But the painful memories of the country’s recent past, reactivated by the present crises, as well as a new awareness of global environmental issues, have changed artistic practices and photographers’ gaze on their world.
The exhibition title is borrowed from a poem by Mantas Balakauskas (born in 1989). | | |
| | | | | | | | | | | | | | | | | | Paris Photo 2024 | | | | | Artist Talks 2021 © Florent Drillon | | | Paris Photo 2024 - Conversations | | | | | | In 2024, film director Jim Jarmusch will join Philippe Azoury in a discussion about the influence of Surrealism on the film-maker’s work; tribute will be paid to Robert Frank and his contribution to photography, film and publishing in a discussion with Lucy Gallun and Sarah Greenough led by Clark Winter; Tyler Mitchell will be in conversation with Deborah Willis.
The image’s power of seduction and its exploitation by digital technology will be the subject of a discussion led by Marco de Mutiis in conjunction with the Digital section. Michel Poivert and Evelyne Cohen will discuss the photographic experiments of emerging photographers in the fair.
During the day devoted to Elles x Paris Photo, there will also be a discussion about the collaboration between three artists – the choreographer Gisèle Vienne, the photographer Estelle Hanania and the actor Adèle Haenel – exploring the representation of the body through the camera lens.
Conversations - PROGRAMME »
The videos of the Platform are available on parisphoto.com | | | Paris Photo 2024 - Artist Talks by The Eyes | | | | | | Conceived and organized by The Eyes’ team, the Artist Talks by The Eyes put into perspective the link between the artist and the book in their artistic practice, their editorial approach and realization. In an intimate atmosphere, each artist shares with the public their experience around their most recent publication in a set format of 15 minutes, followed by Q&A’s. In all, 37 artists selected by The Eyes participate in this unique program presented in French or in English.
Artist Talks by The Eyes are organized and hosted by Federica Chiocchetti (Director and curator of Museum of Fine Arts Le Locle (MBAL)) Marc Feustel (author and independent curator), Pascale Obolo (independent curator, director of the African Art Book Fair) and Véronique Prugnaud (Founder and director of The Eyes / Eyes Wide Open).
From Thursday 7th to Sunday 10th at 2pm, 3pm and 4pm » | | |
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | A PPR OC HE 2024 | | | | The salon dedicated to experimenting with images | | | Thu 7 November : upon invitation
Fri 8 November : 1-8pm public by reservation
Sat 9 November : 1-8pm public by reservation
Sun 10 November : 1-6pm public by reservation | | | | | | Le Molière 40, rue de Richelieu, Paris 1e
Free entrance upon reservation
www.approche.paris
| |
| | | | | | Founded in 2017 by Emilia Genuardi, a ppr oc he is an independent boutique art fair with a curatorial gaze, designed as an exhibition.
A salon consisting exclusively of solo shows, combining so-called traditional photographers with artists who use photography in three dimensions, on non-traditional media such as wood, leather, Perspex, glass and metal, going beyond the frame into the territory of installations. | | | Daniel Bourgais (FR) » Galerie Data (FR)
Alessandra Calò (IT) » Lab 1930. Fotografia Contemporanea (IT)
Isabelle Chapuis (FR) » ANALIX Forever (CH)
Alexandre Dupeyron (FR) » Galerie du Jour agnès b. (FR)
Hiền Hoàng (VN) » MUCHO MAS! (IT)
Sara Imloul (FR) » Hopstreet Gallery (BE)
Benoît Lefeuvre (FR) » Galerie Porte B. (FR)
Sandrine Marc (FR) » Résidence PICTO LAB (FR)
Jackie Mulder (NL) » Janknegt Gallery (NL)
Inês d'Orey (PT) » Galeria Presença (PT)
Homayoun Sirizi (IR) » Ag Galerie (IR)
Jesse Wallace (FR-US) » Galerie Écho 119 (FR)
Elles Walschaerts (BE) » Nationale 8 Gallery (BE)
Susanne Wellm (DK) » Galerie XII (FR-US)
Antoine De Winter (BE) » Hangar Gallery (BE)
With the participation of PODA, La Petite Oeuvre D’Art (FR) | | | | |
| | | | | | | | | | | | | ... more ... Photo - Book - Art Fairs Photo Discovery, the fair! | Offprint | Polycopies | | |
| | | | | | | | | | | | | | Polycopies 2024 a bookfair with 50 publishers, booksellers and photographers from all continents. |
| | | | | | Wed November 06 : 3pm - 10pm
Thu November 07 : 11am - 9pm
Fri November 08 : 11am - 9pm
Sat November 09 : 11am - 9pm
Sun November 10 : 12pm - 7pm | | | | | | | | | | | | | Created in 2014, Polycopies is an non-profit for the distribution and promotion of independent photographic publishing (books, multiples, paper objects and experimental publishing practices).
Every year, to coincide with Paris-Photo , Polycopies organizes its festival and transforms the Concorde-Atlantique boat and the quays of the Seine in front of it, into a large ephemeral bookshop fully dedicated to photography books. Visitors are welcomed by over eighty French and international publishers and booksellers.
A host of events, round tables, signings, professional meetings, portfolio readings..., Polycopies has become a meeting place for many amateurs, collectors, authors and publishers who like to share and confront their ideas on photography practices, understand the stakes of publishing, exchange their discoveries and favorite books, or submit dummies and see new projects being initiated.
In 2022, a second association was created. Backed by Polycopies , Polycopies &Co brings together collectors to promote the work of photographers and photography book publishing, by providing financial support for projects. Polycopies &Co is supported by the French Ministry of Culture. | | | | |
| | | | | | | | | | | | | | | Patricia Morosan, "(I) Remember Europe'" | | | | | | | | | | | | | | | | | | | | | | | | Fotohof Calling | | | | | | JEUDI 07 / THURSDAY 07th
A LA TABLE DE / AT THE PUBLISHERS TABLES BELOW :
FOTOHOF EDITION
18:30, Fotohof Calling, Release Party
SAMEDI 09 / SATURDAY 09th
A LA TABLE DE / AT THE PUBLISHERS TABLES BELOW :
FOTOHOF EDITION
18:00, Patricia Morosan, '(I) Remember Europe' | | | | |
| | | | | | | | | | | | | | | » SPECIAL EDITION: Thomas Hoepker – ITALIA + Handabzug | | | | | | | | | | | | | | | | | | | | | | | | Katrin Jaquet – Fam // Janick Entremont – If Time Does Not End // Pierfrancesco Celada | | | | | | 15-16h, Saturday, November 9, 2024
Katrin Jaquet » – Fam
Self-published - Limited edition of 50 copies, 2024, Artist's book
Text by Christoph Tannert
Handmade album in a linen slipcase, 48 pages,
Price: 300.00 €
16-17h, Saturday, November 9, 2024
Janick Entremont » – If Time Does Not End
Self-published 2023 - Limited edition of 100 copies, 2nd edition
Nomination: Paris Photo-Aperture PhotoBook Awards
Price: 65.00 €
17-18h, Saturday, November 9, 2024
Pierfrancesco Celada » - When I Feel Down I Take a Train to the Happy Valley
Hardcover, 67 photographs, 120 pages, first edition, 2024
muddyisland publishing house
Price: 44.00 € | | | | |
| | | | | | | | | |
|
|
