| Paris during Paris Photo 2019 |
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| Exhibitions ... Openings ... Art Fairs ... Events ... Auctions ... |
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| | | | | SIGMAR POLKE’S PHOTOGRAPHIC INFAMIES LE BAL» | | | | Paris Photo: 200 exhibitions | 10 fairs | 10 auctions | festivals | events | | | In the week of Paris Photo 2019 alone more than 150 photography exhibitions» are showing in Paris.
Paris during Paris Photo 2019» is an exclusive and comprehensive guide for exhibitions and events, whereas Paris Photo 2019+» (sent yesterday) is a guide for all the fair activities. | | | | 2019 institutional Highlights: Solo shows | Group exhibitions | | | | | | | Innovative young artists | | | | | | | | Paris Galleries Photography Highlights | | | | | | | | Auctions Photography | | | 
Guy Bourdin (1928-1991)
Charles Jourdan, Spring 1976
Fujiflex Crystal Archive print
Estimate : €20,000-25,000
© Copyright The Guy Bourdin Estate 2019 - Courtesy of Louise Alexander Gallery | In this week there will also important photo auctions»
take place, at
MILLON» (Tue 5 Nov 2pm) ADER» (Thu 7 Nov 2pm), » Sothebys (Fri 8 Nov). |
| | | | Festivals and Events | | | | | |
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 | Exhibitions Paris 1e | 2e | 3e | 4e Arr. (Selection) |
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| | | |  | | | Ganpati Puja à Bombay, Inde, 1955.
Denis Brihat |
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| | | |  | | | Installation David Wojnarowicz, Lower East Side New York 1985
Photo Marion Scemama |
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| | | © Vittroia Gerardi | | | | | | | Tue-Sat 12-19 | | |  | | | | | | | | | | Following the remarkable success of her first series "Confine", exhibited at Galerie Thierry Bigaignon in 2017, the young italian artist, Vittoria Gerardi, confirms her irresistible talent with a new series dedicated to Pompeii. A delicate and powerful work that challenges the very nature of photography.
Pompeii, in itself, is a kind of oxymoron: it is a constantly evolving ruin, it has an objective existence but provides a subjective experience, it is past and present, fossilized and moving. It is all that has been discovered and all it still holds. It is a city and it is a name. And it is now the name of the new series by Italian artist, Vittoria Gerardi.
Like the ancient city immersed in oblivion by natural disaster, later revealed through the use of plaster, Vittoria Gerardi uses two different materials to visually translate the richness of Pompeii. Its memory is evoked through the plasticity of the plaster and its “return to the light” emerges as metaphor through the silver gelatin. “The pictures I was able to take of the city are trapped in the reduced space of the negative, the images stagnate at the border of latency before being revealed by the positive print. Though, in Pompeii, what is revealed is still somewhat veiled!" explains Vittoria Gerardi. | | |
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| | | |  | | | | © Marilou Poncin |
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| | | |  | | | | © Philippe Durand |
| | | | | | | | | | | | Opening: Tue 5 Nov 18:00 Tue-Sat 11-19 | | | | | |
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| | | |  | | | | © MOTOHASHI Seiichi |
| | | | | | | | | | | | Opening: Fri 8 Nov 18:00 Wed-Sat 12-19 | | | | | |
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| | | |  | | | | Max Stockburger, Blacky |
| | | | Young European photography
With 15 emergent artists from
• Ensad École nationale supérieure des Arts Décoratifs Paris
• Fachhochschule Bielefeld, Faculty of Art and Design
• Fondazione Modena Arti Visive Fondazione Fotografia Modena, School of Advanced Studies
• Gerrit Rietveld Academie, Amsterdam
• Zürcher Hochschule der Künste ZHdK, Zürich | | | | | | | Opening: Tue 5 Nov 18:30:00 Daily 14 -19 | | | | | |
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| | | |  | | | | © Collection Sébastien Lifshitz |
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| | | Alia Ali © Hassan Hajjaj, 2014-1435 | | | Hassan Hajjaj » Maison marocaine de la photographie | | | Wed-Sun 11-20:00 | | | | | | | | | | | | | The MEP is delighted to present Hassan Hajjaj’s first retrospective in France by giving him carte blanche to re-think all of our spaces. This major exhibition, reflecting a 30-year career, will feature all of Hajjaj’s most important photographic series as well as video works, sculptural installations and furniture. Even the educational spaces and new bookshop will be included in a real first for the MEP.
Born in 1961 in Larache, Morocco, Hassan Hajjaj has since lived and worked in both London and Morocco. Equally influenced by the London cultural and music scene, and his North African heritage, his practice reflects his ability to build bridges between the two cultures. This is most evident in the photographic series he began producing in the 1980s using colourful compositions to mix and blend the codes of contemporary fashion photography and Pop Art, bringing together different styles, references and icons. But beyond the sometimes deliberately kitsch look and playful humour that these images exude, they also support the artist’s message. For if Hassan Hajjaj plays with the imagery of fashion brands, it is not only a response to the question of what constitutes “today’s new Pop Art”; but it is also a way of expressing his position on today’s consumer society, especially with respect to the act of wearing the veil. By picturing young veiled women engaging with pop art and fashion that often ignore them, the artist seeks to explore questions of identity politics.
Furthermore, this combination of statements and Pop Art aesthetic, is also reflected in the frames for his photographs, which he makes in three dimensions using products mainly from Moroccan consumer culture (tin cans, tubes of harissa, and so on) a… | | |
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| | | |  | | | | Station de recharge des téléphones, bidonville d'état pour migrants, Calais, 2015 © Bruno Serralongue |
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| Exhibitions Paris 5e | 6e Arr. (Selection) |
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| | | |  | | | | Myriam Boulos, Nightshift, 2015. |
| | | | 3ème Biennale des Photographes du monde arabe | | | | | | | Tue-Sun 10-18 | | |
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| | | |  | | | | © Marvin Leuvrey |
| | | | | | | | | | | | Opening: Tue 5 Nov 16:00 visible 24/7 or by appointment. | | | | | |
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| | Ilse Bing » | | | | | | | | | | | | Ilse Bing In collaboration with Le Minotaure Gallery. | | Opening: Tue 5 Nov 18:00 Tue-Sat 14-19:30 | | | | | | | |
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| | | |  | | | | Thomas Mailaender, Gone Fishing © Thomas Mailaender |
| | | | | | | | | | | | Opening: Tue 5 Nov 16:00 Tue-Fri 13-19, Sat 11-19 | | | | | |
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| | | |  | | | | Ange Leccia, Laure - Girls, Ghosts and War, 2019 © Ange Leccia |
| | | | | | | | | | | | Opening Tue 5 Nov 16:00
Tue-Sat 14-19 | | | | | |
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| | | |  | | | | GLASS by Daisuke Yokota |
| | | | | | | | | | | | Opening Tue 5 Nov 16:00
Mon-Sat 13-20 | | | | | |
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| Exhibitions Paris 10e | 11e Arr. (Selection) |
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| | | Gabriel Gauffre from the series Brulures | | | | | | | l’exposition des 12 lauréats sélectionnés Mairie du Xe | | | | | | | | À la suite d’un appel à candidature, les Rencontres Photographiques du 10e ont l’honneur de vous présenter l’exposition des 12 lauréats sélectionnés. Parmi plus de 500 candidatures, un jury de professionnels du milieu de la photographie a réalisé une sélection dont deux thèmes en sont ressortis : l’intime et le voyage… Nous vous invitons à découvrir cette exposition à la Mairie du 10e du 14 octobre au 16 novembre 2019. | | | | | | | | | | | | | vernissages des expositions Rencontres Photographiques du 10e : | | |
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| | | Noé SENDAS & Fernand FONSSAGRIVES | | | CORPS FORMELS | | | | | | Tue-Sat 12-19 | | | | | | | | | | | | | Galerie Miranda presents a photographic dialogue between the sensuality of Fernand Fossagrives' formal black and white nudes from the 1950s and the contemporary manipulated works by Noé Sendas - rigorous, sophisticated and witty.
Fernand Fonssagrives (1910 - 2003, France)
Born in 1910 to a sculptor father and a musician mother, Fonssagrives developed an early sensitive to physical grace and movement and his first career was as a dancer. He moved to America at the age of 18 to continue his studies of dance and returned to Europe at the age of 21 for his military service. In 1935 he met the young Swedish dancer Lisa Bergstrom who would became his dance partner then his wife. Following a diving accident Lisa gave him a Rolleiflex and he commented that it was his first 'real' camera, and it would be become like a part of his body. The couple divorced in 1950 and Lisa later married Irving Penn. Fernand Fonssagrives' most memorable work traces their unique partnership, captured in sublime black and white chiaroscuro nudes formalized by a geometric play of light and shadow, that created a precedent at the time, much imitated since. Galerie Miranda will present a selection of signed artist prints of key works from the 1950s, exhibited in Paris for the first time.
Noé Sendas (b. 1972, Belgium, lives and works in Berlin)
Noé Sendas began exhibiting his work in the late nineties. He resorts to different means of expression: video, sculpture, collage, drawing and photography. Explicit and implicit references to artists and literary, cinematic, or musical creations are part of his raw materials. Rooted in cinematic and literary references, his images depict phantom-like, partial figures whose heads and limbs appear to be invisible, or which have seemingly blended into furniture or walls. Drawing upon photographic modernism, abstraction and surrealism, his staged, partly erased human bodies directly and indirectly reference Dora Maar and Man Ray, John Baldessari and Guy Bourdin, Robert Gober and John Stezaker. After more than 50 solo expositions in Europe, Galerie Miranda will present for the first time in Paris selected recent works by Noé Sendas, in particular his 2015 body of work "Wallpaper* Girl". | | |
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| Exhibitions Paris 7e | 14e | 15e | 16e Arr. (Selection) |
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| | | |  | | | | Miguel Rothschild: The Spectre, 140 x 210 cm, ink jet prints with burns. |
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| | Albarrán Cabrera, The Mouth of Krishna #34177, 2019
Tirage pigmentaire sur papier japonais et feuille d'or, 17 x 25 cm, ed. 20 | | | | | | | Wed-Sat 12-19 | | | | | | | | | | | | | With Someone lived this, their first exhibition in Paris, the Spanish duo Albarrán Cabrera questions the reality of our memory. They invite us to think of works of art as the support of an imaginary journey, towards dreams, which allows the creation of fictional memories.
These photographs are inspired by their travels, their readings, the artworks they love and which move them. In front of the beauty of landscapes, glittering light, subtle colours, the viewer also dreams of escaping time, of reconnecting with nature - so present in their works - as a consolation for the world's current events. The mystery of the shaded figures in the series This is you here reminds us of lost friends or forgotten childhood memories that only photography can trace.
Over the years, with an excellent knowledge of history of photography and ancient techniques, they have developed unique and precious printing processes. They combine traditional silver printing, cyanotype or platinum- palladium printing with the use of pigments, Japanese paper and gold leaf. Their images are thus adorned with a singular intensity and light that seem to make the image shimmer, and enliven it with the emotion that was part of its creation. Far from being a mere image of reality, Albarrán Cabrera's photography becomes a magical object, a window opening onto other worlds. | | |
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| | ERIC MEIER
Entrance, 2018 | DOROTHEE WALDENMAIER
Fluss, 2018 |
| | | | | | | les œuvres des Meisterschüler de Heidi Specker | | | | | | | Opening: Thu 7 Nov 19:00
Mon-Fri 9-21 . Sat 9-14 | | | | | | | | | | | | | Le Goethe-Institut de Paris et la Deutsche Börse Photography Foundation présentent les œuvres des Meisterschüler de Heidi Specker, l’une des représentantes les plus illustres de la photographie contemporaine en Allemagne, professeure depuis 2014 à la Hochschule für Grafik und Buchkunst (HGB) à Leipzig. Dans cette école, l’enseignement de la photographie artistique s’appuie sur une longue tradition et se caractérise aujourd'hui par une grande ouverture. L’accent est mis sur le développement d’une démarche artistique et d’un langage visuel individuels. Les étudiants les plus méritants peuvent développer leurs compétences en travaillant avec d’éminents spécialistes dans le cadre d’un programme de mentoring dit Meisterklasse.
Dans cette exposition, les artistes traitent du thème de la frontière sous différents angles – physique, géographique, politique et conceptuel. Les travaux présentés dépassent eux-mêmes une frontière, à savoir celle du médium photographique : point de départ de la création d’images, la photographie part à la recherche de nouvelles formes d’expression en lien avec le texte et le livre, avec l'image en mouvement du film et de la vidéo, comme sculpture ou comme installation spatiale. | | |
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| Exhibitions Paris 8e | 9e Arr. (Selection) |
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| | | Larry Sultan, Antioch Creek, from the series Homeland, 2008 © The Estate of Larry Sultan, courtesy Galerie Thomas Zander, Cologne | | | | | Fragments - Fondation A Stichting | | | | | | | Fondation A Stichting opened its doors in south Brussels on the site of the former Bata factories in October 2012. Created in promotion of public interest upon the initiative of Astrid Ullens de Schooten, its vocation is to support the creation, knowledge, and preservation of the photographic image. | | | COLLECTIVE IDENTITY - JP MORGAN | | | | | | | | | | | | | | | STÉPHANE LAVOUÉ X PERNOD RICARD | | | AHO & SOLDAN PHOTO AND FILM FOUNDATION | | | | | | Josh Haner »
CARBON'S CASUALTIES - THE NEW YORK TIMES | | | | | Opening: Wed 6 Nov
Thu-Sat 12-20, Sun 12-19:00 | | | | | | | | | | | | | | |
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| Exhibitions Paris 12e | 13e Arr. (Selection) |
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| | | |  | | | | © Evelyn Bencicova |
| | | | | | | | | | | | Opening: Fri 8 Nov 19:00 by appt | | |
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| Exhibitions Paris 18e | 19e | 20e Arr. (Selection) |
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| | | Sigmar Polke, Sans titre (Hannelore Kunert), 1970-1980, Collection de Georg Polke Sigmar Polke, Cologne/ADAGP, 2019 | | | | | | | Wed 12-22, Thu-Sun 12-19 | | | | | | | | | | | | | | | Le Bal presents a unique ensemble of photographs by Sigmar Polke dating from the 170s, an eblematic period featuring the artist's first jubilant experiments (double exposure, floutage, solarisation, Superposition...) They reveal Polke as an alchemist of photographic material, poet of almost nothing, free from the rules of the medium and fierce chronicler of his time.
«MY ART IS LIKE A BUSH PRUNED BY PREJUDICE - DESPITE IT ALL WE GROW, EVEN BETTER. AND NOT ONLY DO WE PROLIFERATE UPWARDS, BUT ALSO DOWNWARDS.» SIGMAR POLKE
"Untitled" was the name Sigmar Polke chose for his exhibition in 1986 at the Schelma Gallery. One could describe just as tersely and categorically the entire body of photographs presented in this book and the exhibition it accompanies: hundreds of untitled, undated prints. Shots that remained over the years in a chest in the house of Georg, Sigmar Polke’s son, and had long since been forgotten. (Fritz Emslander, co-curator, Deputy director of the Museum Morsbroich, Leverkusen)
Polke used the photographic medium early on, as both a documentary source for his paintings and as a means in itself. There is a reciprocal contamination of the two practices in Polke’s work, so much so that it is just as possible to evoke the photographic dimension of his painting as it is to speak of the pictorial dimension of his photography. His approach to photography was, from the beginning, that of an amateur craftsman. Polke always developed and printed his photographs himself, irrespective of the rules (not heeding to correct times of exposure and using out-of-date paper and chemicals), flippantly practising under- and over-exposure as well as double-exposure. | | |
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| | | Disconnected, 2018 © Roger Ballen | | | Roger Ballen » The World according to Roger Ballen | | | A TALK AND BOOK SIGNING WITH ROGER BALLEN
COINCIDING WITH THE ARTIST'S YEAR-LONG EXHIBITION AT THE MUSEUM
Friday, November 8 | Conversation: 2pm (14:00) | Book Signing: 3pm & 5pm (15:00 and 17:00)
| | | Mon-Fri 11-18, Sat 11-19, Sun 12-18 | | | | | | | | | | | | | | Introduction Martine Lusardy Roger Ballen reigns over the black-and-white world of the human psyche. Disturbing, provocative and enigmatic, the work of this American-born South African photographer, a geologist by training, expresses the sense of confusion of a man confronted by the nonsensical nature both of his life and of the world in general. Ballen’s work has been the subject of exhibitions at prestigious institutions for more than thirty years now. Although each of his shows is an event, his decision to exhibit at the Halle Saint Pierre in Paris, an atypical museum devoted to outsider art and unusual forms of creativity, demonstrates his freedom from artistic genres. For the Halle Saint Pierre, a collaboration with Roger Ballen is an invitation to showcase – or test out – the artistic and cultural otherness of art brut. In his relationship with creativity, Ballen has constantly explored a form of art that is rooted in the deepest layers of human nature; like the French dramatist, actor and writer Antonin Artaud, he is always moving towards more primal means of artistic expression. It was outside the usual boundaries of culture, in places of confinement and exclusion, that the French artist Jean Dubuffet redefined the territory of art, in the belief that it could be more authentic and personal there. Artists who are resistant or impervious to the norms and values of ‘asphyxiating culture’ are the harbingers of a new relationship with the world, whose unexplored potential they lay bare. To them, creation is life’s act of protest in the fac of the threat of nothingness. The uniqueness of this human experience, as di… | | |
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| | | |  | | | | History of the White World, Venus preferred to the Christ, Paris, 1997, tirage argentique |
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| Auctions |
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| | Guy Bourdin (1928-1991)
Charles Jourdan, Spring 1976
Fujiflex Crystal Archive print
Estimate : €20,000-25,000
© Copyright The Guy Bourdin Estate 2019 - Courtesy of Louise Alexander Gallery | | | Photographs | | | | | | Tuesday 5 November 2019, 4pm
Viewing: 2–5 November 2019
E-catalogue: www.christies.com/salelanding
Contact: Elodie Morel-Bazin, Head of Department
+33 (0) 1 40 76 84 16
[email protected]
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Peter Lindbergh (1944–2019)
Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder & Stephanie Seymour, for American Vogue, Brooklyn, New York, 1991
gelatin silver print
Estimate: €8,000–10,000
© Peter Lindbergh, courtesy Peter Lindbergh, Paris |
| | | | | | | | | | | | | | Coinciding with Paris Photo, Christie’s presents its Photographs sale on 5 November in the French capital, offering around 150 works by the greatest photographers of the 20th and 21st centuries. Highlights include a magnificent portrait of Marilyn Monroe by Richard Avedon, important still lifes by Irving Penn, such as Frozen Foods, Three Wines of France and Aphrodisiacs, a series of never-before-seen images by Constantin Brancusi and Charles-Henri Favrod’s collection of Henri Cartier-Bresson prints. | | |
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| | Lot 259
Jean-François BAURET (1932-2014)
"Isabelle Barbôt, 1990"
Vintage silver print, titled and dated on the mounting, stamp of the author on the back
40 x 58 cm (51 x 60,5 cm)
1 500/2 000 € | | | PHOTOGRAPHIES | | | | Collections & Propositions | | | | | | | Auction: Tuesday, November 5th at 2 pm CET | | | Expert: Christophe Gœury
Tel + 33 (0)6 16 02 64 91
[email protected]
Live bidding: www.drouotlive.com
Public exhibitions:
Monday, November 4th, 2019 11am – 6pm
Tuesday, November 5th, 2019 11am – 12pm
Hôtel Drouot, room 12
9 Rue Drouot - 75009 Paris, France
Online catalog: www.millon.com
Contact and inquiries:
Natalia Raciborski
MILLON Head of the Photography Department
16 rue de la Grange Batelière - 75009 Paris
Tel + 33 (0)7 88 09 91 86
[email protected] |  |
| | | | | | | | | | | | | Christophe Goeury and the Millon Auction House are pleased to announce their upcoming prestige photography auction of exemplary 19th and 20th century vintage and later prints, and Contemporary photography, that will be held in Paris in the Hôtel Drouot on November 5th.
The first collection is an ensemble of 65 lots, over 100 vintage and later prints, by the Franco-Russian Photographer Genia Rubin. Known as a fashion photographer, Genia Rubin’s prints integrate into a Surrealist canon. Rubin's portraits defy notions of "normality" and go beyond pure advertising as is common with Fashion photography of the 1930s-1950s. With strange shapes, floating body parts and bizarre landscapes, as well as theatrical lighting and dramatic shadows, these composed scenes reject a rational way of seeing the world, turning instead to a dream-like and imaginative environment. This collection is presented for the first time at auction and offers a significant range of Genia Rubin's photographic work. (Lot 159: 1 000 / 1 500 €)
The second collection, from the family estate of Jean-François Bauret, presents a series of dramatic nude portraits. The photographer’s son summarizes the artist’s work beautifully: "The people Jean-François Bauret photographs are often stripped naked, but we tend to talk more about the genre of portraiture rather than the nude. If he has placed the body on the same plane as the face, it is the gaze of the subject that first catches the attention of the viewer, as their personality is revealed. Merging the two genres of portraiture and the nude is unexpected and modern because Bauret choses his subjects more for their character than for their beau… | | |
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| | 356
Francesca Woodman (1958-1981)
Providence. Rhode Island, 1975-1978.
[Paula in a mirror].
Vintage gelatin silver print.
Estimate : 8 000 / 12 000 € | | | Photographs
Photographies | | | | | | | | | | | | | | | | | 19th century photographs by :
E. Baldus | H. Bayard | R. de Bérenger | P. Berthier | G. de Beaucorps | A. Braun | L. A. de Brébisson | E. Carjat | D. Charnay | E. Colliau | E. S. Curtis | A. Delaunay | E. Delessert | M. Du Camp | L. de Clercq | L. E. Durandelle | C. Famin | A. Fortier | A. Giroux | C. S. Grasset d’Orcet | Houseworth & Co. | L. A. Humbert de Molard | P. Jeuffrain | J-C. Langlois | E. Lebel | A. Le Blondel | G. Le Gray | H. Le Secq | E. Lory | C. Marville | R. du Manoir | Dux de Massa | L. E. Méhédin | F. Moulin | E. Muybridge | F. Nadar | C. Nègre | E. de Noailles | V. Orly | Otto | E. Pécarrère | E. de Rostaing | A. Salzmann | C. Silvy | E. Sulzer | A. Terris | A. Thivet | E. d’Urban | A. Vacquerie | J. Vallou de Villeneuve | A. Violin | and miscellaneous.
Modern and contemporary photographs by :
B. Abbott | L. Albin-Guillot | M. Alpern | N. Araki | D. Arbus | H. Bellmer | A. Bertsch | E. Boubat | G. Bourdin | M. Bourke-White | M. Bovis | B. Brandt | Brassaï | R. Capa | L. Carroll | H. Cartier-Bresson | V. Chochola | L. Clark | L. Clergue | D. Colomb | I. Cunningham | D. Dailleux | R. Doisneau | T. Drahos | F. Drtikol | E. Erwitt | G. Figueroa | N. Finkelstein | L. Fournol | R. Frank | C. Freire | G. Freund | F. Garduno | E. Gérhin | M. Giacomelli | R. Gibson | N. Goldin | S. Greene | R. Groebli | P. Halsman | R. Hausmann | M. E. Hewitt | S. Hiett | L. Hine | J. F. Jonvelle | A. Kertész | E. Khaldei | W. Klein | B. Klemm | A. Korda | Les Krims | O. Ly | S. Masour | Man Ray | R. Mapplethorpe | D. Masclet | R. Meatyard | S. McCurry | L. Miller | L. Misonne | P. Molinier | P. Monti | S. Moses | H. Newton E. Olaf | Orlan | B. Plossu | R. Rauschenberg | René-Jacques | M. Riboud | A. Rodtchenko | W. Ronis | J. Rossler | P. Roversi | L. Roze | T. Ruff | M. Sidibé | J. Sieff | S. Skoglund | B. Stern | A. Sterenberg | L. Stettner | J. Sudek | P. de Vallombreuse | E. Van der Elsken | A. Villers | Walery | Weegee | G. Winogrand | M. Wolf | F. Woodman
Specialist :
Antoine Romand - Assisted by François Cam-Drouhin and Agathe Ouallet
22, rue Bisson 75020 Paris
+ 33 (0)6 07 14 40 49
[email protected] | [email protected] | [email protected]
www.antoineromand.fr
Sales administrator :
Magdalena MARZEC
+ 33 (0)1 78 91 10 08
[email protected]
Viewing on appointment :
Salle des ventes Favart
Ader Nordmann Auction House
3, rue Favart 75002 Paris
Monday, November 4th, 11.00 am to 06.00 pm
Tuesday, November, 5th, 10.00 am to 12.00 pm
Exhibition:
Salle 11 - Hôtel Drouot
9, rue Drouot 75009 Paris
Wednesday, November 6th, 11.00 am to 06.00 pm
Thursday, November 7th, 11:00 am to 12:00 am
Online catalogue : www.ader-paris.fr
Live bidding : www.drouotonline.com | | |
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| | | | | Grand Palais | Avenue Winston Churchill | Paris 8e
Wed November 6 : by invitation only
Thu November 7 : 12 pm - 8 pm
Fri November 8 : 12 pm - 8 pm
Sat November 9 : 12 pm - 8 pm
Sun November 10 : 12 pm - 7 pm
www.parisphoto.com |
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| | | | | Le Molière | 40, rue de Richelieu | Paris 1e
Thu November 7 : 2-10pm upon invitation
Fri November 8 : 1-8pm public by reservation
Sat November 9 : 1-7pm + 7-10pm pub. by reservation
Sun November 10 : 1-6pm public by reservation
www.approche.paris |
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| | | | | Carrousel du Louvre | 99 rue de Rivoli | Paris 1e
Thu November 07 : 5pm - 7pm by invitation only
Thu November 07 : 7pm - 10pm by invitation only
Fri November 08 : 11am - 8pm
Sat November 09 : 11am - 8pm
Sun November 10 : 11am - 6pm
www.fotofeverartfair.com |
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| | | | | Carreau du temple | 4 rue Eugène Spuller | Paris 3e
Sat November 09 : 12pm - 8pm
Sun November 10 : 12pm - 8pm
Mon November 11 : 12pm - 7pm
www.akaafair.com |
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| | | | | Beaux-arts de Paris | 14 Rue Bonaparte | Paris 6e
Thu November 07 : 5pm - 9pm
Fri November 08 : 1pm - 9pm
Sat November 09 : 11am - 7pm
Sun November 10 : 11am - 6pm
offprint.org |
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| | | | | Berges de Seine | Port Solferino | Paris 7e
Wed November 06 : 5pm - 10pm
Thu November 07 : 11am - 9pm
Fri November 08 : 11am - 9pm
Sat November 09 : 11am - 9pm
Sun November 10 : 12pm - 7pm
www.polycopies.net |
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Hotel de Sauroy | 58 Rue Charlot | Paris 3e
Wed November 06 : 5pm - 10pm
Thu November 07 : 11am - 8pm
Fri November 08 : 11am - 8pm
Sat November 09 : 11am - 7pm
paris-vintage-photobook.com/ |
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| | | | | More than 150 brands - exhibitions, artists talks
Parc des expositions | 1 place de la Porte de Versailles | Paris 15e
Thu-Sun November 7-10 : 10am - 7pm
Mon November 11 : 10am - 6pm
en.lesalondelaphoto.com |
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© 5 Nov 2019 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
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